Former product guy at Amazon, Hulu, Flipboard, Oculus. Blog at https://xitter.cf/t.co/31xFn7UvDb
San Francisco, CA
Joined March 2007
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The rhetorical style of any Twitter account that continues to gain followers converges on that of a fortune cookie.
Among the many delights of Slow Horses, my favorite Apple TV show by far (and its best, IMO), is that every season ends with a preview of next season.
In an era where many high-profile shows take years between seasons, Slow Horses' steady cadence is refreshing
I was looking for this in the Criterion 50% off flash sale but I guess you can’t order from the future
🤖 Made with AI
I’ve been to Art of Play many times for magic shows, and Molly the purely mechanical bird is really cool. Here’s a video I shot last year. I can see why Kelly Clarkson would want to buy it.
But also, Kelly Clarkson + Art of Play’s Molly is so random a collision that I’m upgrading my belief in the simulation hypothesis
Maybe Elizabeth Holmes will turn into A24's next durable IP after Ti West's X trilogy
BREAKING NEWS: #ElizabethHolmes is leaving prison and transitioning to a halfway house in Del Valle, TX (near Austin) next August according to a notice sent to victims of her crime.
We need Kate Moss to come back and drop a "Nothing looks as good as being skinny feels"
Dozens of lawsuits have been filed against the companies behind popular GLP-1 drugs Ozempic, Wegovy and Zepbound, claiming the drugs led to a rare type of vision loss.
ABC News' Elizabeth Schulze reports. abcnews.visitlink.me/ENupsJ
A second festival appearance before it releases to the public. Nice get for NYFF which has a stronger and stronger lineup each year, even as all the fall festivals are starting to overlap a lot
We’re excited to announce the New York premiere of Nathan Fielder and Lance Oppenheim’s YOU CAN SEE EVERYTHING to the Spotlight section of #NYFF64! The film will screen on September 30 at Alice Tully Hall with Fielder and Oppenheim in attendance. Learn more: filmlinc.org/everything
#NYFF64 is presented in partnership with @ROLEX.
I’ve never been certain if Nathan Fielder is playing a lifelong bit or is just genuinely autistic. And this “documentary” confronts him with someone who makes him feel the same bewilderment (is he for real?!) that others feel when they talk to him: Elizabeth Holmes.
The formal inventiveness of this documentary had me vibrating. Like documentary inception. I’m giddy.
I waited five and a half hours to get into this screening. But I would’ve given up my seat for one guy and one guy only and that’s @SeanFennessey because this would make him so giddy for so many reasons.
Sean I hope you were in there tonight.
If the secret screening at Telluride really is a Nathan Fielder hybrid doc/narrative on Elizabeth Holmes, I can't decide how long I want to wait in the high-altitude sun for a not-guaranteed seat. But maybe Fielder-style humor will deter some of the older, bougie Patron Pass holders.
Honestly quite a feat that Telluride has kept their secret screening tonight under wraps. If it's a recent A24 acquisition, then other domestic distributors have seen it. Surely one of them might leak, even if unintentionally.
Eugene Wei retweeted
Sharing a side project I vibe-coded with @claudeai: The Chinese Founder Atlas.
It maps the people who built China’s tech industry across three axes: generation, geography, and clan. It’s a bird’s-eye view of the builders of China’s tech industry, and a human, relational way to understand who they are.
thanks to @caithrin @eugenewei @danwwang Irene Zhang, @loubohan @le1du for feedback!
I hope you find it helpful. Links in comment.
Damn, even the Pope is in @PabloTorre 's corner
TIFF has published their schedule and lists some titles as Canadian or International Premieres, and NYFF's schedule lists some titles as New York Premieres. Since a Telluride appearance is the only way a title ends up with those designations, an educated guess of what's in Telluride's schedule drop tomorrow:
The Debut (Eisenberg)
Elsinore (Stone)
Ink (Boyle)
Bucking Fastard (Herzog)
Club Kid (Firstman)
Wild Horse Nine (McDonagh)
Tender Loving Care (Leigh)
Fatherland (Pawlikowski)
A Long Winter (Haigh)
La Bola Negra (Ambrossi/Calvo)
