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Luna-tika.

@andreailb2

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Joined June 2020
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una inmensidad intima
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"La belleza corresponde al hombre capaz de apreciarla. Siempre me pertenecerĂĄ a mĂ­, o a un hombre como yo": Burt Lancaster solucionĂł la discusiĂłn sobre la propiedad del arte de forma expeditiva, aquĂ­ con Frankenheimer. Muy recomendable en todos los ejes que acciona. El tren, 1964
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late blossoms not everything beautiful arrives in spring
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Art Guide (@ArtGuide_db) profile pictureArt Guide
@ArtGuide_dbSep 30
Hieronymus Bosch The Conjurer (aka The Magician), 1506
Image from Art Guide (@ArtGuide_db)
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PIEDRA DE GRAFITO Y CENTRO Dibujo sobre un polĂ­gono de madera. 2026.
Image from Rodrigo Flores Herrasti (@FloresHerrasti)
Image from Rodrigo Flores Herrasti (@FloresHerrasti)
Image from Rodrigo Flores Herrasti (@FloresHerrasti)
Image from Rodrigo Flores Herrasti (@FloresHerrasti)
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lusso (@luusssso) profile picture
lusso
@luussssoSep 25
Proof that sometimes Brutalism just needs a little warmth Louis Kahn’s Phillips Exeter Academy Library (1971)
Image from lusso (@luusssso)
Image from lusso (@luusssso)
Image from lusso (@luusssso)
Image from lusso (@luusssso)
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work in progress
Image from jaimesoler.bsky.social (@JaimeSolerF)
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Exactamente cansada harta agotada irritada triste de todos los lugares de este mundo. (Cristina Peri Rossi)
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Decía Onetti que «la literatura es mentir bien la verdad». Escuchando este fragmento, diría que también es hacer verdad la mentira.
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“I always start out with an idea that becomes a question I don’t have answers to.” —Toni Morrison buff.ly/8o5q3RM
Toni Morrison, The Art of Fiction No. 134

Toni Morrison, The Art of Fiction No. 134

“It is perfectly all right to hate my work. It really is. I have close friends whose work I loathe.”

theparisreview.org
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Luna-tika. retweeted
Criterion (@Criterion) profile picture
Criterion
@CriterionSep 19
Evening viewing recommendation? On the Criterion Channel, watch KING OF NEW YORK (1990) in our Directed by Abel Ferrara collection! Ferrara—working in collaboration with his regular screenwriter Nicholas St. John—brings his murky moral worldview and eye for pulp imagery to this kinetic, stylishly sleazy gangster saga.
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"Mi vida ha sido una travesĂ­a de escondites, puertas traseras, ascensores secretos y todas las posibles maneras de pasar desapercibida para no ser molestada por nadie" (Greta Garbo) Flesh and the Devil, 1926
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Luna-tika. retweeted
Poemas (@poemasladc) profile picture
Poemas@poemasladcSep 3
Lope de Vega.
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MICROSOFÍA (@EOnironauta) profile picture
MICROSOFÍA@EOnironautaSep 15
Nos falta filosofĂ­a y nos sobra inteligencia artificial.
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lusso (@luusssso) profile picture
lusso
@luussssoSep 4
Balthazar Korab The greatest architectural photographer you’ve never heard of His work spanned the second half of the 20th century and he captured the light and shadow of Modernism like no one else Absolute legend
Image from lusso (@luusssso)
Image from lusso (@luusssso)
Image from lusso (@luusssso)
Image from lusso (@luusssso)
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mountain path no law but the direction of my own feet
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cuando buscarte es mi modo de perderte
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“Maybe I’m always reluctant to reread anything I wrote more than ten years ago because it would destroy my illusion of endless new beginnings. That’s the most American part of me: I feel that it’s always a new start.” —Susan Sontag theparisreview.org/interview


Susan Sontag, The Art of Fiction No. 143

On Yeats’s assertion that one must choose between the life and the work: “Of course, if by life you mean life with other people, Yeats's dictum is true. Writing requires huge amounts of solitude.”

theparisreview.org
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FilĂłsofos haciendo cosas: Umberto Eco en un cameo en el film "La Noche" (1961) de Michelangelo Antonioni.
Image from Nicolas G. Varela (@niklasgv)
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warm rain the garden releases what it was holding
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