greedyblock retweeted
個人でアニメを1本作ってみました!
制作期間:約1週間
AIツール費:約7,000円
企画・脚本・キャラデザ・演出・動画生成まで、基本1人で制作しています。
「AIでアニメが作れた!凄い!」ではなく、AIで魅力的な作品が作れるのか?というチャレンジです!
『NEO TOKYO PUNKS : DAYS』EPISODE 01
greedyblock retweeted
AIショートアニメ完成した!!!
制作期間約1週間!!!
初作品にしては頑張ったと思う😂
思ってた数倍大変だったし、コストもかかってヒヤヒヤした😇
明日公開します!
greedyblock retweeted
Foundation is the most disappointing platform I've ever used in Web3. I joined when they had about 300 followers, and minting my artwork there brought them massive press. From there I gave suggestions that improved the site, and personally onboarded about 20 classic meme creators there, generating $2.8m in sales, handing Foundation about $420,000 in platform fees (15% at the time).
Their thanks? The founder told me on a phone call that if you're not actively minting there then they aren't going to showcase you. They stopped talking about my artwork in December 2021, then later used my artwork (this specific artwork was *not* minted on their platforms) in an unauthorized commercial. I since then moved to using custom contracts, to stop being exploited by greedy platform gatekeeper behavior.
Now Foundation is dying, and they have the nerve to ask the artists they've milked for years to pay $20/month to pin their own artwork which stays on their contract. I refuse to keep my art on a platform that spent years squandering creator goodwill.
To my 1/1 collectors (the 6 or 7 of you, this does not apply to any of my main collections), if you ever have issues viewing your pieces please contact me directly (@PRguitarman ) and I can set up a free burn redeem so your artwork can live on a new custom contract where it belongs. It is a frustrating thing to realize, but on the bright side your owned artwork will be free, no longer muddled in a pile of 111,000 other artworks on a dead contract, controlled by a dead platform that gave up on every artist there.
greedyblock retweeted
とても嬉しいお言葉をありがとうございます!!
とても励みになります☺️✨✨
ご紹介いただいてありがとうございました✨
Replying to @uribatake0331
今回イラスト制作を引き受けて頂いたMaFFy様はカッコ良くキマったイラストを描いていらっしゃいます
ポートフォリオに作品が多数公開されていらっしゃいます
xitter.cf/i/status/1920976178376…
greedyblock retweeted
My net worth peaked at $1.2 million.
None of it was real.
I don't mean that philosophically. I mean it was located on servers that have since been turned off.
I own eleven properties in the metaverse. Three in Decentraland. Four in The Sandbox. Two in Voxels. One in Otherside. And a beachfront villa in Horizon Worlds that I bought for $214,000 because Mark Zuckerberg called it "the next frontier."
The frontier closed last week.
It's a mobile app now.
Last year I mass DM'd 340 people the phrase "you don't understand how early we are." I have since stopped doing that. Not because I was wrong. Because most of them blocked me.
I got into metaverse real estate in November 2021. Everyone was buying. Someone paid $450,000 to be Snoop Dogg's neighbor. In a video game. With no legs.
The avatars didn't have legs.
I thought that was bullish. "The legs are coming," I told my Discord. "Legs are a roadmap item." Three hundred people reacted with rocket emojis.
I called myself a "digital land baron."
I put it in my Twitter bio.
I put it in my LinkedIn headline.
I said it on a podcast that had eleven listeners. Three of them were bots. The rest were my alts.
My virtual property has more square footage than my actual apartment.
My actual apartment has furniture.
Location, location, location.
My most valuable asset was a plot next to a virtual Gucci store. Gucci left in 2023. The store is still there. Nobody's in it. It's like a mall in Ohio but with worse graphics and no food court.
I held.
Diamond hands.
That's what we said. "Diamond hands." It means refusing to sell while your investment loses 94% of its value. We turned financial paralysis into a personality trait.
A guy in my Discord paid $2.4 million for a 618-parcel estate in Decentraland. Prime district. High foot traffic. I asked him what "foot traffic" meant when the platform had 38 daily active users.
He said I didn't understand the technology.
I didn't.
I still bought more.
We had a DAO. A decentralized autonomous organization. That means we voted on decisions. There were nine of us. Three never showed up. Two voted on everything without reading it. The other four were me and my alts.
We voted to "acquire strategic parcels."
The vote passed unanimously.
I voted four times.
My portfolio peaked at $1.2 million. I told everyone. I made a spreadsheet. I projected 40x returns by 2025. I made a pitch deck. The pitch deck had a slide that said "WE ARE BUILDING THE DIGITAL ECONOMY."
The slide had a rocket emoji.
That was my entire financial model.
In 2023 I bought a Bored Ape for $189,000.
It's worth $14,000 now.
I don't talk about the Ape.
I still use it as my profile picture. People ask me about it. I say "I'm long-term bullish." Long-term bullish means I can't sell it without crying in a Panera.
My mom asked me what a Bored Ape was.
I said "digital art on the blockchain."
She asked why it cost more than her car.
I said "you don't understand Web3."
She said "I understand you live in a studio apartment."
She's not in my Discord.
Justin Bieber bought one for $1.3 million.
It's worth about $90,000 now.
I felt better about mine after I heard that.
That's community.
WAGMI. We're All Gonna Make It. We said that every day. In the group chat. While the floor dropped. While the volume dried up. While 95% of all NFT collections went to zero.
We're all gonna make it.
None of us made it.
But we said it with conviction and a laser-eye profile picture. That counts for something.
It doesn't.
But we said it did. That's decentralized consensus.
Meta spent $84 billion on the metaverse.
I need to say that again.
$84 billion.
More than the GDP of Luxembourg. More than the GDP of Iceland, Luxembourg, and Malta combined. They spent it on a platform where the avatars had no legs, the graphics looked like a 2006 Wii game, and the peak user count was lower than the lunch rush at a Chipotle in Des Moines.
They just pulled Horizon Worlds from VR headsets.
It lives on as a mobile app.
My beachfront villa is now a mobile app.
Location, location, location.
Zuckerberg renamed the entire company for this. Facebook became Meta. A $900 billion company changed its legal name because the CEO watched Ready Player One and said "I want that."
Reality Labs lost $10 billion in 2021. $14 billion in 2022. $16 billion in 2023. $18 billion in 2024. $19 billion in 2025.
That's not a strategy. That's a speedrun.
They laid off 1,500 Reality Labs employees this year. Shut down three VR studios. Killed Supernatural. Put the entire VR social vision in a casket and said "we're pivoting to AI and wearables."
The pivot took four years and $84 billion.
I pivoted too.
I'm an AI real estate investor now.
I bought a virtual plot in an AI-generated world that doesn't exist yet. The founder said it was "the intersection of spatial computing and large language models."
I don't know what that means.
I gave him $40,000.
He has a whitepaper. It's 47 pages. I read the title and the tokenomics section. The tokenomics section is a pie chart. I love pie charts. They make everything look like a plan.
The project has a roadmap. Q1: "Build community." Q2: "Launch beta." Q3: "Scale ecosystem." Q4 is blank.
Q4 is always blank.
That's where the exit scam goes.
My accountant asked me to value my metaverse portfolio for tax purposes.
I said $1.2 million.
He said "current market value."
I said $6,400.
He stared at me for eleven seconds.
I know because I counted.
He asked if I had any other investments.
I showed him my NFTs.
He stared for longer.
I told him they were "cultural artifacts with long-term provenance."
He asked if I'd considered a 401k.
I told him a 401k was "legacy finance."
He told me to leave his office.
The metaverse is dead.
I don't accept that.
I am a digital land baron. I own eleven properties across four platforms. I have a beachfront villa in a mobile app, a plot next to an empty Gucci store, and a cartoon monkey that cost me more than my actual car.
Location, location, location.
The location is nowhere.
But I'm early.
I'm always early.
That's the same as being wrong except you get to say it with confidence.
greedyblock retweeted
Be like @opensea
Early Success:
> founded in 2017 on the thesis of being “Amazon/eBay of NFTs”
> raise $2.1Mn based off this in 2019
> be early to catch the NFT boom in 2021
> raise more funds with 3 new rounds
> generate billions in monthly trading volume and earn 2.5% from it
> make as much as $2.7Bn trading volume in a day in 2022
> push your valuation to be as high as $13.3Bn in 2022
> make a bank from NFT projects and NFT buyers without giving them anything back
> be adamant on dropping a token and/or rewarding users in 2021-2023
> make no improvements in UX and UI because you don’t need to as you’re the only legitimate NFT marketplace out there
> be involved with insider trading scandal led by one of your ex-employees who’s now in jail
> have your database exploited which led to emails & identities of your users to be divulged
Competitive Era:
> have your feet swept from the ground with the arrival of Blur
> make no improvements on UX/UI to be more trader friendly similar to Blur despite users asking for it
> do nothing as Blur introduced airdrop seasons that incentivized farming NFTs via bidding, listing, and wash trades
> try to defend royalties for yourself and NFT projects by objecting to lowering platform fees to 0% and royalties to 0.5% similar to Blur
> find yourself eventually giving in and following Blur’s fees
> see yourself lose market leadership in NFTs to Blur in the height of farming season
> watch Magic Eden transition from being a Solana NFT marketplace to being a multi-chain marketplace
> see some top NFT projects like Yuga Labs partnering with Magic Eden instead because you didn’t defend royalties vs. Blur
> watch Blur burn NFTs to ground by farming NFTs to death and launching their token $BLUR, then their L2, Blast
> watch Magic Eden do the same formula as Blur by incentivizing trading volume as they launch their token, $ME
> still be adamant about launching your own token despite your major competitors doing it
OS2 Era:
> tease that you’ll finally drop a token, $SEA, as early as Feb 2025
> launch OS2 in 2025 to cater to multi-chain NFTs
> introduce token trading (aka memecoins and such) to also be tradable in OpenSea
> lower platform fees to 0.5% similar to Blur before
> improve UX and UI for traders by copying Blur’s UX and UI before
> introduce gamified rewards via Voyages XP
> announce that 50% of $SEA supply will go to the community and the way for them to get it is to stack XP via trading
> announce in Oct 2025 that $SEA TGE will be in Q1 2026
> continue farming your users for a year by having 6 waves for $SEA campaign
> make an online live event on Mar 30, 2026 and excite your followers about the next phase of OpenSea
> break the news that $SEA will be delayed beyond Q1 2026 even before the Mar 30 event to manage expectations
> offer refund of trading fees from waves 3-6 to deal with the user frustrations but only offer waves 3-6 because these are peanuts compared to waves 1-2
Be early.
Be complacent.
Be stubborn.
Be a copycat.
Be late.
Be delayed.
Be disappointing.
Be like OpenSea.
greedyblock retweeted
🇯🇵🇬🇧 Meanwhile in Japan
"The Country is in Chaos - once you import them there is no turning back"
"Over 250,000 British Girls were r*ped - 90% of the perpetrators were Muslim"
Right Wing Japanese Party using the example of what's happened in the UK as Political Material, to deter the Japanese against mass immigration is wild ‼️
greedyblock retweeted
Starfish Hitler may be Japan's wildest creation
Kamen Rider X
In Kamen Rider X, Starfish-Hitler is a character with a design that merges Adolf Hitler and a starfish. He can summon starfish to electrocute targets
greedyblock retweeted
If I ever get kidnapped, I’m gonna bust these moves, so they will die of cringe & I can escape 🥰
greedyblock retweeted
NEW: The Tongva tribe has confirmed that Billie Eilish's home is situated on its "ancestral land," says she has not yet reached out to them regarding her home.
"We appreciate the opportunity to provide clarity regarding the recent comments made by Billie Eilish," the tribe said.
"As the First People of the greater Los Angeles basin, we do understand that her home is situated in our ancestral land," they told the Daily Mail.
"Eilish has not contacted our tribe directly regarding her property..."
Wow, what are you waiting for @billieeilish?
greedyblock retweeted
I’d like to share that I’ll be leaving Bandai Namco at the end of 2025.
With the TEKKEN series reaching its 30th anniversary—an important milestone for a project I’ve devoted much of my life to—I felt this was the most fitting moment to bring one chapter to a close.
My roots lie in the days when I supported small local tournaments in Japanese arcades and in small halls and community centers overseas.
I still remember carrying arcade cabinets by myself, encouraging people to “Please try TEKKEN,” and directly facing the players right in front of me.
The conversations and atmosphere we shared in those places became the core of who I am as a developer and game creator.
Even as the times changed, those experiences have remained at the center of my identity.
And even after the tournament scene grew much larger, many of you continued to treat me like an old friend—challenging me at venues, inviting me out for drinks at bars.
Those memories are also deeply precious to me.
In recent years, I experienced the loss of several close friends in my personal life, and in my professional life I witnessed the retirement or passing of many senior colleagues whom I deeply respect.
Those accumulated events made me reflect on the “time I have left as a creator.”
During that period, I sought advice from Ken Kutaragi—whom I respect as though he were another father—and received invaluable encouragement and guidance.
His words quietly supported me in making this decision.
Over the past four to five years, I’ve gradually handed over all of my responsibilities, as well as the stories and worldbuilding I oversaw, to the team, bringing me to the present day.
Looking back, I was fortunate to work on an extraordinary variety of projects—VR titles (such as Summer Lesson), Pokkén Tournament, the SoulCalibur series, and many others, both inside and outside the company.
Each project was full of new discoveries and learning, and every one of them became an irreplaceable experience for me.
To everyone who has supported me, to communities around the world, and to all the colleagues who have walked alongside me for so many years, I offer my deepest gratitude.
I’ll share more about my next steps at a later date.
Thank you very much for everything.
【Postscript】
Although I will be leaving the company at the end of 2025, Bandai Namco has asked me to appear at the TWT Finals at the end of January 2026, so I expect to attend as a guest.
For 30 years I kept saying, “I’ll do it someday,” and never once performed as a DJ at a tournament event.
So instead, I will be releasing—for the first and last time—a 60-minute TEKKEN DJ-style nonstop mix (DJ mix), personally edited by myself, together with this announcement.
Listening to it brings back many memories.
Thank you again, sincerely, for all these years.
‘TEKKEN: A 30-Year Journey – Harada’s Final Mix’ by Katsuhiro Harada 1 is on #SoundCloud on.soundcloud.com/pEYofA4yXO…
December 8, 2025 - The Final Day of TEKKEN’s 30th Anniversary -
Katsuhiro Harada
[日本語版 (Japanese version)]
このたび、2025年末をもちまして、私はバンダイナムコを退職することにいたしました。
長く携わってきた『鉄拳』シリーズが30周年という大きな節目を迎え、ひとつの区切りとして最もふさわしい時期であると考えたためです。
私の原点は、日本のゲームセンターや、海外コミュニティの小さな講堂やコミュニティセンターで、まだ小規模なトーナメントをサポートしていた時代にあります。
アーケード筐体を自ら運び込み、「鉄拳もぜひ遊んでみてほしい」と声をかけながら、目の前の参加者と向き合った日々。
あの場で交わした言葉や空気が、私という開発者の核を形作りました。
時代が変化しても、あの経験が自分の中心にあります。
そしてトーナメントシーンが大きく成長した後も、皆さんは旧知の友人のように私に声をかけ、会場で対戦したり、バーで『一緒に飲もう』と誘ってくれました。
それらもまた、大切な思い出です。
ここ数年間、私生活においては友人達との死別があり、仕事においては、私が尊敬する多くの先輩方の引退や逝去に触れてきました。
そうした出来事の積み重ねが、私に『開発者として残された時間』について考える契機を与えました。
その過程で、私がもう一人の父親のように敬愛する久夛良木健さんにも相談し、貴重な助言と励ましのお言葉をいただきました。
この言葉もまた、今回の決断を静かに後押しするものとなりました。
そして、この4〜5年をかけて私の担ってきたすべての業務やストーリーや世界観、そして責務をチームに段階的に引き継ぎ、今日に至ります。
振り返れば、VR作品(サマーレッスンなど)や『ポッ拳』、ソウルキャリバーシリーズをはじめ、自社他社問わず数多くのプロジェクトに携わる機会に恵まれました。
いずれのプロジェクトも新しい発見と学びに満ち、かけがえのない経験となりました。
これまで支えてくださった皆様、世界中のコミュニティの皆様、そして長年ともに歩んできた仲間たちに深く感謝申し上げます。
次の歩みについては、改めて皆様にお伝えいたします。
これからも、どうぞよろしくお願いいたします。
+あとがき
2025年末をもって退職致しますが、2026年1月末のTWT FINALには顔を出してほしいと会社からお願いされていることもあり、FINALにはゲストとして顔を出すと思います。
これまで30年間『いつかやるよ』と言い続けてやってこなかったトーナメントイベントでのDJですが、その代わりとして“最初で最後のDJ風60分ノンストップ鉄拳ミックス(私による初編集DJ mix)”も、今回のポストに合わせて公開します。
‘TEKKEN: A 30-Year Journey – Harada’s Final Mix’ by Katsuhiro Harada 1 is on #SoundCloud on.soundcloud.com/pEYofA4yXO…
様々な思い出が蘇ります。改めて皆さんありがとうございました。
2025年12月8日 - 鉄拳30周年最終日 -
Katsuhiro Harada





























