you literally degraded rama teaser on streets by making start plus edit on it with 3 million views and making me scapegoat here
you are the first mb fan ik and i always gave respect u deserve, but now its over and its disappointing
fraud telugu smash showing my ss like its mms and unsend his msgs and showing my msgs only 🤣🤣
will expose that fraud tomorrow, his inside information are wrong already,mf was saying varanasi shoot will wrap up on oct first week
470K members, 127K reviews and 121K lists on Letterboxd,,The highest ever numbers for any Indian film on the platform.
The West has truly embraced RRR as one of their own🙏
GOAT @ssrajamouli
SSR and Namit both like to have control over their projects, which is why I don’t see this collaboration happening,,SSR won’t tolerate any interference by producer and rightly so. Mahabharata needs to be driven by the director’s vision, especially when that director is SSR
And they said makers trying to westernized it , and they didn't like the cuts of song and give example of RRR , they talked about positive things too as u can see in video or u can go to their channel and check out full video
A women who is playing sita saying a rapist "Ravana is not all bad"😵💫😵💫
Sai Pallavi at #RamayanaPart1 LA premiere :
"Ravana is not all bad"👀
"It's important that we spot ravana in us and we make changes over time"
Controversial take 🫠
Another positive review of Ramayana One thing I have noticed across almost every review I have seen, both positive and negative, is the praise for Yash as the villain. Seems like he has absolutely nailed it
Venky said the Indian Hollywood blend mostly backfires, feeling like neither apart from a few scenes. And honestly, you can’t make a film just for Hollywood audiences. You’ll end up making a cheap version of LOTR or Gladiator instead of creating something Indian rooted film
#Ramayana Initial Impressions:
A hugely ambitious film mounted on a grand scale, and the effort behind it is clearly visible. The team largely stays true to the Ramayana, but the film leans more on spectacle and action than drama and emotion, leaving parts of the narration feeling flat and even serial like at times. The second half also drags in places because of where Part 1 chooses to end, with limited material stretched out through lengthy action blocks that don’t create much impact
Yash as Ravana is the biggest highlight and is superb, especially in his introduction portions. Ranbir Kapoor and Sai Pallavi are solid as Ram and Sita, though the divine aura and emotional weight don’t always fully translate on screen.
The visuals are stunning in parts and the money spent is clearly visible, but some scenes still have a noticeable studio/green screen feel with a few cartoonish asuras. The biggest negative, hands down, is the music. For a story like Ramayana, the score has to carry much of the divinity and emotion, but the Indian-Hollywood blend largely backfires and ends up feeling like neither apart from a few scenes.
The ambition and scale deserve a lot of applause. Definitely watchable and better than a few recent adaptations, but it falls short of the massive expectations and ultimately feels like a mixed bag with so much more potential.
Full review with rating later in my usual style (review embargo)
This is the end 💔
NOW ALL EYES ON VARANASI. This film will put Indian cinema on the global map like never before.
#Ramayana Initial Impressions:
A hugely ambitious film mounted on a grand scale, and the effort behind it is clearly visible. The team largely stays true to the Ramayana, but the film leans more on spectacle and action than drama and emotion, leaving parts of the narration feeling flat and even serial like at times. The second half also drags in places because of where Part 1 chooses to end, with limited material stretched out through lengthy action blocks that don’t create much impact
Yash as Ravana is the biggest highlight and is superb, especially in his introduction portions. Ranbir Kapoor and Sai Pallavi are solid as Ram and Sita, though the divine aura and emotional weight don’t always fully translate on screen.
The visuals are stunning in parts and the money spent is clearly visible, but some scenes still have a noticeable studio/green screen feel with a few cartoonish asuras. The biggest negative, hands down, is the music. For a story like Ramayana, the score has to carry much of the divinity and emotion, but the Indian-Hollywood blend largely backfires and ends up feeling like neither apart from a few scenes.
The ambition and scale deserve a lot of applause. Definitely watchable and better than a few recent adaptations, but it falls short of the massive expectations and ultimately feels like a mixed bag with so much more potential.
Full review with rating later in my usual style (review embargo)












