lebadi (@lebadi) header
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living on my lover's prepaid moya

mo kapa
Joined January 2009
Photo by lebadi (@lebadi)Photo by lebadi (@lebadi)Photo by lebadi (@lebadi)Photo by lebadi (@lebadi)
Marashi Ya Pemba. You may [not] have heard of the Congolese guitar maestro, Ndala Kasheba. He may not be as famous (this is a great assumption on my part) but he is extremely important. His most famous song, for our case, is Marashi Ya Pemba. But his importance lies elsewhere. – at Nairobi, Kenya
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If there ever was a quote of mine to remember, it's this one
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There’s privilege in me having a large platform and network. It guarantees people will listen when I speak I want to amplify the other women I’ve worked with in the past who’ve come forward their own different stories about their time working at the company. A thread of threads:
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|‘Buffering Juju’ defies the prison of genre ... Peace to Gwen Ansell for stringing together the narratives on Dumama + Kechou’s ‘Buffering Juju’ over at @NewFrame_News .... tucked in with some winter warming loving | 🙏🏾newframe.com/buffering-juju-…
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BLACK WOMEN HANDING OUT Ls IS MY AESTHETIC
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& @Zoe_Modiga on that ngovivi track... 😩😍
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Oh & by the way, #NotAllMen has the same shitty concept as #AllLivesMatter so please don’t bore us. Thank you for coming to my Ted Talk. 🙏🏾
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‘Hold Me Down’ is about rekindling the flames of romance by doing the things you did when you first fell in love. Eating out, going dancing, having fun together, being friends again and not taking for granted that love will always be around.
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LBQ Gathering, a collective of LGBTQIA+ activists from Ghana seeks to build a community of queer Ghanaian women and non-binary people. africasacountry.com/2020/06/…
“back to my mama’s village” @thandiswamazwai transkei 🌙
'Tender' explores two women and their intimate morning after a one-night stand: bit.ly/3fkwSzq
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