Alchemy | Submissions Open (@alchemyjournal) header
Alchemy | Submissions Open (@alchemyjournal) profile picture

journal publishing textual & visual translations as well as experimental work that challenges the act of translation. based in uc san diego

San Diego, CA
Joined February 2012
Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)Photo by Alchemy | Submissions Open (@alchemyjournal)
Alchemy | Submissions Open retweeted
Today's Featured Poem: "Scissors" by Omama Zaier, translated by @AliZnaidi from @alchemyjournal Issue 25 Read here: poems.com/poem/scissors/
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From "To put straight the long-lingering sunshine" An original auto-translation by Fiona Martinez alchemy.ucsd.edu/to-put-stra… Alchemy is open for submissions till September 30 : alchemy.ucsd.edu/submissions…
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Send us your translations! We are open for submissions: alchemy.ucsd.edu/submissions…
"I sidestep the need for certainty, or words of explanation. Instead, I trust that the ambiguity inherent in the poet’s word choice will help readers feel the complex dialectic in these poems." - Xuelan Su on translating A Hua from the Chinese. alchemy.ucsd.edu/two-poems-2…
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"I sidestep the need for certainty, or words of explanation. Instead, I trust that the ambiguity inherent in the poet’s word choice will help readers feel the complex dialectic in these poems." - Xuelan Su on translating A Hua from the Chinese. alchemy.ucsd.edu/two-poems-2…
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From Ali Znaidi's translation of Omama Zaier's poem. You can read both in full here: alchemy.ucsd.edu/scissors/ Alchemy submission guidelines: alchemy.ucsd.edu/submissions…
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"there are a few things I don’t think I’d be skilled in / yet I’d know how to sleep in a hotel, nights in a row, / alone, curled among bedsheets" From Claudia Serea's translation of Svetlana Cârstean's Romanian poetry. alchemy.ucsd.edu Alchemy is open for submissions.
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we are open for translation and visual art submissions. send us your work by September 30! alchemy.ucsd.edu/submissions…
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Alchemy | Submissions Open retweeted
What a difficult day …is
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We are happy to announce Alchemy's latest issue, which can be found here: alchemy.ucsd.edu/ Image by Gian Cruz and Gisela Marcelang
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from Damariz Aispuro’s visual arts series, “Vocero” alchemy.ucsd.edu/vocero/
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"Of its total length, approximately one third of the US-Mexico border is fenced. / This barrier gets fortified not only physically, but also by way of taking thousands of photos of it. By imagining it." from "CBP’s broken photostream" by Eliseo Ortiz alchemy.ucsd.edu/cbps-broken…
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"or is it that through your pale clay something gleams there beyond the human?" from Antonia Pozzi's "Lamp" translated, from the Italian, by Amy Newman alchemy.ucsd.edu/two-poems-a…
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"junam / جونم / my life [when someone calls me i reply with junam]" "[ to shake off and free the dust from a cloth / resistance / uprising / liberation / to free palestine..." from "traduttore, traditore," an original work by Deniz Ibrahimzade alchemy.ucsd.edu/traduttore-…
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"He lightly touches the shrine with his right hand as he enters, sensing the pinewood-saturated air, heavy with the musk and frankincense emanating..." from Ahmed Abu Hazem's "Scattered Spectra" translated by @EssamJassim alchemy.ucsd.edu/scattered-s…
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"Dunya was watching the Nile. It was bright blue in the sun, and it was rippling and sparkling. 'It’s like holy water,' she said." from "Nile Like Holy Water" by @reemhtasyakan a creative translation of Ernest Hemingway’s “Hills Like White Elephants” alchemy.ucsd.edu/nile-like-h…
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