Half Cheetah showing at Palazzo Mora and Palazzo Albrizzi -Capello, Venice. May-Nov 2026. Book published by Mousse

London
Joined March 2021
More photos of MASS in the ZKM Museum show 'The Story Has Just Begun'. Photos by Tobias Wootton
8
6
80
2,921
James Bloom retweeted
every work collected at iamanangel xyz comes with its own archive kit: the original file byte for byte, the token’s frozen document, and the proof to check it against ethereum yourself. your work never depends on a marketplace, a server, or me.
1
7
38
763
"Computers got common enough for funky hands to lay hold of them to do tricks for funky heads." About "Cybernetic Serendipity" in Whole Earth Catalogue (American counterculture magazine about culture and technology), 1969 archive.org/details/sim_whol…
6
2
20
525
If reincarnation is real, what happens when the world population shrinks? Say 8 billion reincarnating souls but only 4 billion bodies. Do we take turns? Or become animals, or mushrooms?
774
43
74
756
208,137
James Bloom retweeted
Essay incoming
Thought it was about time someone made an infinite onchain dynamic interactive shared world fight simulation based on real human body scans and physical combat motion capture... digitised, heavily abstracted and set to electronica with body parts forming the scenery
1
1
3
181
Thought it was about time someone made an infinite onchain dynamic interactive shared world fight simulation based on real human body scans and physical combat motion capture... digitised, heavily abstracted and set to electronica with body parts forming the scenery
6
12
4
42
2,560
BIASEL 21–25 october 2026 Wilde — Le Lieu / 4–6–8 rue François-Miron / Paris So grateful to amazing Marta Russoli for this special moment during Art Basel Paris. Come join us this week. See my non-data security installation (picture: under non-construction).
2
4
1
12
583
James Bloom retweeted
With mixed feelings, we've begun the process of letting go of our collection of artworks, books, catalogs, etc, assembled over more than 50 years. Recently, our Harold Cohen collection was acquired in a private transaction. Step by step, piece by piece, we'll move the others on.
6
9
2
98
4,133
So many nice physical-digital interactive pieces at Goldsmith's University Manifold show 👇
2
3
23
726
James Bloom retweeted
iamanangel xyz the archive is open for the presale, please sign up via email and feel free to message me. 1. Proof — Every file’s SHA-256 and its permanent address on Arweave, so what you hold can be checked without trusting this site. 2. Connect Wallet — Top right, on any page. Once connected, the whole site knows you. Switch wallet and disconnect sit under your address. 3. Vault — Beside your address: the works your wallet holds, each with its archive kit, transfer and burn. 4. Archive Kit — The original, its proof and its record in one download, yours to keep anywhere. It works with this site switched off. 5. Migrate — How to check a copy you already have and put it somewhere of your own. 6. New Works — Leave your address at the top of any page. 7. Storage — Arweave, my own IPFS server, and Backblaze B2. 8. Independent Contracts — Every collection has its own smart contract. The contracts are independent and aren't tied to any platform.
1
9
2
36
1,494
James Bloom retweeted
✦ OPEN CALL ✦ ACTZ November Edition: Voice / Echo @spike_0124 & guest curators @DDO__xyz, @fabriziobrarez & @no_faith_left of @rivoca_gallery will select 20 artists and place the opening bids. This month, there’s something extra for two of the selected artists 👀 More ↓
33
71
8
177
6,386
James Bloom retweeted
we live in a world where a handful of corporations control how we communicate, banks decide who gets to participate in the economy, and governments can make entire populations financially invisible overnight. we've somehow accepted that our digital existence depends on a collection of very large computers owned by people we've never met, and we're just hoping they remain nice. and then we figured out how to build some of this differently. permissionless systems, verifiable ownership, infrastructure that doesn't necessarily belong to a single institution or state. obviously far from perfect, but the implications seem pretty extraordinary to me. especially now, when power is becoming increasingly concentrated and the ability to exclude people is becoming increasingly automated. yet most of our attention seems to go towards increasingly sophisticated ways of moving money around. billions in transactions, thousands of tokens, entire ecosystems built around making numbers go up. i'm not even against any of it. i love the absurdity, the art, the experiments, the completely unnecessary things people build just because they can. i'm participating in the nonsense too. but sometimes it feels like we've invented something with the potential to fundamentally change how people interact with power and decided the most interesting application is figuring out which cartoon animal will appreciate in value next week. i keep thinking about how much bigger the ambition could be. systems that don't really care where you're born, which passport you hold, or whether some institution approves of your existence; infrastructure that makes it harder to censor, exclude, erase, or confiscate. not because decentralization magically solves all these problems, but because having alternatives seems increasingly important. especially for people who don't have the luxury to treat these things as abstract philosophical discussions. i genuinely don't know how we get there, i don't know what the applications should look like, how we get people to use them, or how much of this is even realistic to achieve. maybe we're still incredibly early, maybe the financial speculation is a necessary part of figuring things out, maybe i'm underestimating how difficult it is to turn these ideas into something actually useful. probably all of the above. but i can't get rid of the feeling that we're aiming for something much smaller than what might actually be possible. there's an entire network of incredibly intelligent people working on cryptographic systems that would have seemed unimaginable not that long ago, and somehow a big part of the conversation is still about which number will go up next. i don't think the answer is to stop making weird things or pretend everything needs to serve some grand social purpose. please keep making the weird things. i just wish we were a bit more ambitious about what all this could eventually mean outside our own little corner of the internet. maybe i have no idea what i'm talking about. i just find it hard to believe that the finish line for permissionless, stateless infrastructure is a slightly more entertaining stock exchange.
11
9
3
77
2,787
James Bloom retweeted
"P13C35 0F M3" 1NN3R 5L1C35 0F 53LF Series: H4N61N6 0U7 W17H 7H353 FUCK3R5 Edition of 1 - 250 xtz On @forever_library
3
4
12
208
James Bloom retweeted
So happy and honored to be named one of the 100 Femmes de Culture 2026 by @FemmesdeCulture. As a French-American dual citizen who has spent much of her career working between these two countries, this Getty Edition feels particularly meaningful to me. We celebrated yesterday on October 12 at the Palais de Tokyo in Paris, under the patronage of the French Ministry of Culture. Co-organized with @TheGetty and @villa_albertine, this special edition marks 250 years of French-American friendship and celebrates women shaping culture in all its forms. Congratulations to all the laureates, and especially my fellow digital cultures honorees including Christiane Paul, Justine Ryst, Celia Hodent, Dominique Levy, Barbara London and Margaux Berard. This is dedicated to all the female builders working to in digital cultures! #100FemmesDeCulture2026 #FemmesDeCulture #GettyEdition #WomenInCulture
59
23
5
194
5,031
James Bloom retweeted
_like one of your french girls_
6
3
26
422
Releasing this Monday on @SuperRare
9
10
1
44
1,027
James Bloom retweeted
Woke up with a special sale on objkt. Regina Silveira’s RE-CITY was sold for 9,067.00 ꜩ. ❤️ As a young artist in São Paulo, she was one of my heroes - she has actually been a major figure since the 60's. I was very proud for onboarding this 87 years old genius artist. 🧵
15
9
112
2,571
thick finger 11 editions 0.02eth @SuperRare link to the mint page: 👇👇👇👇
3
7
20
399
Working on a new blockchain art series. It's pretty bonkers. Look forward to see what you think
7
2
1
55
1,476
gm these are the last colorgasms uploaded onchain, ready for burn/redeem. all the info on my website
1
1
4
432