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Light Stalking is all about beautiful photography. Free photography presets and blueprints here - https://teapawt.net/t.co/ibGMnod8Dp

Joined March 2009
Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)Photo by Light Stalking (@LightStalking)
50 shades of grey
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What's the most overrated piece of photography advice you've ever received?
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Photography is spending years learning technical control so you can eventually make something look effortless.
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What a photographer does
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If you could only photograph one subject for the rest of your life, what would it be?
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Cats are capable of perfect poses but prefer not to encourage you.
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I too like to live dangerously
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1. What's one photography rule you deliberately break and why?
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Editing is knowing what to enhance and having the discipline not to enhance everything.
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One of the strangest things photographers do is pack up immediately after sunset. They spend two hours driving to a location. Forty minutes setting up. Twenty minutes complaining about someone standing in their composition. Then the sun disappears and they leave. Meanwhile, the sky is still changing, the colours are becoming subtler, and the blue hour is just getting started. Sometimes the best photograph happens after everyone else has gone home. Which is convenient, because they've usually taken their tripods with them.
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You don't need to discover your unique photographic style before you start making photographs. Photograph landscapes. Try portraits. Experiment with black and white. Make something abstract. Copy a composition you admire and figure out why it works. Eventually, you'll notice certain subjects and approaches keep attracting you. That's probably the beginning of a style. It develops through making photographs. Not through spending three weeks choosing a consistent colour palette for your Instagram grid.
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A slightly uncomfortable thought for photographers. Some of the most important photographs you'll ever take won't be technically impressive. They'll be pictures of your kids being ridiculous. Your parents laughing. Your friends around a table. The dog doing something stupid. The light might be terrible. The composition might be worse. Twenty years from now, nobody will care. It's entirely possible that your most valuable photograph will be the one you almost deleted because the ISO was too high.
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Photographers have developed a remarkable ability to complain about the weather. Sunny? The light is too harsh. Cloudy? Not enough contrast. Rainy? The equipment might get wet. Windy? The tripod keeps moving. Foggy? Can't see anything. Then we spend six months complaining that we haven't taken any interesting photographs. At some point, the weather stops being the problem. Unfortunately, that leaves us with a rather uncomfortable alternative explanation.
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Before taking a photograph, spend five seconds looking at everything that ISN'T your subject. The telegraph pole growing out of someone's head. The bright plastic bag in the corner. The mysterious elbow entering from the left. The tree that appears to be attacking your model. Most composition problems aren't particularly complicated. They're just things we were too excited about the subject to notice. Photography is partly the art of seeing. And partly the art of noticing the bin.
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Taking 400 photographs of the same subject does not necessarily improve your chances of getting a good one. Sometimes it just means you have 400 photographs to look through when you get home. Try making ten deliberate photographs instead. Change the composition. Watch the light. Consider the background. Wait for the right moment. You'll probably learn more. And your Lightroom catalogue might finally stop resembling an evidence locker.
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There comes a moment in every photographer's editing career when they discover the Dehaze slider. For approximately three weeks, every landscape looks like the atmosphere has been removed by industrial machinery. The clouds become threatening. The mountains become aggressive. Even a photograph of a duck looks like it's announcing the apocalypse. Eventually, you discover restraint. It's one of the most useful editing techniques. And Adobe has inexplicably refused to give it a slider.
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Light Stalking retweeted
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Golden hour is wonderful. Unfortunately, the internet has convinced half the photography community that the other 22 hours of the day are a technical malfunction. Overcast light is beautiful for portraits. Midday shadows make wonderful graphic compositions. Rain produces reflections. Fog simplifies backgrounds. Every kind of light has something to offer. Admittedly, some of it requires considerably more effort than pointing your camera at a sunset and collecting compliments.
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One of the great tragedies of digital photography is the 100% zoom button. You take a beautiful photograph. Lovely light. Perfect timing. A moment you'll never get again. Then you zoom in, discover an eyelash isn't quite sharp, and decide the whole thing is rubbish. Meanwhile, somebody looking at the photograph normally thinks it's wonderful. Sometimes the biggest problem with a photograph is the photographer inspecting it.
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Light Stalking retweeted
Before We Needed to Agree Remembering the friends who knew us before we had so many opinions about everything. For some strange reason I can’t quite put my finger on, I was thinking about my adolescent friends today. Those beautiful idiots the universe dropped into my life before any of us had the slightest clue who we were or where we were going. Friends I didn’t interview, research, or run through an ideological background check. We just found each other. And for that small, magnificent accident, I will always be grateful. We didn’t talk much about politics or religion. I’m sure we had opinions, mostly borrowed from our parents and delivered with the confidence of people who hadn’t paid an electric bill. But nobody had to pass a test to hang around. We weren’t examining each other’s vocabulary for evidence of membership in the wrong tribe. Mostly, we wanted to know who was coming over and whether anybody had any weed. Our concerns were considerably more urgent. Girls. Sex. The possibility of sex. The increasingly convincing evidence that everybody else was having sex and we weren’t. We were kids with a seemingly endless supply of erections and absolutely no idea what to do with our lives—or, frankly, our hands. Rock ’n’ roll. Blues. Sports. Television. School, when absolutely necessary. Summer breezes through an open car window. Rebellion against The Man, although our understanding of The Man was broad enough to include a vice principal who wouldn’t let us wear our hair the way we wanted. We were children of the late sixties and early seventies, and we were damn proud of it. We had music our parents didn’t understand and ambitions we couldn’t explain. We were going to become something. Exactly what remained a little fuzzy. Successful? Famous? Free? At the very least, we hoped to become people who didn’t need to ask permission to borrow the car. And we belonged to each other in that easy, unexamined way young people sometimes do. A friend was somebody you wanted beside you while nothing much happened. Somebody who could make an otherwise forgettable afternoon worth remembering fifty years later. We didn’t know we were building memories. We were just trying to find something to do before somebody’s mother called us home. Fast-forward five decades, and I sometimes wonder what the hell happened to us. Somewhere along the way, our opinions got heavier. We acquired convictions, disappointments, mortgages, divorces, cable news, and the ability to ruin a perfectly decent morning before getting out of bed. We learned to explain ourselves. Then we got very good at explaining what was wrong with everybody else. Now, what separates us can seem more important than everything that once brought us together. A political post appears, and suddenly I’m looking at an old friend through narrowed eyes. The same person who once made me laugh until I couldn’t breathe becomes somebody whose judgment I question. I can feel an entire history getting crowded out by whatever he shared on Facebook that morning. And before I get too sentimental or self-righteous, let me admit that I participate in this shit. I have strong opinions. You may have noticed. I read something and make assumptions about the person who posted it. Sometimes I’m right. Sometimes I’m probably filling in a whole human being with information that wouldn’t fill a paragraph. Either way, the distance grows. I don’t think the answer is pretending our differences don’t matter. Some matter enormously. What we believe can affect how other people get to live, and an old friendship doesn’t make cruelty easier to swallow. I’m also aware that our carefree adolescence wasn’t carefree for everybody. There were things we didn’t discuss because we didn’t understand them, or because they weren’t happening to us. Still, I miss the curiosity we had about one another before we became so certain. I miss being able to sit with somebody without anticipating an argument. I miss the ridiculous laugh, the shared song, the unfinished story that somebody else could finish. There are people who remember versions of me that no longer exist anywhere else. I hate to think how casually we can lose that. Maybe that’s why those friends wandered into my head today. I wanted, for a moment, to be in their company again, before we knew so much. Before every conversation carried the possibility of becoming a referendum on who deserved our respect. I wanted to ask how they were doing and actually listen. To hear that laugh again. To remember that we once had a whole afternoon ahead of us, a song on the radio, and absolutely no fucking idea what came next. Jack.
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