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Sometimes, to remind myself why I'm here, I walk around my Oncyber gallery, and truly marvel at the deep pleasure all that @artblocks_io art gives me. oncyber.io/zerodecaf
Somewhere I have a brother or sister in arms who is obsessed with both generative art and cassette tapes. This is for you… zerodecaf.com/at-the-interse…
I'm happy to be the proud owner of Defrag Me #12 by @zjorge I've been collecting his work since early 2022, and love the continuity between projects. @artblocks_io
For those of us who love #poetry and the counter culture... Cover of Bash Street School Magazine #1, 1969. @sashastiles @theVERSEverse @CaballeroAnaMa
Having a Squiggle in your wallet is great. Having a print on your wall is even better 😃 @artblocks_io @squiggleDAO
Still treasuring and reading my copy of Technology by @sashastiles A companion to brain and heart...
New home, new kayak, different river, and all good.😃 @artnome
What @ArtOnBlockchain says... For the love of art...
open.spotify.com/track/4DmqW…
Last week a prominent non-crypto CEO said in a fireside chat (that was not about crypto) that we really need to work on the “brand” of crypto, that it’s perceived as not much more than a mafia by the general public. It wasn’t a dis, it was just a simple genuine observation that a quick glance at the timeline can validate pretty often around here.
Fast forward to these last few days in Venice, where MONUMENTAL work was done to create experiences underpinned by beautiful and powerful technology, this “mafia”, that makes a lot of this possible, fun and connected.
Hundreds of creators, collectors, curious spectators gathered in Venice to collectively and inadvertently demonstrate just how far from a mafia this really is.
60 artists that put care and love into participating in an epic and groundbreaking artwork that tied a bow around the @brtmoments journey over the last few years. Passionately making work without expectation of monetization but because they love it and they want to be a part of it and maybe, just maybe, be there the moment that one of their works was minted in a room of hundreds of eager spectators (cc: @florianzumbrunn absolute honor and delight to have minted your work for the last token 🤯).
Hundreds of equally passionate collectors traveling from all over the world to talk about art, community, relationships, technology, and reminisce over the madness and beauty of the last few years.
Dozens of the most humble, welcoming, weird-af-in-the-best-possible-way BM team members that would do anything in their power to ensure that everyone there had a flawless experience with a contagious smile.
All accompanied by more significant others and children than I’ve ever seen since entering the crypto world.
This is powerful stuff y’all.
This is the “brand” of crypto I want to be a part of. This is the “brand” of crypto that will present a compelling reason for new people to come and experience the magic that just a precious few of us have had the opportunity to experience over the last few years. This is the “brand” of crypto we can and all should be striving to build. Everyone can contribute. And subsequently everyone benefits too. And you didn’t have to be in Venice to understand.
We need and want new people coming in not with expectations of instant gains, but people coming in with a desire to invest… financially, sure, but also emotionally, and participatorily (not sure that’s even a word sorry) in the career of artists passionately dedicated to their craft, with hopes of seeing them succeed not in hours-or-days-long time horizons but on a multi year journey sprinkled with both success and failure, gratification and regret, progress and regression more closely modeling the human experience. Crypto “tech” simply does not replace that.
I promise if we collectively continue to elevate the “crypto brand” to the magic that materialized in Venice, I really really promise things will get better around here.
Kudos @seth and team. Truly mind blowing thing you dreamt up and built. Thanks for trusting @artblocks_io and @ArtBlocksEngine through it all and letting us play a role in the magic. And thanks for letting me mint #999!!!
Mad respect to @SamSpratt and @1OF1_art for putting together an exemplary interactive and introspective exhibition experience.
@mitchellfchan, your work being included at @FondazionePrada was pure joy and highly inspirational.
🙌 @IsmaTaziS adding high design to the equation through the wonderful @trameparis experience.
Collectors take note of the artists that contributed. Artists take note of the collectors that participated. Folks following along take note of both. I truly believe these folks are all GMI in one way or another and model what success looks like in the future of digital art.
Love yall and will cherish these moments forever. My feet not so much. But I will.
🍻
zerodecaf.eth retweeted
Grateful for this opportunity to share my work alongside my contemporaries (and heroes) hosted by an organization that feels objectively focused on celebrating the thing many of us around here are so utterly passionate about.
In a multi-month exhibition.
This is a very special moment for not just @sashastiles, @emilyxxie, @GrantYun2, @tylerxhobbs and myself but to anyone creating and collecting today.
Very much looking forward to seeing many of y’all in Kansas and sharing this experience with you in person.
Thank you @museumartlight and @iconic__culture for the opportunity.
Have a wonderful weekend.
We are excited to announce the artists featured in the @museumartlight's first digital art exhibition, Code & Canvas: Defining Digital Art in the Age of Blockchain.
This groundbreaking exhibition, features both new and renowned pieces by @ArtOnBlockchain, @tylerxhobbs, @sashastiles, @GrantYun2 and @emilyxxie.
Visit iconicmoments.co/moal for more information.
zerodecaf.eth retweeted
Weak market got you down? I’ve lived through nearly every bear market that’s ever happened in the digital asset space (BTC 2011). I’ve also seen more than my fair share of bear markets in traditional finance. What we are seeing in NFTs is nothing new in the digital assets space and bear markets happen from time to time. When ETH fell to $90 in 2020 from over $1500 in 2017, down 94% was it over for Eth?
The real money is made by having a view that’s different than the consensus. To me, digital art and digital collectibles are nothing short of revolutionary. Out of favor here, sure, going away? Zero chance of that. Will there be a major come back? 100% yes…. I do think many collections and artists won’t but some/many will and the digital assets that are coveted in the future will make the last market top look tame. We needed a shake out, and we needed the weak hands to fold.
Despite the pain, I’m undeterred and fully committed to the digital asset space. NFTs have a bright future, I said this in 2020, no one believed me then. I’m saying it again now.
Out on a kayak today... But not my own kayak or familiar water... @artnome
Went to the Pussy Riot exhibition in Montreal today. In awe of the passion and courage of these women... @pussyrrriot
I’ve wanted a Nimbuds by @bryanbrinkman for literally years… and yesterday I found just the smiley one I wanted, in the price range I was hoping for. Happy Xmas to me! @artblocks_io
I must have missed a beat, or two, or three... What's up with the price of @cryptoadzNFT ?






















