
ALT Ripping back the curtain on legendary rock rag CREEM Magazine's wild and disruptive newsroom; a dysfunctional band of unruly outsiders who weren’t all that different from the artists they covered. Capturing the messy upheaval of the '70s just as rock was re-inventing itself, the film explores Creem Magazine's humble beginnings in post-riot Detroit, follows its upward trajectory from underground paper to national powerhouse, then bears witness to its imminent demise following the tragic and untimely deaths of its visionary publisher, Barry Kramer, and its most famous alum and genius clown prince, Lester Bangs, a year later. Fifty years after publishing its first issue, "America's Only Rock 'n' Roll Magazine" remains a seditious spirit in music and culture.

ALT Rubika Shah’s energising film charts a vital national protest movement. Rock Against Racism (RAR) was formed in 1976, prompted by ‘music’s biggest colonialist’ Eric Clapton and his support of racist MP Enoch Powell. White Riot blends fresh interviews with queasy archive footage to recreate a hostile environment of anti-immigrant hysteria and National Front marches. As neo-Nazis recruited the nation’s youth, RAR’s multicultural punk and reggae gigs provided rallying points for resistance. As founder Red Saunders explains: ‘We peeled away the Union Jack to reveal the swastika’. The campaign grew from Hoxton fanzine roots to 1978’s huge antifascist carnival in Victoria Park, featuring X-Ray Spex, Steel Pulse and of course The Clash, whose rock star charisma and gale-force conviction took RAR’s message to the masses.



















