Film Editor 🎞 ✂️ We Were the Lucky Ones, The Patient, Marvelous Mrs Maisel, Fosse/Verdon, The Wire. Producer of doc The Surrounding Game @thegomovie ⚫️⚪️
Brooklyn, NY
Joined March 2020
- Tweets1.4K
- Following1.5K
- Followers2.3K
- Likes10.5K
Very excited about our upcoming screening of Mikey and Nicky at the @Metrograph theater Dec 6th. Elaine May will be attendance for Q&A after! @tnyfrontrow @ACEPresents_
Please enjoy the best Emmy presentation of all time from Elaine May and Mike Nichols 🏆 #emmys #nicholsandmay #totalmediocrityaward youtube.com/watch?v=_dyCXMFD…
"In the most sinister outcome, a reality star had been elected president, embraced by voters who mistook him for the masterful tycoon he played on The Apprentice." 😭
Kate Sanford retweeted
Join us for an important event that explores how Holocaust stories, both scripted and nonfiction, serve as powerful tools to understand history, educate the younger generation, and combat antisemitism.
More info: bit.ly/3x6fHPY
Editors and directors sometimes tried to expand on the form, and I wasn't sure at the time if this scene would inspire new directions, but ultimately it did not. There were a few slo mo shots in episodes preceding, but this technique turned out to be a stand-alone.
LOVED this article. Surprised that nobody remembers and that it was not seriously debated. I created this slow mo sequence w/director Rob Bailey after Ziggy kills Glekas in S2. This was unprecedented on The Wire. We discussed and David felt it worked for the moment. (1/2)
TV Friends, noms end Monday! Please consider We Were the Lucky Ones for Picture Editing, Limited Series. This was a challenging edit, tragic and uplifting, based on the incredible true story of the Kurc family 🤍 ✂️🎞️ Episode 104 "Casablanca" #wwtlo #Emmys #TelevisionAcademy
WT - wild track
OTS - over the shoulder
OS - off screen
ECU, CU, MCU, WS, FS - extreme close up, close up, medium close up, wide shot, full shot
TS - tail slate
BG - background
CR - camera roll
SR - sound roll
FS - false start
SER - series
I was also thinking of Kirsten Dunst's character, who ceases to be a bystander and takes action. Earlier montage images in the film made me think of real life photojournalist Kevin Carter, and the trauma and ethics of being a witness.
Waited till I finally saw the film in a theater to read this spectacular review: articulating the various strands, narrative strategies, sorting out what I'm feeling and thinking and why. The last sentence: whose self-actualization? I can think of three people.