al ₊˚✧ retweeted
“Lo kalau mau jadi cinephile harus nonton itu dulu”
GAK GAMAU JADI SINEPIL
GAK GUE GAMAU DI ATUR HARUS NONTON FILM APA
Like klo lo mau rekomendasiin film Yaudah anj sewajarnya aja
al ₊˚✧ retweeted
who else remembers assassin jeon doyeon cause i will never forget
kill boksoon (2023)
al ₊˚✧ retweeted
Si kakak cantik yg konsisten tone deaf sejak 2019.
Parasite (2019) Possible Love (2026)
SIANJINGGG GUA BARU SADAR
Replying to @Schneidermalfoy
Sangwoo sama yeji ini ga kliatan traumanya
Tujuanya jelas, moralitasnya di pertanyakan keduanya.
Gw sempet baca kaitannya sangwoo sama perusahaan yang mecat Hoseok.
Ternyata proyek sangwoo sama perusahaan Amerika itu ya perusahaan yang mecat Hoseok anjing 😭😭
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al ₊˚✧ retweeted
Ripiew spontan uhuy setelah nonton
Possible Love by Lee Chang dong
Film keliling festival yang di buat sama sutradara lejen korea yang kambek 10 tahun sekali itu
A thread
#grepsripiew #possiblelove #netflix
al ₊˚✧ retweeted
love how that scene echoes Miok’s first experience of love. "Like the world itself was different from the one I'd lived in." Now a new world was dawning; she can begin rediscovering her husband after hardship. but Yeji’s camera coopted the intimacy of it all
the forest and morning breakdown scene—where Ho-seok suffers a severe psychological meltdown and is recorded with a camcorder by the documentary filmmaker Ye-ji while his wife Mi-ok looks on in devastation—serves as a pivotal turning point for the characters' sense of trust and exposure.
In the scene, Mi-ok watches her husband break down in the early morning woods, only to realize that Ye-ji is standing quietly in the trees recording his vulnerable trauma on camera.
Behind-the-Scenes Construction Cinematographer Kim Ji-yong noted that the forest sequence relied heavily on crafted atmosphere and natural elements—with crew members physically shaking trees and rigging ropes in the woods to manufacture the tactile, unsettling tension of the wind-swept clearing.
Jeon Do-yeon was deeply moved and unexpectedly brought to tears when she first watched her emotional forest climax scene in the film Possible Love.
During her press comments at the Busan International Film Festival (BIFF), she shared that she didn't expect to cry while viewing the completed sequence. She explained that while she was playing her character Mi-ok—a woman whose outward optimism masks a side of herself she desperately hides from others—she hadn't fully realized the sheer weight of the scene's emotional layout until seeing it on screen. #jeondoyeon #전도연 ❤️❤️❤️ #PossibleLove on #Netflix
al ₊˚✧ retweeted
Park Chan-Wook and Lee Chang-Dong are two completely different directors with vastly different directing & stylistic styles, and genres as well. There’s no need to offend either one, apart from these two of their recent movies that share that one common topic.







































