writer, co-founder @firefliespress, senior editor @metrograph

Joined July 2013
Fun news. Our second issue of The Metrograph mag is inked and on the way. 160 pages, 90k words, and too many brilliant contributors to name—our deepest thanks to them all 🌹
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Our new book! Matías Piñeiro's 'From where do you start when drawing a flower?' 👇For more pictures, event dates in Porto and New York, and the link to order your copy.
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For @Metrograph I wrote about what’s on everyone’s mind these days: Farley Granger, noted bisexual and star of classics by Hitchcock, Visconti, and Ray metrograph.com/cracked-actor…
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London – see you on Saturday @closeupcentre!
London! Join us @closeupcentre on Saturday, 10 October, for our Morvern Callar book launch + screening. Link for tickets 👇
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“Yuliya Solntseva’s attempt at afterlife ventriloquy led her mostly towards her own self-determination, though how much of this was conscious remains unclear.” —Alena Lodkina on Oleksandr Dovzhenko’s co-director wife. EARTH AND EMPIRE series opens @Metrograph on Oct 11.
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Lovely review of Morvern Callar by Katherine Connell in @ScreenSlate this week
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In @SatPaper, Geordie Williamson reviews Anwen Crawford's 2002 Decadent Edition title Morvern Callar
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Join for drinks in the Lobby Bar from 7pm 🥂
NYC friends, I'll be intro'ing Morvern Callar (35mm) @Metrograph this Sunday, 8pm - launching the 2002 @firefliespress Decadent Editions volume, by Anwen Crawford - see you there
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London! Join us @closeupcentre on Saturday, 10 October, for our Morvern Callar book launch + screening. Link for tickets 👇
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“Our objective is to empower the diaspora to exchange knowledge about the cultures, traditions, and societal inner workings depicted in the films we spotlight.” Jollof Films founders talk to @itsmatene about their ethos and FAAT KINÉ, screening @Metrograph on Sep 27.
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“For women of a certain age, to revisit Ryder’s coming of age in Hollywood is to revisit one’s own youth.”—Christine Smallwood on the ’90s It Girl, Winona Ryder, Analogue Youth plays @Metrograph from Oct 3. 📖: metrograph.com/cracked-actor…
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“At the end of the day, my actors feel very unsatisfied.” —Albert Serra speaks to @kevasyork at Lorcano about his Ingrid Caven documentary Sixteen Moments of My Life (2026) 📷༘ Albert Serra, photo by Claudia Campoli ©Locarno Film Festival
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On Tsui Hark's rancorous and rancid 1980 Don't Play with Fire aka Dangerous Encounters - First Kind aka Dangerous Encounters of the First Kind, for @metrograph: metrograph.com/futures-and-p…
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For @Metrograph I wrote about what’s on everyone’s mind these days: M. Night Shyamalan and his worst critic. metrograph.com/lady-in-the-w…
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The Portal is opening and we need your help. Donate here and find us on *nsta*ram: kickstarter.com/projects/the…
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“The aspect of Walkabout that still jumps off the screen is Gulpilil himself, a force capable of breaking down cultural barriers from the moment his character’s initial wary look gives way to a huge, welcoming grin.” —Jake Wilson pays tribute to Indigenous icon David Gulpilil.
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Some words by me on Jack Hill's Spider Baby (1967), playing August 22 at Metrograph xitter.cf/Metrograph/status/2087…
“Spider Baby never quite belonged to any particular moment. It feels like what the horror genre would dream about itself if it could sleep.” —@WillSloanEsq on Jack Hill’s classic horror-comedy, a film outside of time. 📖: metrograph.com/spider-baby-w…
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