Ajax, ON
Joined September 2012
Nathan Fielder is ruthless lmao.
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SNL on SNL violence.
US SNL FOUND DEAD IN A DITCH! #snluk
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This is the way.
The moment you rate a movie five stars is when the movies start getting complacent. Keep 'em hungry. Four and a half it, every time, every day.
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I would prefer if Mike Flanagan took a break from the Stephen King adaptations. Just for a little while.
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A fate worse than death, which is what Mike Love deserves.
This is the most depressing video I’ve ever seen
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I’d buy these “DIGGER isn’t supposed to be a comedy” takes if the movie didn’t maintain a farcical tone almost throughout. Making fun of bad comedy should still be funny.
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Bode Sulaiman retweeted
Alright, so the “it’s not a comedy” defense doesn’t really add up then
Do very much refute the idea that Fossil Fools is meant to be unfunny, it’s supposed to be ridiculous and farcical and in poor taste but the film’s entire deal only works if Fossil Fools itself is darkly, almost shamefully, deeply enjoyable
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Can only think Joseph Kahn was really burned by ICK’s response at TIFF two years ago.
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PRIMETIME (2026, dir. Lance Oppenheim)
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Here’s how you know YOUR MOTHER YOUR MOTHER YOUR MOTHER is a banger.
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KATSEYE is a psyop.
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Bode Sulaiman retweeted
SNL UK is running laps around SNL
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The fact that SNL UK’s Weekend Update really goes for it makes the US version look *that* much worse.
SNL UK's Weekend Update kills two birds: Harvey Weinstein and Ed Sheeran
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YESSSS!
NEW: Our long national nightmare is over as @vvsfilms has secured Canadian rights to Nathan Fielder and Lance Oppenheim’s YOU CAN SEE EVERYTHING. Opens in Canadian theatres same day as A24 releases it stateside, Oct. 16.
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The ONLY Weekend Update that matters.
The view from there: SNL UK's "Weekend Update" tackles Macklemore's removal from Ed Sheeran's U.S. tour.
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LA BOLA NEGRA (2026, dirs. Javier Calvo and Javier Ambrossi)
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I respect the Blue Jays for playing badly during TIFF time.
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KICK ON: Has a solid hook (taking the Alfred Molina scene in BOOGIE NIGHTS and turning it into GREEN ROOM), and makes the most out of it with all the blood and guts it entails. Lacks some flourishes that would take it up another level, but it’s a gory fun time regardless. #TIFF26
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THE DEBUT: Jesse Eisenberg steps up his filmmaking game with this hilariously exaggerated tale of self-reinvention and vanity, with great gags, solid visual choices, and fantastic performances from Julianne Moore and Paul Giamatti. A must-see, especially with a crowd. #TIFF26
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INK: It’s a Danny Boyle movie, so obviously the energy is there and when paired with solid performances (Jack O’Connell especially), it yields exciting results at times. But it’s all very surface-level, and lacks the bite needed for its story to truly stick. #TIFF26
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In other words, it’s not 28 YEARS LATER.
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