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this is one of my FAVE ways to draw #kirishima 🦈🪨 big ol eyes n teeth
yes this is where ppl confuse canonical treatment with fanon treatment bc in fanon viktor definitely gets favored by fans and maybe even writers and his race plays a big role in his popularity. but in canon he doesn’t hold any power over mel bc that structure isn’t there
so when ppl discuss certain privileges it’s like… u have to be able to discuss the real world favoritism but also not apply that to the fictional structure where it doesn’t exist
putting this here! Like yes in canon viktor is an oppressed person, but in fanon mel gets a lot of hate bc ppl give her less grace for her mistakes/dont bother exploring her character + want her “out the way” even tho even in canon her presence doesn’t disrupt their dynamic
Replying to @thuczacz
I love jayvik’s dynamic + find it deepest beside of the dynamic jinx and vi have! I just think ppl rag too hard on mel and treat her like shes evil bc she “gets in the way” and make her actions seem super bad where white characters get more nuance/love for their complexities!
joanna’s struggle tweets retweeted
New trailer for Jesse Eisenberg's new musical film ‘THE DEBUT’.
• Starring Julianne Moore, Paul Giamatti, Halle Bailey and Havana Rose Liu
• Follows a shy woman who is cast in a local production of an original musical
• In theaters this December
joanna’s struggle tweets retweeted
"If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone." purr agree
Robbie Williams defends Olivia Rodrigo after she was accused of copying his song “Candy” with “take me home (4 christmas)”:
“Artists deserve to be protected. But there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket. It sounds to me as though she may have accidentally stumbled across a musical echo of mine in one of her new songs. And do you know what? I couldn’t care less. I don’t know whether there’s technically a publishing issue, a copyright issue, or no issue whatsoever. And I don’t want to know. I’m not going after her. Because I think at some point, some f**king sanity has to prevail […] We all stand on the shoulders of people who came before us. Sometimes consciously. Sometimes without even knowing it. That’s how music works. If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”





































