UKG/Breaks Producer ๐ŸŒ CEO @nektalabs Co-Director of @primitive_music bookings/enquiries :[email protected]

Horsham, England
Joined June 2013
SoundCloud should let two creators/ creator & labels to collab post a track just like how instagram does. It expands reach and exposure, and sometimes you donโ€™t want to post a track twice taking away from a label, but want it showing up on your page too. What do you all think?
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As more AI slop pours onto the web, music & arts, the less people will want to be on their phones as no one can discern what is real anymore. There will be a gravity towards IRL shows, human curators and localised communities, which is why Iโ€™ve built Nekta.vip
I think this is super accurate AGI might just create a two-tier split in society, and I'm kinda starting to see it around me One part of society will succumb to AI slopscrolling and free money (basic income) from government as work is replaced by AGI The other part will fight that instead and become an elite counter movement that focuses on IRL, family, local community, and health I think many will be in kind of smaller communities (kind of like eco villages in the pic below), and my friend @csonotes is a good example of that and we try do the same (so I'm probably biased) @okaythenfuture below thinks it'll be in the central parts of big cities though Maybe both? For both of them you need real estate and land though Real estate and land also one of the few scarce resources left in a post-AGI world where almost every good becomes almost free If you told me a decade ago I'd want to buy real estate and land I'd call you crazy, but post-AGI it makes a lot of sense I think
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This is the reason all of our artists payments will only continue to go down per play. 30-50,000 AI songs a day are uploaded now. They get paid from the same royalty pool as regular musicians. The ONLY answer to this is a seperate royalty pool for AI musicians made up of people who "opt in" to have 10% or something of their monthly spotify subscription go to the AI payment pool, which is then split by all the ai streams for that month. 10% is generous too by the way. Would anyone actually pay to listen to AI knowingly?
A Suno creator says heโ€™s โ€œnot trying to flexโ€ after revealing he makes over $10K a month in royalties from AI-generated music. Meanwhile, producers who spent years mastering their craft are sharing the same streaming pool with prompts. via Reddit: r/SunoA - redneckicon
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For the last few months I have been working on a production community. Five modules built for UKG and bass โ€” not generic production advice, the actual work of getting a track from stuck to sent out. Limited spots only! Doors close tonight. Midnight. whop.com/eloquin/set-ready-fโ€ฆ
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New samples presets and ableton project file in this months patreon pack! See what you can make with this months batch I would love to hear them! patreon.com/posts/june-samplโ€ฆ
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Iโ€™ve watched too many talented artists burn out for the wrong reasons. Not because the music wasnโ€™t there. Because the system around the music was never built for them. Somewhere along the way, independent artists were sold a single answer: - Post more. - Stay visible. - Feed the algorithm. Turn every studio session, every show, every quiet thought into content. So now the modern artist has to be a musician, a marketer, an editor, a strategist, and a full-time algorithm analyst. Somewhere underneath all of that, they still try to make something that actually matters. Iโ€™ve lived inside that tension. As Eloquin, Iโ€™ve released across UKG, bass and underground scenes. Played festivals. Worked with labels. Built campaigns. And the thing I keep coming back to is this: ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ฎ๐—ฟ๐—ฒ๐—ปโ€™๐˜ ๐˜€๐—ต๐—ผ๐—ฟ๐˜ ๐—ผ๐—ณ ๐—ฝ๐—ฎ๐˜€๐˜€๐—ถ๐—ผ๐—ป. ๐—ง๐—ต๐—ฒ๐˜†โ€™๐—ฟ๐—ฒ ๐˜€๐—ต๐—ผ๐—ฟ๐˜ ๐—ผ๐—ณ ๐˜€๐˜†๐˜€๐˜๐—ฒ๐—บ๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐—ณ๐—ถ๐˜ ๐—ต๐—ผ๐˜„ ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ ๐—ฐ๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฎ๐—ฐ๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€. Music careers donโ€™t get built by attention alone. They get built by trust. By repeat listeners. By people who show up. By scenes that carry a sound forward long after the algorithm has moved on. ๐—œ๐˜โ€™๐˜€ ๐—ป๐—ผ๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐—ฎ ๐—ฐ๐—ผ๐—ป๐˜๐—ฒ๐—ป๐˜ ๐—ด๐—ฎ๐—ฝ. ๐—œ๐˜โ€™๐˜€ ๐—ฎ๐—ป ๐—ถ๐—ป๐—ณ๐—ฟ๐—ฎ๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ผ๐—ป๐—ฒ. Thatโ€™s why Iโ€™m building @nektalabs A network built around how artists and scenes actually connect, not how platforms want them to perform. Promoters, managers, label folks, artists - where do you see people losing the most time to things that donโ€™t move the needle?
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Iโ€™ve spent 10 years of my life making music. Immersing myself in all aspects of the industry - Producing, Performing, Promoting - practically living in it. As an artist, Iโ€™ve released music as Eloquin spanning from UKG, House to Drum & Bass + Dubstep. Iโ€™ve played festivals including Glastonbury, Boomtown, El Dorado, Nass, Sundown and Gemfest. Iโ€™ve run labels. Built campaigns. Worked with artists. Watched scenes grow from nothing but sound, energy, trust and community. And the deeper I got into music, the more obvious one thing became: ๐“๐ก๐ž ๐œ๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐ข๐ฌ ๐ฌ๐ญ๐ข๐ฅ๐ฅ ๐š๐ฅ๐ข๐ฏ๐ž. ๐๐ฎ๐ญ ๐ญ๐ก๐ž ๐ข๐ง๐Ÿ๐ซ๐š๐ฌ๐ญ๐ซ๐ฎ๐œ๐ญ๐ฎ๐ซ๐ž ๐š๐ซ๐จ๐ฎ๐ง๐ ๐ข๐ญ ๐ข๐ฌ ๐›๐ซ๐จ๐ค๐ž๐ง. Artists are told to build audiences, but not communities. Fans are treated like data, not people. Platforms reward attention, not connection. And music is increasingly being shaped around what performs online, instead of what moves people in real life. That never sat right with me. Because music was never meant to be just content. It was meant to gather people. To create identity.ย To build scenes. To make strangers feel like they belong to the same thing. Thatโ€™s why Iโ€™m building Nekta. A community-first music network for artists, fans and scenes. - No engagement traps. - No algorithm to game. - No pressure to perform for visibility. Just artists, fans, and the culture that connects them. Iโ€™ll be using this page to share what Iโ€™m learning at the intersection of music, culture, technology and community. If youโ€™re building in music, creative technology, independent scenes or artist infrastructure - Iโ€™d love to connect. The future of music is not more noise. Itโ€™s deeper connection.
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eloquin retweeted
about 70% of all my festival booking requests for next year so far have been for b2b sets, possibly one of the worst recession indicators to me personally so far. enough
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So for the past 2 years I havenโ€™t been getting @SoundCloud royalties because I hadnโ€™t signed up for the artist verification, I was getting roughly $20 a month and that was before I had as many followers as I do now, what does that mean for all of the plays that Iโ€™ve accrued since then? If anyone has had this issue let me know Iโ€™d be interested to find out
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1984 in the UKโ€ฆ โ€œThere was a post in Mayโ€ฆ If you donโ€™t turn over the phone nowโ€ฆ your daughter will be arrested.โ€ xitter.cf/DonnaLouise1212/statusโ€ฆ
Readers added context they thought people might want to know
Misleading. They came to take the phone of a teenage girl suspected of creating a fake social media account in someone's name and sending indecent messages "of an incredibly serious nature that have caused serious concern for the victim." westmidlands.police.uk/news/west-midlโ€ฆ x.com/WMPolice/statuโ€ฆ
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I hope I'm wrong. But tonight feels like some sort of invisible line has been crossed that we didn't even know was there. The last time I felt like this was 9/11 when it was clear, without knowing the how and the what, that the world was about to change forever. Like the rules of the game had been permanently altered and there was simply no going to back to the innocent, peaceful past. I didn't feel like this when an attempt was made on President Trump's life. If I had to rationalise why I didn't, I guess it's because several US Presidents have been shot at and even assassinated. Somehow it was within the realms of the possible, no matter how awful. But to murder a young father simply for doing debates and mobilising young people to vote for a party that represents half of America? This is something else. Charlie's death is a tragedy for his wife, his children and his family. I don't pray often. I am praying for them tonight. But I fear his murder will be a tragedy for all of us in ways we will only understand as time unfolds. I hope I'm wrong.
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Whatever your views, he was open to debate and was a really sincere and authentic person. Real loss. Anyone that celebrates death is sick @charliekirk11
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Elon Musk just vowed to save the UK. โ€ข UK energy bills rose 60% in 3 years โ€ข 30% of families struggle to afford power But Tesla just entered the market. Now, every greedy energy giant has Musk to deal with. Here's Musk's plan to save the UK citizens:
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Legends in the game start to finish โค๏ธ
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Thank you.
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Is anyone else getting the same bug on @SoundCloud when trying to share private tracks it generates a new private link every time so no one can listen to it??
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When the pub dies, more goes with it than just a pint. I saw an interview with AJ Tracey the other day and it hit the nail on the head. Pubs are part of British culture. Theyโ€™re where people meet. Where ideas are shared. Where strangers debate politics, sport, life. Where worldviews get challenged, rightly so, all over a pint. But now? ยฃ7 pints at a push. Hundreds of closures. Fewer places to gather. Less cross-generational conversation. More isolation. More echo chambers. If people arenโ€™t meeting, theyโ€™re not talking. If theyโ€™re not talking, theyโ€™re not listening. And that, long term, leads to narrower thinking and a more divided society. Reviving the pub isnโ€™t about nostalgia. Itโ€™s about rebuilding our social fabric.
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First release of 2025 โ€˜Lose My Mindโ€™ is out now ๐Ÿคก Stream/buy: cygnusmusic.link/7epdoar
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Having water on your bedside table is a godsend until you knock it over onto a wall socket and cause the entire house circuit to shut off ๐Ÿคฃ
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๐Ÿšจ The UK's nightlife is on its knees: We're losing 10 venues every single month, with over a third of clubs already gone since 2020. At this rate, our club culture could vanish by 2029. But there's hope - here's why supporting independent music matters more than ever... ๐Ÿงต
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A thriving music scene needs to grow organically, yet the attention seems to focus on the top 1% of artists. This overlooks the closure of 10 nightclubs a month across the UK and the decline of nightlife culture. The success of mega-tours shouldn't distract from the vital role that underground venues and independent labels play in nurturing new talent.
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The best way to sustain a vibrant music scene is through support of small labels and events. This can be as simple as sharing posts of artists you like, discussing new music with friends or just going out and seeing a new band. By fostering a culture of sharing music and supporting independent artists, we create an environment where the entire scene can flourish. SUPPORT SMALL LABELS.
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