Manager, Producer & Programmer The Clapham Grand / Co-Founder & Festival Director Mighty Hoopla.

London
Joined December 2007
Someone to rival your ticket demand @liamgallagher.
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Replying to @alivedemo
OASIS are the most important band on the PLANET since the last time we were the most important band on the PLANET
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Has anyone seen James Blunt and the Crack Fox from Mighty Boosh in the same room at the same time?
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Game recognises game
Brilliant news @jamietmusic congratulations
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More amazing archive content from @Jack_Risley of Charli xcx. Chaz from @thecoolness was ahead of the game. Glory days of East London with Chew Lips and Is Tropical, and Dalston before bardens boudoir closed.
Thread part 2 🧵 Every era starts somewhere. For Charli XCX, it was East London warehouse raves. I spoke with Chaz from @thecoolness and he's opened up the archive, with more rare photos & rave flyers
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Amazing thread and an insight into how authentic Charli is and the scene that she came from x
Charli XCX told her origin story on Madonna's Danceteria Afterhours: Hackney Wick, MySpace, Le Couteau Jaune. So I dug out the actual flyers. Here's the 2008–09 East London warehouse era that made her. Thread incoming! 🧵
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Replying to @Beth_Supernova
It’s like a football game it’s the 2nd half and we have made some substitutions hope that clears things up have a nice day
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One of my all time favourite songs
30 years ago, One To Another entered the top 3 on the Official UK charts. Here we are performing the track on TFI Friday, September 1996. #OTA30
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being married is funny because you'll be chilling, having a bowl of cereal, and your wife will say i hate these bowls, don't you? and you'll shrug becuase you don't care and she'll say i do, they've bothered me for a while now. we need new bowls. and you'll shrug again because you have honestly, not once, ever considered the bowls at all then a few days later there will be all new bowls in the kitchen. and you'll be eating the same cereal in a different bowl, chilling, and she'll say i love these new bowls and you'll shrug again because you still don't care but she's happier and the cereal is still good and you didn't do anything at all
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❤️
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Recognise that stage door @TheClaphamGrand 👀
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Replying to @oasis
Please tell me that was a plum he threw. Genius 😂
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If you add the numbers shown, plus the four and twenty million from The Masterplan, and multiply that by the one, two, three and four from Fade In-Out, you get your place in the Manchester Ticketmaster Oasis queue.
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allywolf retweeted
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Absolute banger
1995. St Etienne “He’s on the Phone" is pure French pop chic meets grim British reality. Sarah Cracknell’s melancholic whisper set against a euro-house dance beat. The ultimate soundtrack for walking home from the club at dawn in heels, singing the hook into your greasy chip wrapper. Bliss. @120Revisited @Britpopmemories @ShiiineOn_ @OMGIluvthatsong @XMartinsMusicX
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allywolf retweeted
Happy birthday to the man with the voice that changed music forever. Here's to you, Barry. 🎉
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LG voice here. Absurd.
Instead of easing the crowd into the show, Oasis opened their legendary G-Mex performance with the enormous title track from their newest album. “Be Here Now” was built around pounding piano, layers of guitars and a relentless chorus that reflected the deliberately excessive sound of the 1997 album Be Here Now. The track was never released as a UK single, despite giving the record its title. On 14 December 1997, Oasis used it to launch their Manchester G-Mex set before immediately tearing into “Stay Young”. The homecoming show was broadcast on MTV and remains one of the most celebrated performances of the Be Here Now era.
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What a photo
Keith Flint at Knebworth, 30 years ago. The Prodigy opened for Oasis.
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