Lyrics by Tom Bont
A song about my dad’s ring.
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Tom Bont retweeted
On my way to the office this morning, I passed a group of young people protesting, a Palestinian flag draped over their shoulders.
And I asked myself a question I can't shake: why does this generation always fall into the same trap? No matter the history. No matter the context. Even the ones from wealthy families, who went to the best schools, who were dealt every good card. Always the same trap.
I don't think it's stupidity. I think it's a mechanism. And a mechanism can be taken apart, piece by piece.
A. The observation: everything the state touches becomes unaffordable.
Look at economist Mark Perry's famous chart, the one people call "the chart of the century." It tracks US prices since 2000.
At the top, what explodes: hospital services, college tuition, textbooks, childcare, housing. Increases of +100%, +150%, up to +250%, far above general inflation.
At the bottom, what collapses: TVs, software, phones, toys, clothing. A TV today costs a fraction of what it did in 2000, for an infinitely better product.
Look at what separates the two groups. It isn't technology. It isn't complexity. It's one variable: how much the state is involved.
At the top, sectors that are subsidized, regulated, shielded from competition, where the state funds demand and blocks supply. At the bottom, sectors where companies fight every single morning to serve you better and cheaper.
B. The mechanism: why it's systematic.
When the state subsidizes demand without freeing supply, prices rise. Every time. Guaranteed student loans, and universities raise tuition. Housing aid plus blocked building permits, and rents skyrocket. Administered healthcare, and bureaucracy eats the budget before it ever reaches the patient.
In France it's even more vicious, because the price doesn't disappear: it hides. You never see the hospital bill, you pay it through payroll contributions. You never see the cost of school, you pay it through taxes. Public spending at 57% of GDP, one of the heaviest tax burdens in the world, more than €3.4 trillion in debt. And the result? Overflowing ERs, falling PISA scores, young people who can't afford to live in the city where they work.
The market didn't fail in these sectors. It was never allowed in.
C. Suffering demands a culprit.
A 22-year-old lives all of this in their bones. They can't find a place to live. Their degree either buries them in debt or opens no doors. The future feels blocked. That suffering is real, and I don't deny it for a second.
But human beings can't stand suffering without a culprit. They need a face. A scapegoat.
And this is where everything is decided: who taught them how to read the world?
D. Whoever tells the story picks the villain.
Schools are public. Universities are public. Culture runs on grants. Film goes through funding committees. Public broadcasting shapes the narratives. The people handing down the interpretive framework are, overwhelmingly, paid by the very system that creates the problem.
Do you really think that system is going to name itself as the culprit?
No. It names the capitalist. The boss. The landlord. "The rich." The multinational. The commercial West. Same role, same casting, every time.
E. One lens, a thousand causes.
And this brings me back to that flag. A generation taught to read every situation through a single lens, oppressor on one side, rich, Western, capitalist, oppressed on the other, will apply that lens everywhere. To housing. To climate. To conflicts on the other side of the world. The cause changes, the lens stays. That's why the trap is always the same: it's not the cause that draws them in, it's the way of thinking that was installed in them.
F. The perfect inversion.
Here's the irony. Capitalism is the force that drove down the price of almost everything it touched. The state is the force that blew up the price of almost everything it captured. And young people blame the first for the crimes of the second.
It's like blaming the firefighter for the fire because you saw him at the scene.
G. The ballot box confirms it.
In the US, a few weeks out from the midterms, a large share of urban young voters is getting ready to vote Democrat for more state, more spending, more regulation. New York elected a self-described socialist mayor, carried by young voters, on promises of rent freezes and city-run grocery stores. Rent freezes, the policy that has made housing scarcer everywhere it's been tried. The cure that worsens the disease.
In France, it's the same play in two acts. Part of the youth votes for the radical left, which promises more state. Another part votes for the center, which promises to "manage" the state well, and has dug the debt deeper than ever. Two different ballots, one shared assumption: the problem is the market, the solution is the state.
H. The way out.
These young people aren't stupid. They're right to be angry. They're just aiming at the wrong target.
The day they understand that their rent, their tuition and their hospital are expensive precisely because the state runs them, their anger will change direction. They'll stop protesting against those who create. They'll start protesting against those who capture.
That day, the greatest intellectual scam of our time will be over.
Tom Bont retweeted
Fellow Americans, read this…and listen. This is a brilliantly based post. I salute this gentleman.
Pay attention, America! They’re already here.
Tonight, France burned. America, you should be watching very carefully.
Today, October 17, 2026, more than half a million people marched across France against the cost of living. By 8pm, around 400 had been arrested. In Paris, police turned water cannons on the crowds at Place de la République, and one march was stopped 150 meters from the Élysée Palace. Of the 195 people arrested in the capital by the afternoon, only one actually lived in Paris. Mobs forced their way into the city halls of Marseille and Lille. In Lyon, a tourism office was set on fire. In Rennes, barricades burned. Near Limoges, a highway was blocked and police cars were torched.
And then came Limoges.
A crowd of very young people stormed the city hall, a protected historic monument built in the 1880s. They flipped police cars in front of it and set them ablaze, then set the building itself on fire. The flames took the roof, the wedding hall, and the civil registry, the office that records every birth, every marriage, every death in the city. Tonight, the bell tower that has crowned Limoges for nearly 150 years collapsed.
The mayor's response: "It's a monument that is burning, not the Republic."
That is the problem in one sentence. Our leaders still think words can put out fires.
None of this came out of nowhere. For twenty years, the French political class has excused everything. Every riot was "anger." Every burned car was a "social symptom." Every attack on police was "a reaction to provocation." And the hard left, La France Insoumise, which officially backed today's mobilization, built its electoral machine on an alliance with political Islamism: refusing to condemn, refusing to name, trading secularism and public order for votes. In France we have a word for it. Islamo-gauchisme. Islamo-leftism.
Tonight you saw where that culture of excuse ends. A country where a mob can burn down a town hall, and the state arrives after the roof has already fallen in.
My dear American friends,
I say this with love, as someone who has lived among you and owes you a great deal: your midterms are on November 3rd. And the same alliance is growing inside your Democratic Party. The same far-left wing that treats disorder as protest and police as the enemy. The same activists who refuse to draw a line between legitimate dissent and those who openly despise the West. The same politicians who think tolerance means tolerating everything, including the people who want to burn it down.
It always starts with excuses. Then comes impunity. Then come the flames.
Same causes, same effects. If you create the conditions we created, you will get exactly what we got tonight.
France was the country of the Enlightenment, of cathedrals and town halls that stood for centuries. Tonight, one of them collapsed live on social media while the government called for calm.
My dear American friends, the only advantage you have over us is that you've been warned.
Vote like your city hall depends on it. Because one day, it will.
Although this song came out before my “Crazy Horse” song, it is technically a sequel. It was also my first taste of Tribal Metal.
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Crazy Horse fought to protect his people, to preserve their way of life as his world slipped away. He wasn't chasing glory. He was holding a nation together. You can still respect a defeated enemy. I hope I did him justice.
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Lyrics by Tom Bont and Rick Czechowski
Rick, a picker friend of mine out of Nashville, gave me the idea for this song and helped me get over a couple of weird verse problems.
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We have well done things in life we regret. Sometimes you just want to go back, shake your younger self, and say, “Grow up!“ I think this song gets the point across.
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A cheating song. A love song. A what if song. Because if you’re gonna write country, you gotta hit all the clichés.
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When the movie “Song Sung Blue” came out, the porch scene struck me; the same thing happened with my wife when we met in college in 1990. I figured that was worth a song.
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I wrote this based on a woman I met in 1983 in Orlando, Florida.
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Tom Bont retweeted
THEN: The Nazis euthanized 250,000 mentally ill people during WWII.
NOW: Canada will vote October 7 on whether to euthanize mentally ill people.
And they say we're Nazis.
I spent close to six years writing the lyrics for this. Each sentence tells an entire story. Every time I came across something beautiful, I wrote it down. I think everyone should find something in this song that touches them.
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