
Theatre š Film š¬@jmcfireplays; essayist; recovering academic š. Author of Fat Souls, Divine Vision. These views and musings I acknowledge mine...
Wing, England
Joined March 2009
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My two most recent play publications - Divine Vision: William Blake in Felpham and The Pilgrim's Progress are available from @TSLpub
The Pilgrim's Progress
Step into an unforgettable journey with this epic adaptation of John Bunyanās timeless allegory, The Pilgrimās Progress. Originally commissioned by the Royal Shakespeare Company, this dramatization brings to the stage the tale of Christian, who flees the City of Destruction on a perilous quest to reach the Celestial City. Guided by Evangelist, Christian encounters a host of vivid charactersāboth friends and foesāincluding the treacherous Mr Worldly Wiseman, the loquacious Talkative, and the fearsome Apollyon. We follow Christianās trials as he battles through the murky Slough of Despond, faces persecution at the chaotic Vanity Fair, and confronts the enormous Giant Despair in the menacing Doubting Castle. Meanwhile, his family endures their own hardships in his absence, adding a poignant counterpoint to his epic journey.
tslbooks.uk/product/the-pilgā¦
Divine Vision: William Blake in Felpham
London, 1800. Things arenāt going too well for William Blake. He lacks work, his wife worries over the bills, heās seeing visions of the Apocalypse, and his planned epic poem on the divine remains unwritten. When Blake gets an offer from famous poet William Hayley to leave London and settle in a cottage at the seaside village of Felpham, he jumps at the chance. In Felpham, things donāt quite work out the way Blake had them plannedā¦
tslbooks.uk/product/divine-vā¦
The cover designs are by brilliant @MiddlesexUni BA Graphic Design graduate Phillip Block.
James Martin Charlton retweeted
Treating people as ācrude meansā is the problem, I reckon.
I've met Russell Brand twice (I think):
Once when I hosted a Guardian Live event about his book in 2014.
Another time I interviewed him for The Big Issue when I was guest editing in 2015.
He also gave my publishers an endorsement for my book The Establishment, which I was mortified about at the time mostly because I thought it was so OTT it would obviously invite ridicule (which it did).
At the time I saw him as a crude means to reach disillusioned younger people with left-wing politics - the sort of people who wouldn't be reached by conventional left-wing journalists and politicians.
As a result I was willing to overlook, or just not look into, his history of problematic behaviour / statements, including sexism.
I convinced myself that he was on some sort of journey and that was a good thing. That was an obvious misjudgement.
I did think he was a bit of a chancer / had a messianic complex, but overlooked that too as a necessary evil in reaching disengaged people.
But that was clearly his main driving force and he clearly ended up concluding that right-wing politics was a better vehicle to satisfy it.
It's an important lesson in not stupidly engaging clearly problematic figures, however charismatic or however much mass appeal they have, in the service of a cause.
What I would say is that right now we should be centring the survivors of a rapist and sexual predator.
I personally don't really think those trying to point score have his survivors' interests at heart.
I would also argue that those with the big questions to answer are the right-wing figures who continue to stand by him and spread conspiratorial nonsense in his defence.
Finally, let's hope that other possible survivors of Russell Brand feel able to come forward.
Readers added context they thought people might want to know
Owen wrote the eulogy in 2015
theguardian.com/commentisfree/ā¦
James Martin Charlton retweeted
š The Henry Nowak Foundation š
Born from unimaginable heartbreak, founded by Henryās mum, Lucy Ross, to support families grieving the loss of a son or daughter.
Tomorrow, Lucy shares her story and the purpose behind the Foundation.
Please follow, repost š
Treating people as ācrude meansā is the problem, I reckon.
I've met Russell Brand twice (I think):
Once when I hosted a Guardian Live event about his book in 2014.
Another time I interviewed him for The Big Issue when I was guest editing in 2015.
He also gave my publishers an endorsement for my book The Establishment, which I was mortified about at the time mostly because I thought it was so OTT it would obviously invite ridicule (which it did).
At the time I saw him as a crude means to reach disillusioned younger people with left-wing politics - the sort of people who wouldn't be reached by conventional left-wing journalists and politicians.
As a result I was willing to overlook, or just not look into, his history of problematic behaviour / statements, including sexism.
I convinced myself that he was on some sort of journey and that was a good thing. That was an obvious misjudgement.
I did think he was a bit of a chancer / had a messianic complex, but overlooked that too as a necessary evil in reaching disengaged people.
But that was clearly his main driving force and he clearly ended up concluding that right-wing politics was a better vehicle to satisfy it.
It's an important lesson in not stupidly engaging clearly problematic figures, however charismatic or however much mass appeal they have, in the service of a cause.
What I would say is that right now we should be centring the survivors of a rapist and sexual predator.
I personally don't really think those trying to point score have his survivors' interests at heart.
I would also argue that those with the big questions to answer are the right-wing figures who continue to stand by him and spread conspiratorial nonsense in his defence.
Finally, let's hope that other possible survivors of Russell Brand feel able to come forward.
Readers added context they thought people might want to know
Owen wrote the eulogy in 2015
theguardian.com/commentisfree/ā¦
Readers might enjoy this short extract from the book.
I worked with academics who published a tome on Russell Brand a decade ago. Because I had previously lived on Carpenters Estate, I had heard some unsavoury things about some of the Focus E15 women not being happy with his antics. I mentioned this to one of the academics, who couldnāt have been less interested. I was told it was irrelevant. Theory was more important. Let them reflect on it now.
Yesterday I was pleased to attend the announcements of this years winners of the Theatre Book Prize, awarded by the Society for Theatre Research. And I am even more pleased to say that I will be on next year's judging panel. I look forwards to lots of theatrical reading! broadwayworld.com/uk-regionaā¦
James Martin Charlton retweeted
.@jmc_fire argues that attempts to claim that Jason Arday has been exonerated only undermine the truth
thecritic.co.uk/plagiarism-pā¦
I worked with academics who published a tome on Russell Brand a decade ago. Because I had previously lived on Carpenters Estate, I had heard some unsavoury things about some of the Focus E15 women not being happy with his antics. I mentioned this to one of the academics, who couldnāt have been less interested. I was told it was irrelevant. Theory was more important. Let them reflect on it now.
Bad Sister (1931) offers early Davis, early Bogart, pre-Code wickedness, and end up a film considerably less lively than its ingredients. letterboxd.com/jmcfire/film/ā¦
Damaged: The Very British Obscenity of David Hamilton-Grant (2023) takes a potentially fascinating figure and ends up with a documentary that never quite finds the man himself. letterboxd.com/jmcfire/film/ā¦
James Martin Charlton retweeted
Falsehoods can travel halfway around the world while the truth is putting on its shoes. @jmc_fire offers a careful look at how a misleading account of the Arday scandal spread across social media.
thecritic.co.uk/plagiarism-pā¦
James Martin Charlton retweeted
Somehow we missed this ā and what a loss! A CV that includes films like The Krays and The Changeling, and even episodes of The Wire and Breaking Bad ā thatās one hell of a career, and a talent that will be much missed.
Ā theguardian.com/film/2026/noā¦
Oh lawks I popped into Foyles and Alastair Campbell is in here, trying to chivvy staff into promoting his book. A cold shiver is traveling through me, in the presence of horror.
James Martin Charlton retweeted
The attempted exoneration of Jason Arday is misleading and unnecessary, writes @jmc_fire
thecritic.co.uk/plagiarism-pā¦
James Martin Charlton retweeted
Seems like the perfect time to recommend these three incredible albums.
I write about recent developments in the Arday saga, and how announcements of exoneration are premature, in @TheCriticMag
.@jmc_fire writes on the Jason Arday scandal and a highly questionable story of exoneration
thecritic.co.uk/plagiarism-pā¦
























