ana retweeted
“A gentle portrait of one of the hardest parts of growing up, which is letting go of the ones we love and continuing life without them.”
#Sundance Review: Ana Ensley (@certainfates) on AM I OK?: bit.ly/35GZ8Me
ana retweeted
"Eisenberg’s debut is imbued in a candidness and cynical messiness, that may not be the easiest pill to swallow however it depicts a realistic [and complex] perspective.”
#Sundance Review: Ana Ensley (@certainfates) on WHEN YOU FINISH SAVING THE WORLD: bit.ly/33Sz28H
ana retweeted
Very thankful to @sineliwanag for giving me the opportunity to publish for them! Anyways, I have a whole LOT to say about The Worst Person in the World, which I absolutely adored. Give my review a read right here:
sineliwanag.com/2021/10/25/t…
ana retweeted
"A richly layered look at the conflicting longings and impulses of early adulthood, the cinematic equivalent to a bittersweet love song that also happens to be catchy as hell." @suegruder on Joachim Trier's THE WORST PERSON IN THE WORLD. #NYFF
reverseshot.org/reviews/entr…
ana retweeted
"Ozu gives the audience time and room to breathe and reflect: on the past and present’s intersection, on family, or on what is to come.”
Tony Madia (@longhettilover) explores comfort and connection in LATE SPRING: bit.ly/2YsYrmH
ana retweeted
The family friendly, kids choice award winning #Titane hit theatres this weekend leaving most of us speechless with our jaws the floor. @sound_recipes, on the other hand had quite a bit to say about the modern masterpiece.
dudeiwatchedthat.com/2021/10…
ana retweeted
I had some very complicated feelings about Last Night in Soho, which I still enjoyed overall. Feel free to read what I have to say right here.
cinemafromthespectrum.com/20…
ana retweeted
my first festival review ever! I adored watching PETITE MAMAN for my very first #TIFF21 screening. I wrote about how Céline Sciamma's warm gaze towards motherhood, adolescence, and grief took me back to one of my most formative childhood memories.
bit.ly/399RwjM
ana retweeted
this was the video that sparked my love for jean-paul belmondo. he talks about his experiences working with godard and how he gave up a career in boxing to pursue acting. it’s a sweet interview i’ll cherish forever 🤍
ana retweeted
“Schoenbrun sympathetically crafts dialogue on identity and gender dysphoria for horror fanatics and internet-raised individuals to connect and, in part, articulate their experiences.”
Ana Ensley (@certainfates) on WE’RE ALL GOING TO THE WORLD’S FAIR: bit.ly/3jdvwKJ
ana retweeted
We demand the return of homes stolen from Sheikh Jarrah over the years, beginning with the house of the Al-Shanti family, which was seized by settler organizations without a trial after the illegal occupation and annexation of Jerusalem in 1967 #SaveSheikhJarrah
ana retweeted
🔺 important books to begin with to help educate you on palestine (from a palestinian leftist) + essentials to further radicalize you and how to start: a thread.
ana retweeted
'For a Free Palestine: Films by Palestinian Women' is now LIVE, free worldwide in English & Arabic. Donations go to causes facilitating medical, legal, & infrastructure aid on the ground. Work by 15+ women filmmakers! For a month; films added throughout 🇵🇸
another-screen.com/
ana retweeted
all the people past and present who have witnessed genocide, apartheid, ethnic cleansing and taken the position of “ambivalence” are actively sustaining those murderous projects. free palestine
ana retweeted
for anyone who needs it here’s martin scorsese telling you it’s okay if you’re just existing in life rn💕💗💞💕
ana retweeted
Talking Heads are so cool. Just this sarcastic, kinda melancholy band making fun bops you can imagine a skeleton dancing to























