@WVLGTHS

The Wavelengths program at TIFF. Daring, visionary and autonomous voices. Film art in the cinema and beyond.

 Toronto
tiff.net/wavelengths
Joined September 2013
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This year’s Wavelengths programme is dedicated to our dear friend Tomonari Nishikawa who is deeply missed. We will launch our shorts with a screening of Ten Mornings Ten Evenings And One Horizon in his memory. ❤️
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I know you guys think of us.🥰😘
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After its North-American premiere at the Toronto International Film Festival, FHF’s 4K restoration of John Abraham’s Malayalam classic “Amma Ariyan” (1986, Report to Mother) will now be screening at the Vienna International Film Festival 2026!
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Fireflies Press@firefliespressOct 19
Our new book! Matías Piñeiro's 'From where do you start when drawing a flower?' 👇For more pictures, event dates in Porto and New York, and the link to order your copy.
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“Jean-Claude Rousseau wrote something magnificent: ‘The Pastoral Concert’ (1980)—something entirely different from a screenplay or découpage, and it has nothing to do with the history of experimental cinema… the avant-garde… the underground.” Jean-Marie Straub
The Theater of the Matters@theater_mattersOct 13
The Theater of the Matters & Taufic present… ‘The Pastoral Concert’ + LAST STOP FOR THE CIRCULAR TICKET A book launch for the first English edition of Jean-Claude Rousseau’s Le Concert champêtre. Plus the US premiere of his new feature film. Friday, Nov. 6 at @AnthologyFilm.
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The New Yorker
@NewYorkerOct 16
“Once Upon a Time in Harlem,” which Richard Brody described as “one of the greatest cinematic works of creative nonfiction” he’s ever seen, opens today. Revisit Brody’s review from before the film was completed. newyorker.com/culture/the-fr…

“Once Upon a Time in Harlem” Is a Film for the Ages

William Greaves’s great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion.

newyorker.com
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Bilge Ebiri
@BilgeEbiriOct 16
Everybody go see ONCE UPON A TIME IN HARLEM please. vulture.com/article/once-upo…

One of the Best Movies of 2026 Was Shot in 1972

Once Upon a Time in Harlem is a monumental work of art.

vulture.com
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Notebook
@mubinotebookOct 16
On the occasion of MUBI Editions' publication of “The Faust Bible,” @adriancurry shares the story behind the original poster for F.W. Murnau’s 1926 film → mubi.com/notebook/posts/movi…
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Daniel Gorman@DanielGorman20Oct 11
From the Notebook of… (1972; Robert Beavers); the material process of creation mediated by the more elusive nature of perception. A documentary of its own making.
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The Paris Review
@parisreviewOct 8
“I write to find out what I think about something.” —Anne Carson buff.ly/GMlbtvA

Anne Carson, The Art of Poetry No. 88

“I write to find out what I think about something.”

theparisreview.org
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The New Yorker
@NewYorkerOct 8
A poem by Anne Carson, who was awarded the 2026 Nobel Prize in Literature. Read it in full: newyorker.com/magazine/2001/…
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Criterion Collection
@CriterionOct 7
Read Dennis Lim’s new essay on our edition of Kleber Mendonça Filho's electrifying masterpiece THE SECRET AGENT (2025), a kaleidoscopic period thriller pulsing with resonance. criterion.com/current/posts/…
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Reverse Shot@reverse_shotOct 7
Hong Sang-soo’s 34th feature THE DAY SHE RETURNS continues a robust period of autofiction for the filmmaker about aging artists more concerned with being true to themselves than being liked. Kelley Dong reviews for our #NYFF coverage: reverseshot.org/reviews/entr…
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In Review Online
@InROOct 7
'Is this what Fevers is about? It’s difficult to be sure. However, one thing is certain. Richards depicts progress as indistinguishable from a horror show, a cavernous echo in which a hypothetical Last (or First) Person calls out in the darkness, to anyone capable of listening, anyone who might still have a name.' inreviewonline.com/2026/10/0…

Fevers — James Richards [NYFF '26 Review] | In Review Online

A new film review of Fevers, directed by James Richards, for film review site In Review Online's NYFF 2026 festival coverage.

inreviewonline.com
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MoMA Film
@MoMAFilmOct 7
The Craft: Claire Atherton opens tomorrow! Claire will join us for introductions and post-screening q&a's throughout the weekend! moma.org/calendar/film/5938
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LIFT@LIFTfilmOct 6
💐🎬 Filmmakers Robert Beavers and Ute Aurand visited the @LIFTfilm office today, en route to one of their screenings in Toronto this week! (L-R) Robert Beavers, Ute Aurand, LIFT Executive Director Chris Kennedy and LIFT Deputy Director Renata Mohamed.
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LIFT@LIFTfilmOct 6
There are a few tickets left to the "The Sparrow Dream" with Robert Beavers event, happening at @TIFF_NET on Wednesday, October 7, 2026. Get tickets here: tiff.net/events/the-sparrow-…
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Lawrence Garcia@lawrencengarciaOct 6
I'm at that point where I consider La Libertad (2001) alongside Citizen Kane (1941) and Jeanne Dielman (1975), so it was a pleasure to write on La Libertad Doble, Alonso's unexpected and fascinating follow-up.
Reverse Shot@reverse_shotOct 5
As LA LIBERTAD DOBLE unfolds, we are gradually confronted with a possibility that LA LIBERTAD raised but did not explore, that is, of a dramatic rupture, a decisive break in routine. @lawrencengarcia reviews Lisandro Alonso's unexpected sequel for #NYFF: reverseshot.org/reviews/entr…
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POV Magazine@POVmagazineOct 5
"This has been my experience of what it means to make work. Domestic. Chaotic." Beatrice Gibson walks us through her process of making AT NIGHT povmagazine.com/beatrice-gib…

Beatrice Gibson on At Night and Domestic, Chaotic Work - POV Magazine

An interview with At Night director Beatrice Gibson about creating an intersectional portrait of Parisian women and drawing upon literary references.

povmagazine.com
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The New Yorker
@NewYorkerOct 5
In “I Am Tony,” a retrospective at the New Museum, the artist takes his remixing of the past to its outer limits. newyorker.com/magazine/2026/…

Arthur Jafa’s Odyssey of Appropriation

In “I Am Tony,” a retrospective at the New Museum, the artist takes his remixing of the past to its outer limits.

newyorker.com
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TIFF
@TIFF_NETOct 1
The 19th Toronto Palestine Film Festival returns Sept. 30–Oct. 4th at The Lightbox, bringing Palestinian stories, filmmakers and perspectives to Toronto.
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