Inés Seller Doménech (@in_trad) header
Inés Seller Doménech (@in_trad) profile picture

Project Coordinator en @RWSGroup. Traductora editorial y subtituladora EN/DE-ES/CAT 🤓 📚 | Contacto: [email protected]

Alacant, Espanya
Joined August 2019
Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)Photo by Inés Seller Doménech (@in_trad)
Inés Seller Doménech retweeted
Replying to @LaRevuelta_TVE
Lo de Broncano haciendo de intérprete con ese inglés aproximativo (donyou want en vez de would you like, formation por training por ejemplo) es intrusismo laboral del malo.
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Inés Seller Doménech retweeted
Mckenna Grace you're so crazy. her dress is literally the 50th Hunger Games arena😭😭
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Inés Seller Doménech retweeted
Qué estarán tramando en esta reunión para que haya un representante de cada color 😭
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Inés Seller Doménech retweeted
I still can't wrap my head around what some people were able to do with marble.
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Inés Seller Doménech retweeted
En 1926, Lotte Reiniger hizo una película animada con siluetas recortadas, cartulina, tijeras y una cámara. Trabajó durante años, fotograma por fotograma, para construir un mundo de sombras, criaturas fantásticas, batallas, viajes у transformaciones.
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Inés Seller Doménech retweeted
In the 1950s, Ella Fitzgerald was not allowed to play Hollywood's most popular nightclub, Mocambo, because of her race. Marilyn Monroe, who was a big fan, called the owner & told him that if he booked Ella, Marilyn would be there every night - which guaranteed huge press coverage. He booked Ella and Marilyn was there, front table, every night. Ella said, "After that, I never had to play a small jazz club again. She was an unusual woman - a little ahead of her times. And she didn't know it."
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Inés Seller Doménech retweeted
Italian artist Vittorio Reggianini (1858–1938): the artist that could make satin silk fabric appear almost physically tangible
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Inés Seller Doménech retweeted
insane lighting technique
Italian artist Vittorio Reggianini (1858–1938): the artist that could make satin silk fabric appear almost physically tangible
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Inés Seller Doménech retweeted
Manuelita (1999) sigue siendo la mejor adaptación de La Odisea.
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「赤色」に着目した批評もある、装飾的で幻想的な画面。美術館で好きな絵を眺めるように何度でも鑑賞したくなる、60年前のソ連発『人魚姫』。
装飾的で幻想的な画面に、思わず見惚れる怪作。 60年前のソ連発、動く芸術品のような『人魚姫』。
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装飾的で幻想的な画面に、思わず見惚れる怪作。 60年前のソ連発、動く芸術品のような『人魚姫』。
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Inés Seller Doménech retweeted
When Dolly Parton approached Robert Plant for permission to record her version of “Stairway to Heaven,” she reportedly worried about how he would react. Instead, Plant’s response was wonderfully simple: “Of course you can, you’re Dolly Parton.” And somehow, that feels like the perfect answer. Dolly didn’t try to copy Led Zeppelin — she took one of rock’s most iconic songs and made it unmistakably her own, adding a touch of country, gospel, and her unmistakable voice. Sometimes, a legend recognizing another legend is all the permission you need.
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Inés Seller Doménech retweeted
✨️Anya Taylor-Joy✨️ in custom looks made entirely of PAPER designed by Mugler, GapStudio, Gaurav Gupta and more for the cover story of V Magazine, shot by no one else but Nick Knight.🪡 PS: this concept is SO right up my alley
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Inés Seller Doménech retweeted
they could've atleast given her "wouldn't it be loverly" 😭 her voice added sm character to eliza, who at this point of the film, is still an impoverished flower girl whereas marni's vocals (beautiful as they are) feel too polished for that particular number
the hill i will die on is that they should’ve used audrey hepburn’s real vocals in my fair lady (1964)
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Inés Seller Doménech retweeted
people can be so mean when talking about aging women and i don’t get it… this is julie andrews at 86 in what is genuinely one of the loveliest photos i’ve ever seen
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Inés Seller Doménech retweeted
happy 62 years of mary poppins!
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Inés Seller Doménech retweeted
The emerald-green dress which Keira Knightley wore in "Atonement" (2007) was named as "greatest film costume ever" by InStyle Magazine. Joe Wright had asked costume designer Jacqueline Durran to create a “memorable” dress for the library scene. According to Wright, Durran deliberately kept the seam down the middle of the skirt open, which would normally be sewn shut in a dress design for "easy access" in this scene. Durran said, "Wright knew that he wanted movement in the skirt. He liked the idea of it being bare-backed. But really, apart from that, there was very little instruction—direct instruction—from him about what the dress should be like. He wanted it as showstopping as we could make it, and that it should be green" Rather than just making 1 green dress, the costume team actually produced multiple versions of the dress due to its fragility—with Knightley auctioning off the one from her collection for charity in 2009. It went under the hammer for $35,000, with an LA Times article at the time noting that “someday the dress could be right up there” with Audrey Hepburn’s costume in "Breakfast at Tiffany's" (1961) , or Marilyn Monroe’s white halterneck dress in "The Seven Year Itch" (1955). ("The Story Behind Keira Knightley’s Emerald-Green Slip Dress From Atonement", Emily Chan, Vogue, 2025 and IMDb) P.S: On this day, 19 years ago, "Atonement" (2007) premiered at the Malmö Filmdagar, Sweden.
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Inés Seller Doménech retweeted
Lily Donaldson in Roberto Cavalli FW 2007
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Inés Seller Doménech retweeted
The Wizard of Oz released 87 years ago today. 25 August 1939 🌪
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the lighting in this film is a work of art
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