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Joined May 2009
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Skydance $SKYD: Meet the Assets (E6) Warner Bros. Games & Paramount Games Studio 🎮 Skydance is transforming into a AAA video games publisher by combining Warner Bros. Games and Paramount Games Studio as it shifts Hollywood’s historical interactive strategy from passive licensing to active AAA game development and multi-platform publishing. Generating between $1.5 billion and $2.5 billion in annual revenue in strong years, the combined unit becomes the largest game publisher owned directly by a traditional film studio, placing it on par with mid-tier industry giants like Ubisoft. The IP: The flagship of Skydance’s portfolio is Hogwarts Legacy, the most successful title in both companies’ histories, which has sold over 40 million units and generated more than $1 billion in revenue. By claiming the #1 spot globally in its launch year, Hogwarts Legacy broke a nearly 15-year streak in which either Call of Duty or Grand Theft Auto dominated the global sales charts. Warner Bros. Games IP 🎮 DC Universe: Batman: Arkham, Injustice, Suicide Squad, and broader DC Multiverse properties. 🎮 Wizarding World: Hogwarts Legacy and broader Harry Potter interactive titles under Portkey Games. 🎮 Mortal Kombat: NetherRealm Studios’ flagship fighting franchise, led by Mortal Kombat 11 (12M+ copies sold). 🎮 Middle-earth & LEGO: The Lord of the Rings action titles and TT Games’ extensive LEGO catalog (Star Wars, Marvel, DC). 🎮 Strategy & Cult Hits: Game of Thrones: Conquest, F.E.A.R., Scribblenauts, and Back 4 Blood. Paramount Games Studio IP 🎮 Sci-Fi & Action: Star Trek, Mission: Impossible, and Top Gun. 🎮 Nickelodeon & Family: SpongeBob SquarePants, Avatar: The Last Airbender, and Teenage Mutant Ninja Turtles. 🎮 Cult Media & Horror: The Godfather, South Park, A Quiet Place, and World War Z. The Pipeline/Slate: 🎮 Warner Bros. Games: Hogwarts Legacy 2, unannounced single-player DC/Arkham universe projects, next unannounced NetherRealm fighting project, ongoing support for Game of Thrones: Dragonfire. 🎮 Paramount Games Studio: Marvel 1943: Rise of Hydra, untitled Star Wars narrative action game (Amy Hennig/Skydance New Media), Teenage Mutant Ninja Turtles: The Last Ronin, Avatar Legends: The Fighting Game, Skydance Interactive VR projects, expanded casual/co-op SpongeBob and Star Trek titles.
Skydance $SKYD: Meet the Assets (E5) Nickelodeon, Cartoon Network and Warner Bros. Animation Skydance now owns Nickelodeon, Cartoon Network, and Warner Bros. Animation, creating an unrivaled portfolio of iconic youth and kids IP. This portfolio can generate significant revenue globally across advertising, streaming subscriptions, retail licensing, video games, film distribution, live experiences, and library content. Reach: 🫟 Domestic Pay-TV: 60 million domestic pay-TV homes (30 million with children) 🫟 Global Streaming: 200+ million global streaming subscriptions across platforms (40 million family households) 🫟 Global Consumer Products: #2 Hollywood entertainment studio licensor, behind only Disney 🫟 Social Footprint: 350+ million combined social media followers (including over 100 million on YouTube alone), driving billions of organic impressions, viral video views, and active fan engagement across YouTube, TikTok, Instagram, and Roblox IP: 🫟 Nickelodeon: SpongeBob SquarePants, PAW Patrol (key distribution and licensing rights), Teenage Mutant Ninja Turtles, Avatar: The Last Airbender, Dora the Explorer, Rugrats and the classic 1990s Nicktoons library 🫟 Cartoon Network: Ben 10, The Powerpuff Girls, Adventure Time 🫟 Warner Bros. Animation: Looney Tunes, Scooby-Doo, DC Animated Universe, Tom and Jerry, The Flintstones, LEGO film library (and related games via TT Games)
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Feliz dia dos Professores!
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Acabou a guerra A Paramount Skydance fechou um acordo com a Califórnia, representada pelo procurador Rob Bonta, e os outros 11 estados autores do processo criado para barrar a fusão de 110 bilhões de dólares da empresa com a Warner Bros Discovery. Com este sendo o principal empecilho para a fusão, agora é uma questão de tempo até que o negócio seja fechado, visto que a empresa de David Ellison é obrigada a pagar uma multa diária de 7 milhões de dólares pros acionistas da WBD caso o negócio não seja encerrado até o dia 1 de outubro. Entre os termos acertados, estão a garantia legal de que o novo estúdio lance 30 filmes por ano, com a cobrança de uma taxa de 30 milhões de dólares por filme prometido não lançado, além da manutenção dos estúdios em Los Angeles e investimento bilionário na produção de filmes e séries no estado. Maiores detalhes da fusão serão divulgados pela empresa ainda hoje.
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“I am the realm’s greatest warrior.” - Criston Cole Me:
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A 15ª temporada da animação O Rei do Pedaço já está disponível no @DisneyPlusBR
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I just came out of seeing The Odyssey. Unfortunately, I only got to watch it in a standard cinema and didn't get to experience it in IMAX in all its glory. Even so, I made sure to see it on day one because my expectations were incredibly high, and I'm happy to say they were completely met. I'm also a huge fan of mythology, and I think this film delivers one of the best portrayals of it without ever fully showing the gods. I loved and hated that choice because it kept everything grounded while still embracing the mystery and mysticism surrounding the story but hated due to me studied a lot of mythology, my greed left me wanting to see all the lores 😭 Cyclops scene got my emotions all worked up for the wrong reasons.... And the Hades scene, chefs kiss. There was a lot of noise leading up to this movie, but I feel like all of that disappears the moment you immerse yourself in the soundscape and the story. Sadly, I didn't get to experience it at its full scale, but I completely understand why everyone who saw it in its peak format has been singing its praises. This doesn't feel like just a film, more so an experience, one that's elevated even more when seen at its full potential. My only issue is that many people around the world won't get to experience it that way. So the fact I still found it phenomenal in a standard cinema says a lot. I will say this, and it's just my opinion, the first 20 to 30 minutes are a very slow burn, almost to the point where you start wondering where it's going. But once it kicks in, it literally Sparta kicks in. For me, this is one of my favourite performances I've ever seen from Matt Damon. Is it the greatest movie of all time like many are saying? Not for me. But I do think it's one of those films that will be mentioned on many "Top" lists for years to come. Nolan created so many scenes, so many frames, that felt like pure art. As an artist, it was incredibly inspiring to watch, observe, and absorb. Everyone that did their thing, standing slow clap 👏 I'd like to end with this. Agamemnon is the biggest aura farmer I've seen in a long time. 😅 Go enjoy, form your own views on it!
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Sam Neil nos deixou… a geração que era criança nos anos 80 e adolescente nos 90 vive a tristeza constante de ver os artistas que admirava indo embora consecutivamente. Obrigado por momentos como esse, Sam. 🥺
To Sam Neill, you had an amazing career. You did so much. You made an impact. Nobody else could have played Dr. Alan Grant. You did that. Rest easy Legend.
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2011: “IT ALL ENDS.” 💔 2026: “IT ALL STARTS AGAIN.” ❤️
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The Batman has a deleted scene where Batman goes to Arkham Asylum to ask the Joker for help profiling the Riddler 5 full minutes of Robert Pattinson and Barry Keoghan face to face "Almost our anniversary, isn't it ?" the Joker says Warner Bros cut it
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Achei esse documentário de Harry Potter na medida certa. Mostrou muito e pouco ao mesmo tempo. Mostrou o cuidado com a produção, os vários cenários reais e efeitos práticos, que algumas coisas serão visualmente diferentes (feijãozinho, sapo de chocolate…) e mostrou especialmente como todo mundo que tá ali sabe da importância da obra, é fã da obra, tem uma conexão pessoal com a obra… Vai ser uma série de FÃS para FÃS, com cada detalhe meticulosamente preparado para cada cena. Me deixou ainda mais animado!
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Em APENAS UMA CORUJA animatrônica da série Harry Potter, são colocadas 35 mil PENAS A MÃO! Ta maluco, isso produção NENHUMA faz mano
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A foto da Terra tirada pelo astronauta Reid Wiseman, comandante da Artemis II, foi tirada numa Nikon D5, lente 22 mm, ISO 51200, abertura 2.8, shutter 1/4 e tratada em um computador com Windows, usando o Lightroom Classic. Você pode baixar a foto aqui: images.nasa.gov/details/art0…
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facilmente uma das cenas mais poéticas e com a fotografia mais linda da série e do universo ASOIAF na HBO:
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Zuil retweeted
Good morning
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Zuil retweeted
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Uma galáxia inteira te espera. Super Mario Galaxy: O Filme estreia dia 1 de abril nos cinemas. #SuperMarioGalaxy
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Tonight @TheAcademy: The Secret Agent [Brazil], dir. Kleber Mendonça Filho. #MovieNight
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