Art critic, Pioneer Works curator, Broadcast editor, BOMB contributing editor
Brooklyn, NY
Joined December 2011
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David Everitt Howe retweeted
ROTTING IN THE SUN, Sebastián Silva’s ninth feature, is a darkly funny, autofictional thriller following a cynical artist’s encounters with a self-obsessed social media star—“the opposite sides of the same egotistical coin.” Review by @EverittHowe.
bombmagazine.org/articles/se…
David Everitt Howe retweeted
Thrilled to write about #CharlesAtlas incredible video, which is STREAMING for TWO WEEKS ONLY on @PioneerWorks_ special thanks to my editor @EverittHowe + @karlmccool at @eai_org 🩸
On the eve of Charles Atlas’s exhibition closing, read @bradfordnordeen on Atlas’ 1991 video “Son of Sam and Delilah,” film-making in the AIDS crisis, and the legacy of New Queer Cinema, now on #PWBroadcast.
pioneerworks.org/broadcast/c…
David Everitt Howe retweeted
In “Legally Blonde” at Downs & Ross, that ditzy blonde stereotype is playfully pried apart, exposing the ways in which female sexuality and identity are dictated by advertising, the media, and—by extension—men, writes @EverittHowe. artforum.com/picks/legally-b…
David Everitt Howe retweeted
Making sculpture humdrum and turning the humdrum into sculpture, Charles Harlan’s objects question the very value of an artwork. Words by @EverittHowe. #PWBroadcast pioneerworks.org/broadcast/s…
David Everitt Howe retweeted
“There’s something radical about the way the painter Reggie Burrows Hodges primes his blank white canvases with an inky, monochromatic black,” writes @EverittHowe. In works on view at @karmakarma9, “he practically carves his figures out of this surface.” bit.ly/3uaf15C
ALT Reggie Burrows Hodges, “Big We’ll,” 2020, acrylic and pastel on linen, 54 × 50".
David Everitt Howe retweeted
@Salmantoor ‘s intricate scenes of gay men socializing in bars, bedrooms, and other urban spaces portrays Brown men navigating the complexities of assimilation and otherness with both joy and solitude. By @EverittHowe ) moussemagazine.it/salman-too…
David Everitt Howe retweeted
David Everitt Howe (@EverittHowe) reviews Brendan Fernandes's new performance, which brings Isamu Noguchi's sculptures to life, on view at the @NoguchiMuseum through March 8 bit.ly/2QWAJJ2
David Everitt Howe retweeted
The figures appear both three-dimensional and flat; the shading of the back appears fairly true to life but Louis Fratino’s feet are squeezed into the corner of the frame, while his left hand has been reduced to a claw-shaped flat line.Text by @EverittHowe ow.ly/VJMG50xdrGm
David Everitt Howe retweeted
#MousseReviews: @EverittHowe on #DarrenBader "Forest/Trees" at #GreenspoonGallery #NYC. Until July 21st. ow.ly/vfHP30dp1ZB
David Everitt Howe retweeted
.@EverittHowe on Eddie Peake's HEAD: "For a lot of queer people, there's all sorts of wrong happening here." bombmagazine.org/article/793…
David Everitt Howe retweeted
Now in stock in L.A.—@BOMBmagazine 136 ft. @andrewdurb1n #BillHorrigan @everitthowe @davidhorvitz #SteelStillman
David Everitt Howe retweeted
“Contemporary art is a cock ring on a giant erection pumped up by capitalism” 😭😭😭 artforum.com/inprint/issue=2…
David Everitt Howe retweeted
'Were these works commissioned by Cher?' – @EverittHowe on Rashaad Newsome bit.ly/1IgxO2p
David Everitt Howe retweeted
Talkin #curationism w/ @davidkbalzer @benadavis @oritgat @EverittHowe @zoesalditch @cabinetmagazine.
David Everitt Howe retweeted
This Friday join @CART_ny to talk Curationism w/ @davidkbalzer @benadavis @oritgat @EverittHowe @zoesalditch RSVP: cart-nyc.squarespace.com/eve…
David Everitt Howe retweeted
'a little wacky and a little weird' - David @EverittHowe reviews Strauss Bourque-LaFrance at Rachel Uffner bit.ly/1wmGHAM
David Everitt Howe retweeted
In #NewYork? David @EverittHowe selects five shows to see bit.ly/1B9sxZ2 @participantinc @gagosianny @EssexFlowersNY @AbronsArtsCtr