This is really neat— “Maroonscapes 1: Cockpit Archipelago” by Jamaican Canadian artist Charles Campbell. It’s a topographical representation of Jamaica’s Cockpit Country, where Maroons “used the natural terrain itself..to invade, evade the British.” @CBCToronto @agotoronto

Artist Charles Campbell adds “Globalization got a big boost with slavery, sadly.” He says his piece is “a place where you can work through the ramifications of our ongoing exploitation of Black bodies and Indigenous lands.” See it now @agotoronto Fragments of Epic Memory exhibit.