Art critic, Pioneer Works curator, Broadcast editor, BOMB contributing editor
Brooklyn, NY
Joined December 2011
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I met @ellechien at Stone Mountain outside Atlanta; the granite outcropping is the world’s largest Confederate monument, which LeSeur has made new work about. I dove into the site’s dark history for a new essay for @PioneerWorks_ pioneerworks.org/broadcast/l…
Wrote a really fun profile of Narcissister for Pioneer Works!
How many eggs can a vaginal canal hold? Quite a lot, it turns out. Broadcast Senior Arts Editor @EverittHowe profiles the inimitable Narcissister—whose largest commission yet premieres this weekend at PW. pioneerworks.org/broadcast/d…
A note from our editors-in-chief, on the occasion of our first-ever print issue. pioneerworks.org/broadcast/b… via @PioneerWorks_
Such a beautiful, hybrid text by @emotrophywife ! Congrats! Out now on #PWBroadcast @PioneerWorks_
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David Everitt Howe retweeted
ROTTING IN THE SUN, Sebastián Silva’s ninth feature, is a darkly funny, autofictional thriller following a cynical artist’s encounters with a self-obsessed social media star—“the opposite sides of the same egotistical coin.” Review by @EverittHowe.
bombmagazine.org/articles/se…
David Everitt Howe retweeted
Thrilled to write about #CharlesAtlas incredible video, which is STREAMING for TWO WEEKS ONLY on @PioneerWorks_ special thanks to my editor @EverittHowe + @karlmccool at @eai_org 🩸
On the eve of Charles Atlas’s exhibition closing, read @bradfordnordeen on Atlas’ 1991 video “Son of Sam and Delilah,” film-making in the AIDS crisis, and the legacy of New Queer Cinema, now on #PWBroadcast.
pioneerworks.org/broadcast/c…
Dramatic highlights from the skies above New York City by intrepid astronomer Joe Patterson. pioneerworks.org/broadcast/b… via @PioneerWorks_
David Everitt Howe retweeted
In “Legally Blonde” at Downs & Ross, that ditzy blonde stereotype is playfully pried apart, exposing the ways in which female sexuality and identity are dictated by advertising, the media, and—by extension—men, writes @EverittHowe. artforum.com/picks/legally-b…
@CampMarmalade wrote several amazing short stories around a Jimmy DeSana show I curated @PioneerWorks_ back in 2016, which we republished on #thebroadcast and are included in his new book “The Cheerful Scapegoat.” Check it out online: pioneerworks.org/broadcast/t…
Here are four surreptitiously ekphrastic fables I wrote in 2016, inspired by Jimmy DeSana's photographs. (These stories later reappeared in my book "The Cheerful Scapegoat.") pioneerworks.org/broadcast/t… via @PioneerWorks_
David Everitt Howe retweeted
Making sculpture humdrum and turning the humdrum into sculpture, Charles Harlan’s objects question the very value of an artwork. Words by @EverittHowe. #PWBroadcast pioneerworks.org/broadcast/s…
I wrote a text on Gerard & Kelly’s work, a combination of analysis and autobiography prompted by their work’s focus on memory and lived experience.
Sex in alleyways, getting arrested, conceiving relationships, and the queering of time—PW Curator @EverittHowe gets raw as he discusses his friendship with artists @gerardandkelly ruminating on his adventures. #PWBroadcast pioneerworks.org/broadcast/i…
I wrote a very personal piece on the work of @gerardandkelly , a mix of criticism and autobiography, on memory, desire, and the queerness of time for Broadcast: pioneerworks.org/broadcast/i…
David Everitt Howe retweeted
“There’s something radical about the way the painter Reggie Burrows Hodges primes his blank white canvases with an inky, monochromatic black,” writes @EverittHowe. In works on view at @karmakarma9, “he practically carves his figures out of this surface.” bit.ly/3uaf15C
ALT Reggie Burrows Hodges, “Big We’ll,” 2020, acrylic and pastel on linen, 54 × 50".
David Everitt Howe retweeted
@Salmantoor ‘s intricate scenes of gay men socializing in bars, bedrooms, and other urban spaces portrays Brown men navigating the complexities of assimilation and otherness with both joy and solitude. By @EverittHowe ) moussemagazine.it/salman-too…
A somewhat experimental essay on loss, care, and remembrance in the work of @nangoldin1 and #kathleenwhite for @PioneerWorks_ Broadcast: pioneerworks.org/broadcast/h…
I gotta say, I’m pretty pleased with this review of “FUNHOUSE” by frequentlyaskedquestion at helenaanrather, which takes an astute look at the confines and problematics of the “American dream”: “Refugees from Syria… instagram.com/p/CCBba2Uli3L/… – at Manhattan, NY
I reviewed radicalhospitality for @aianews : “Describing her philosophy on nature—it can’t be owned, and every object has its own autonomous life force—Iron Eyes pauses to collect her thoughts, smiles awkwardly, and… instagram.com/p/B8wQlUQl4KM/… – at Manhattan, NY
David Everitt Howe retweeted
David Everitt Howe (@EverittHowe) reviews Brendan Fernandes's new performance, which brings Isamu Noguchi's sculptures to life, on view at the @NoguchiMuseum through March 8 bit.ly/2QWAJJ2
David Everitt Howe retweeted
The figures appear both three-dimensional and flat; the shading of the back appears fairly true to life but Louis Fratino’s feet are squeezed into the corner of the frame, while his left hand has been reduced to a claw-shaped flat line.Text by @EverittHowe ow.ly/VJMG50xdrGm