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ghost-shaped people

Portland, Oregon
Joined July 2009
Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)Photo by Ryan Muirhead (@ghostshaped)
Just had to delete over 600 images off my IG after this post was removed, reviewed and removed again for “sexual solicitation”. I hate it there. So.. hello darkness(twitter) my old friend…
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Love you buddy. 🫀💀
What should we play live? Help me pick a 14 song set.
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If you get a chance to show some love today do it! It won’t cost you nothing. ❤️
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Ryan Muirhead retweeted
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Well this is the most sustained grief I’ve ever felt. Probably time to watch the leftovers again.
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It’s been the worst month of my life. Took a walk yesterday and made some frames.
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I’m not a fan of being inspired by photography. When I try, I end up copying work and feeling awful about myself as an artist. I much prefer consuming other art forms and letting their style subtly show up. For instance I love Watchmen & Byzantine icons.
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I didn’t directly plans to use these as influence. I just love looking at this type of art and I think my brain subconsciously went there when deciding how to take the portrait.
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The Pentax 67 75mm 2.8AL is my #1 favorite lens I’ve ever used. My desert island lens. Here’s a wet plate of it, and 3 portraits I’ve made using it. Getting a 35mm field of view mixed with an almost LF look handheld makes it perfect in my eyes.
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The light in Portland is so crazy beautiful right now from all the smoke. It’s amazing that something so pretty is coming out of something so awful. Maybe there is a life lesson in there… but I doubt it. View from my back porch. It looks like 🍄 light.
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I’ve been editing digital photos and making AI generated art tonight. What have I become? Don’t tell the other film photographers. It’s an easy club to be banished from.
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I got the 40mm f2 asph by Voigtlander for my Nikon fm3a to try out. This is from my first roll back. It never ceases to amaze me how timeless black and white film looks. @IndieFilmLab1 with the develop and scan. 🫀💀
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Do digital shooters ever take excited pictures of their SD cards after a trip? Here’s a week in Italy getting ready to head to @IndieFilmLab1
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Headed home after a lovely week in Italy. Here’s some digital previews of my friend Cloe. Looking forward to getting my film back from @IndieFilmLab1
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My friend Sam leant me his digital camera to make a few preview frames of Cloe. Lots of film headed to @IndieFilmLab1 as soon as I’m home from Italy.
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watching the approaching end of summer. Expired Portra400 + Pentax 67ii + @IndieFilmLab1
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“Kodak 10” From the sketchy batch of tmax400 that had the brand and frame number burned into the rolls. I kinda love it.
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A few times I’ve been able to personally take my film to @IndieFilmLab1 to see it be developed and scanned. Here’s a few of my frames of Lauren and a phone photo as they came up on the frontier scanner for the first time. You can see I didn’t have to edit much.
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Pentax 67ii + Portra800
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Twilight. The greatest love story of our time and one of the most unique types of light. From the day I met Nora. Pentax 67ii + Kodak film + @IndieFilmLab1
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My favorite way to get inspired for my photography is to spend time with the masters of other mediums and pay attention to how it makes me feel and it observe it’s light. Caravaggio is my favorite painter. I can see his influence in these two frames.
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I’m seeing now I can’t fix my inevitable typos on twitter. Oh boy. This should be a regular occurrence.
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