Pinned Tweet
“The main difference between humans and animals is that animals would never allow themselves to be led by the stupidest of the pack".
Winston Churchill.
Assustadora a dependência da infraestrutura de uma empresa
Oye @grok, dime qué podría pasar a nivel global en una eventual pérdida total de datos en los servidores de Microsoft. No te limites, sé lo más apocalíptico posible.
6
estouro ou correção
executivedigest.sapo.pt/540-…
20
d33p 🐺 retweeted
I’M GIVING AWAY ANOTHER ROLEX ⌚️
Last winner took $10,000 instead of the watch 😂
To enter:
❤️ Like this tweet
🔁 Retweet this tweet
Next winner could be you 👊🏽
d33p 🐺 retweeted
“Being hated by idiots is the price you pay for not being one of them.”
— Jean Cocteau
d33p 🐺 retweeted
Quando o Atlântico mostra do que é capaz!
Na Praia do Norte, na Nazaré, a época das ondas gigantes traz imagens como esta. A força da natureza nunca deixa de surpreender!
Quem também fica impressionado com este espetáculo? 😍
🎥 @mcydro
#Nazare #CentrodePortugal
Um DJ.
Que DJ
I’m not quite sure I can put into words what today means to me.
Music has been my whole life. From those early days of falling in love with records and DJing, to travelling the world and sharing that love with so many people, I’ve never stopped being grateful that I get to do what I do.
To receive my OBE from Prince William at Windsor Castle today, recognising nearly 50 years of doing something I absolutely love, is beyond anything I could have imagined. ❤️🔥
I’ve been thinking a lot about my mum and dad today. I know just how proud they would have been, and I wish they could have been here to share this moment with me.
This honour means so much, not just to me personally, but because of where our music has come from and how far it has travelled. To see dance music recognised in this way is something I’m immensely proud of.
To my family, friends, everyone who has believed in me, supported me and danced with me over the years, thank you. You’ve all been part of this.
My heart is very full today. I’m proud, humbled and deeply honoured.
Thank you, Carl.
23
bom vídeo, só não aborda a solução:
habitação pública (não - só - social)
youtu.be/sfT_p90EoxI
20
d33p 🐺 retweeted
Mulheres dançando em Castro Laboreiro (1979).
[📽 Excerto do documentário "Castro Laboreiro", de Ricardo Costa | RTP Arquivos]
#PortugalRural
d33p 🐺 retweeted
Me falaram que Portugal tinha “acabado”.
Cheguei aqui e qualquer lugar da cidade é 100X melhor do que a parte considerada boa de qualquer capital brasileira.
Essa call “Europa acabou” é pra quem vive na Escandinávia.
Pra brasileiro é paraíso.
d33p 🐺 retweeted
"Ormanda kötü veya iyi yoktur, güçlü veya zayıf vardır. Koyunun âhlaklı olması kurdun fikrini değiştirmez."
— Machiavelli
Resolveram abraçar o inevitável ou deviam resistir?
Spotify just announced a feature that could either save the music industry or destroy it.
Starting as early as Q1 2027, Spotify Premium subscribers will be able to use AI to transform any participating artist’s song into a completely different version. Turn a folk ballad into a dance track. Make a hip-hop song sound acoustic. Generate a cover where one artist’s voice performs another artist’s song. Remix a pop hit into lo-fi study music. Create the version of your favorite song that only existed in your head until now.
The remixes will be uploaded directly to Spotify. They’ll appear in playlists. They’ll count toward the original song’s chart position. And most importantly the original artist will earn royalties every time someone listens to a fan-created remix of their work.
Spotify has already signed a landmark licensing deal with Universal Music Group the world’s largest record label. Negotiations with Sony Music and Warner Music are ongoing. The feature will cost an additional $4–$5/month on top of Spotify Premium. And analysts project 7–8% of American subscribers will adopt it by 2028.
This is not Suno or Udio generating music from text prompts. This is fans remixing real songs by real artists with the artists’ permission, on the world’s largest streaming platform, with royalties flowing back to the creators.
A music industry analyst who’s covered streaming economics for 15 years told her team something after reading the licensing agreement that reframed how she understood the future of recorded music.
“Spotify just turned 640 million listeners into 640 million potential remixers. The question isn’t whether people will use it they will. The question is whether paying artists for fan remixes solves the economics of streaming or creates a world where the original recording is worth less than the infinite remixes generated from it.”
Here’s what Spotify’s AI remix feature actually is, who wins, who loses, and why this might be the most consequential decision in the music industry since the launch of streaming itself 🧵
24



















