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wrote this for @awakenewyorkclothing x @jamesonwhiskey. Directed by Morian Mikhail, s/o @midasgold
kobi a retweeted
NEW: Martine Rose, who previously worked at Balenciaga under Demna and heads her own cult menswear line, will be the next creative director at the Kering-owned luxury house, according to @lapresmidi's reporting.
Read more here: puck.news/and-the-next-desig…
grab a copy a here: midcult.net/store/p/dispatch…
kobi a retweeted
Would you lie to this man?
EXCLUSIVE: Nathan Fielder, codirector of the Elizabeth Holmes documentary ‘You Can See Everything,’ sat down with WIRED for an extended interview—the first he’s given to discuss the film.
🔗 wired.com/story/nathan-field…
The most impressive aspect of You Can See Everything is that Nathan Fielder basically strong armed Billy out of his royalty points after A24 agreed
kobi a retweeted
Quentin Tarantino will publish his new book, "The Adventures of Cliff Booth," on December 8.
The novel is Tarantino's "own creative vision" for the story after writing the script for David Fincher and Brad Pitt's "The Further Mis-Adventures of Cliff Booth," a sequel to "Once Upon a Time in Hollywood" that lands in Imax theaters on Nov. 25 and streams on Netflix starting Dec. 23.
variety.com/2026/film/news/q…
one of my least favorite trends is the rapper baby photo album cover. We get it bro, you were a kid once
kobi a retweeted
Issey Miyake Pleats Please campaign shot by Yuriko Takagi in Kenya, India, and Morocco (1995)
kobi a retweeted
A brand-new 35mm print of Ôtomo Katsuhiro’s “Akira” will make its debut at London's BFI Southbank. from Aug. 14–19.
The 35mm print is struck from the 4K master and is the first of its kind to be created anywhere in the world in decades. The print will tour selected cinemas across the U.K. and Ireland for the remainder of the year.
variety.com/2026/film/news/a…
kobi a retweeted
On Jafar Panahi’s birthday, we highly recommend you to watch 'This is Not a Film' (2011), the underground documentary he shot while under house arrest. A brilliant diary film, shot partly on a cell phone and smuggled out of Iran inside a cake to premiere at Cannes.
