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I played bass and electronics for ambient music pioneer Jon Hassell throughout the 2010s, playing on and co-producing his last two studio albums Listening to Pictures and Seeing Through Sound, and performing on his last few tours in Europe and the US.
Now excited to announce that @NDEYARECORDS, Jon's Warp-affiliated imprint, is releasing our last live concert with Jon as an album as well, Music Is Invisible. You can pre-order it direct below and hear the first track, 'Blue Ba-Ya'. This was a live concert at St John at Hackney (London 2015).
Jon has been my greatest musical influence ever since I was learning to play in high school, shaping my musical sensibilities for a lifetime, and it was a privilege to work on this music with him during his last decade. He passed away during COVID sadly, but Ndeya has continued releasing material of his that never saw the light of day, now in partnership with his family. Jon set the label up with Warp in 2015 as a home dedicated solely to his music.
nice review of our Music is Invisible release in Pitchfork today pitchfork.com/reviews/albums…
had fun playing with the new Google Flow plugin builder last night! it's pretty hard to think of ideas in this space that haven't already been done, but this Quantum State Resonator we built seems to have some interesting new possibilities
some people know good music
be like @funkentechno and listen to the Jon Hassell concert album i performed on
What plugins do you want to make?
Artists and producers can now create their own custom instruments and effects, then export them as VST3/AU plugins to use directly in their DAW.
We're making it easy to bring these capabilities into professional setups, so producers can easily build tools tailored to their creative process.
Read more: blog.google/innovation-and-a…
more reviews for Music Is Invisible, this one has really struck a chord with people it seems!
spectrumculture.com/2026/10/…
great reviews coming in for our latest (and final) Jon Hassell release
broadwayworld.com/bwwmusic/a…
John von Seggern retweeted
That inane “Suno v6 pro et al has solved infinite personalized music” tweet annoyed me so much that I ended up writing an entire newsletter on the fallacy of AI somehow “solving” music
futurismrestated.substack.co…
are there some new guardrails in the Claude app? suddenly today its stopping and asking me for permission or just giving up on all kinds of tasks it performed without issue up until yesterday
enjoying this @stableaudio webinar, generating foley footsteps is fun
youtube.com/watch?v=zzKUjjhV…
John von Seggern retweeted
Lovely words from John Coltrane, b 100 years ago!
"My music is the spiritual expression of what I am - my faith, my knowledge, my being."
When you begin to see the possibilities of music, you desire to do something good for people, to help humanity free itself from its hang-ups."
My college AV library had this whole performance on film and we used to sneak in the theater late at night for a private screening w friends, usually a double feature with the great Sun Ra doc ‘A Joyful Noise’
John von Seggern retweeted
Warp Records/Ndeya and Dublab are sponsoring a launch event here in LA for the Jon Hassell live album i played on and co-produced, Music is Invisible.
it's at the Airliner on Sept 19th
ill be on a panel with Rick Cox and Jeff Rona and then they'll play the album
Come hear the Jon Hassell concert album I played on and co-produced 'Music is Invisible' at one of these listening parties around the world…including LA on 9.19 and Berlin on 9.28.
ill join a panel discussion about the album at the LA event along with Rick Cox and Jeff Rona.
mind boggling new article from @thejaymo et. al
superdark.antikythera.org/
'Consider a special kind of factory, an extreme kind of factory: a self-guided factory that continuously makes its own decisions about what to produce. It is a factory that determines its own goals and its own objectives, a factory that produces new versions of itself in order to execute against its ambitions.'
John von Seggern retweeted
Vibe hardware is here.
I gave Astra my credit card and asked for a Teenage Engineering-style mini DJ controller.
It generated a concept image, sourced parts, read Chinese datasheets, built a CAD model, ordered everything, then made a Blender animation showing how to assemble it.
My prediction on popular culture, AI, & fun, for the near future, after the dust settles. After the peak of inflated expectations and the trough of disillusionment. My optimistic attempt to synthesize the opposing forces this century, and explain why they're in alignment:
I think the forces of Ashby's Law and Occam's Razor show us how it plays out.
Split this into--
- things you can ONLY do with AI -vs-
- things humans are already amazing at
= ASHBY's LAW =
There's a saying in cybernetics that goes "Only variety can destroy variety". It means that to control, manage, or solve a complex problem, your system must have at least as many possible states or solutions as the problem itself.
The kinds of fun people have will become increasingly complex. To participate you need have increasingly complex capabilities yourself.
For example, wiring the simulation of a fly brain to do funny shit. No one's tweaking 266,000 neurons individually to play beat saber by hand. The ONLY way to play with a ton of neurons is with a ton of neurons. Variety vs variety.
This is only going to get more ridiculous. By 2099, we'll have Neo's "I know kung fu". No one's modifying their own brain, manually, to such specificity, in a Dune world, without machine learning. That is strictly an AI activity.
For that reason, the culture // things you can ONLY do with AI // will establish itself as a dominant behavior in pop culture.
= HUMANS ALREADY AMAZING =
Ashby's law feels like it has some Occam-ish corollary like "Match the variety of the problem, but no further" or "Use no more variety than the situation requires". And the reason being supporting the anti-fragility of the human system.
For many cultural practices, the "true skill" is something deeper and hidden. Something that's not the end result. For example, how learning to code teaches you a resilience to frustration. Or how learning to sing teaches you to be vulnerable.
Here the introduction of additional complexity (using AI to make the output) is not only NOT required, it risks making the original system (the person) more fragile, by removing the friction. Removing the disorder. The takeaway from Taleb's antifragility is right in the title: Things That Gain from Disorder.
I think the culture of practices humans already do amazingly will remain popularly human & the AI version of it will stay niche (or unpopular). Singing, writing, dancing-- will stay celebrated & respected. Not because of the end result, but because they support a present way of being.
We know the value of this intuitively, even when we can't articulate it yet or point at it exactly, because the complexity of the human is not yet fully understood. Until then, we try to defend its value with straw man beliefs, but the real value is there.
The irony of ASHBY's LAW is how sufficiently complex technology will help us clearly understand when we are better off NOT relying on technology.
Yes in the first phrase of introducing AI, the temptation is great to give away human cognition to the machine. However, ultimately the "human layer", will anneal into a state of retaining its own strengths. Not simply because the alternative proves disastrous (an idiocracy-level existence), but because that's what this self-optimizing self-learning human system does by its nature. I think this is how the dust settles, after a long cooking-cooling process.
= WHERE MY THEORY IS INCOMPLETE++ =
- Coding vs Vibecoding? I actually feel like vibecoding wins out, but this theory doesn't explain why yet. The trend has always been that lower-level programming gets mostly abandoned for higher-level programming. I think it's because the problems always get bigger. Vibecoding increases your Ashbyian variety.
- "I know kung fu" instantly downloading the ability to our brains vs studying kung-fu for decade. It's too early to speculate how that even works or what the risks are. It challenges the Calvinist work ethic of the individual and resolves it with the work ethic of the hive mind.
= CONCLUSION =
I could be wrong about my interpretations, but I feel like looking at humanity as a hive mind cybernetic system, with its own group forces, in relationship to AI, is a lens that that makes predictions at century-scale time





















