
Average CBM Lover / #filmtwt / consume a lot of media and sometimes I post about it? email: [email protected]
26. she/hers | Hell’s Kitchen
Joined August 2021
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AJ 🎞️ retweeted
Jean Smart is the first woman to win an acting Emmy for every season of an ongoing TV show.
She is also tied as the most Emmy-winning actress of all time.
AJ 🎞️ retweeted
Randall Park says Hollywood keeps “taking the wrong lessons” from successful movies.
“For example, ‘BARBIE’ is this massive blockbuster, and the idea is: Make more movies about toys! No. Make more movies by and about women!”
AJ 🎞️ retweeted
Zohran Mamdani, what is your plan to stop people who don’t live in the city from snapping up our precious inventory of AMC Lincoln Square IMAX 70mm DUNE PART 3 tickets
AJ 🎞️ retweeted
the amtrak ride from nyc to boston will have you thinking new england is the greatest place on earth
AJ 🎞️ retweeted
"your average letterboxd rating is so high" that's because i LIKE movies and i watch them for FUN and if i'm not HAVING FUN i don't FINISH IT
AJ 🎞️ retweeted
being a marvel fan and watching any marvel movie in theatres is truly such an incredible experience
AJ 🎞️ retweeted
atifa arshad wearing a spidey sari by rita qaranbach at the ‘spider-man: brand new day’ premiere in london 🕸️
AJ 🎞️ retweeted
As a Knicks fan since May, it is really hard to see all these fakers come into my fandom. Like where were you when we beat the sixers? Where were you when we beat the cavs? In fact, where was I? Where am I?
AJ 🎞️ retweeted
idc if project hail mary in 70mm imax happened to you . this should’ve happened to #ME instead
AJ 🎞️ retweeted
Watched “Fantastic Four: First Steps.”
From the fashion, color palette, design, cityscape, TV and cartoon shows, to the costumes, spacesuits, rockets, cars—not to mention company names, food items (cereal, soda), and storage media (magnetic tapes, discs)—everything is crafted with a thorough commitment to a 1960s aesthetic blended with a sense of futurism.
It felt nostalgic, like watching “Bewitched” when I was a kid. Or at times, it felt like a live-action version of The Incredibles, with “family” as its central theme. Once I found out it was directed by the same person who did “WandaVision,” it all made sense.
Post-COVID hero films seem to be shifting away from the dark and gritty tone toward a more retro-futuristic, colorful, and nostalgic direction.
One thing the film does well is how it opens with a TV show that efficiently summarizes the Fantastic Four’s feats, role, and current standing.
If it had taken the time to carefully depict how they became superhuman from the very start, it would’ve come off as overly explanatory and slow-paced. Superman skipped that part too. Here, the plot is designed so that viewers are drawn in from the point where “they” gain a new family—marking the beginning of turmoil and crisis. As a “first step” to reboot the series, it’s truly “fantastic.”






































