your favourite person's favourite person @cuntiaeverdeen
Joined March 2025
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cuntesse ˖ ࣪ ⊹ retweeted
- Olivia Rodrigo lança música
- Fãs sem repertório musical pra além da tidinha dos EUA a perseguem com acusações de plágio
- Alguma lenda da música aparece para defender a Olivia, dizer o quanto gosta dela e falar o mínimo óbvio de teoria musical
- Repete
Songs that aged like wine:
— drop dead (Olivia Rodrigo)
— Juno (Sabrina Carpenter)
— greedy (Tate Mcrae)
Songs that aged like milk:
— obsessed (Olivia Rodrigo)
— because i liked a boy (Sabrina Carpenter)
— exes (Tate Mcrae)
Olivia Rodrigo has always shown us that when she wants to master a genre, a "vibe", she always absorbs it. She spends days listening to music, reading literature, dressing, and so on, to the type of music she's heading towards.
It's not a "copycat" ability, more a chamaleont.
Songwriting process is different for everyone.
For some it starts with getting inspired by a specific sound or concept, then brain-storming new ideas with authentic touches.
For others it starts with sitting at a piano, still ending up writing a similar already-known melody.
cuntesse ˖ ࣪ ⊹ retweeted
Essa Olivia também é filha de uma pessoa racializada e de uma pessoa branca, assim como a Rodrigo. Na sua lógica ridícula a Olivia Dean seria branca também
cuntesse ˖ ࣪ ⊹ retweeted
"there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket.”
the shade-
cuntesse ˖ ࣪ ⊹ retweeted
Robbie Williams defends Olivia Rodrigo after she was accused of copying his song “Candy” with “take me home (4 christmas)”:
“Artists deserve to be protected. But there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket. It sounds to me as though she may have accidentally stumbled across a musical echo of mine in one of her new songs. And do you know what? I couldn’t care less. I don’t know whether there’s technically a publishing issue, a copyright issue, or no issue whatsoever. And I don’t want to know. I’m not going after her. Because I think at some point, some f**king sanity has to prevail […] We all stand on the shoulders of people who came before us. Sometimes consciously. Sometimes without even knowing it. That’s how music works. If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”
