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Replying to @decoyrobot
You peeps are the people I expect to be well-researched and granular to contribute cases of this to me: directors who use a film to explore ideas or concepts from a film they were not allowed to make
Another one: Per a special feature on the Criterion disc of Death In Venice from either a Visconti scholar or worker for him, L'Innocente was Visconti employing his ideas and research from his unrealized adaptation of In Search Of Lost Time
Making letterboxd lists instead of working on this grad school application because I don’t actually want to do grad school
Did you know Nathan Fielder and Lance Oppenheim wrote a gay sex scene between themselves in the script for You Can See Everything to test if the A24 execs actually read it?
Obviously there are worse issues like the genocide defending and IDF shit but the Ethan Klein podcast has the most disgusting cotton candy ass production value and music, and everyone acts like the worst acting kid on a sitcom, this is actual trash
Had a dream last night that I was walking around midtown bars carrying a bar stool I stole, and one of my receipts had a server listed as Anamaria Vartolomei, but I never ran into her
This Intern sucks, since when? If you want to pull things out of your ass, then please post Tinto Brass
Deep rich colors, velvety blacks, a symphonic score, voice acting that feels both theatrical and human, it was just so good to grow up on these dvds
Lost City of Z super fan retweeted
I owe such an apology to the peoplr who sit and watch this shit nonstop. Their services have been invaluable to us this week. I DON'T feel bad and this is tremendous content
Blank Check going over the 1991 Oscars, makes me want to redo Best Supporting Actress
Judy Davis - Barton Fink & Naked Lunch
Laura San Giacomo - Once Around
Sarah Jessica Parker - L.A. Story
Beatrice Dalle - Night On Earth
Adrienne Shelley - Big Girls Don't Cry, They Get Even


















