Agency representing literary estates & dramatists across theatre, musical theatre, film, television & radio.
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ALT A woman wearing a red and blue shirt stands in front of the Crucible Theatre.
ALT Three people stand close together and smile in a theatre foyer.
ALT A woman wearing a red and blue shirt stands in the foyer of the Crucible Theatre.
ALT The company of The Buddha of Suburbia dancing on stage under part lighting, with balloons floating around the stage. They're wearing 70s clothing with party hats.
ALT Charlie, played by Tommy Belshaw, is stood in the centre posing. To the left a person wearing a dress is kneeling on the floor, while a person on the right stands looking down at the floor with their arms out. Several people in the background, some on a raised platform, are wearing blue denim dungarees.
ALT Haroon, played by Ankur Bahl, is stood on a grassy platform in front of a brick wall wearing an icy blue coloured suit with his hands on his hips. Karim, played by Dee Ahluwalia, is sat with his legs over the edge of the platform wearing a floral blue shirt and blue trousers
ALT Eva and Karim, played by Lucy Thackeray and Dee Ahluwalia, stand facing each other smiling. Eva is wearing a colourful kaftan and reaching out towards Karim who is wearing a floral blue shirt and blue trousers
ALT A man in a brown wool suit with a red tie, white shirt and glasses, crouches down and rests his arms on his knees. He looks solemn. Behind him the wall is concrete and there is a large black speaker inbuilt to the wall.
ALT A man in a white shirt, braces, a red tie and glasses has his arm around a woman in a white silk shirt. They look at each other fondly and smile. they lean against a concrete wall.
ALT A man in a grey three piece wool suit sits on a bench against a concrete wall. There is a light coming from above that casts shadows across his face. he looks sad and worried.
ALT A man in a white shirt, grey trousers, red tie, braces and glasses sits cross legged on the floor and leans back on one hand - he looks deep in thought. The stage behind him is dark but you can see the faint outline of another person watching him and the wall behind them is concrete.
ALT Two suited arms emerge from both sides of the frame, with strings attached to their fingers which move a suited woman below as if a marionette. To the left, peach-coloured text reads: In association with Headlong, The New Real, by David Edgar.
