Joshua Peinado retweeted
*very seriously* You can't call yourself a cinephile unless you've explored the work of Vittorio Cottafavi.
Joshua Peinado retweeted
wait is the Cottafavissaince happening for real??
Joshua Peinado retweeted
Face life head on with A FREE WOMAN.
On the cusp of marriage, Liana becomes convinced she shouldn't live a life in service of a man.
This remarkable melodrama has been newly restored in 2K by Radiance and is available on home media for the first time outside of Italy.
Joshua Peinado retweeted
My first interview about Several Futures 🥲 Thank you to @bnjmncrs versobooks.com/blogs/news/di…
Joshua Peinado retweeted
Sam and I have programmed a series devoted to Jean-François Stévenin, running 2-19 December at @ICALondon . The series features nine films and includes the UK premieres of his three unclassifiable masterpieces. A New York counterpart will follow in 2027.
Joshua Peinado retweeted
It seems that Bill Krohn is no longer with us. His piece on Allan Dwan, 'The Cliff and the Flume,' I count among the masterpieces of film criticism. RIP. sensesofcinema.com/2003/feat…
Joshua Peinado retweeted
RIP Bill Krohn. I wouldn’t be the cinephile that I am without the model that you provided. It was the honour of a lifetime to meet you.
Joshua Peinado retweeted
This Tuesday, Narrow Margin launches issue 04 at Light Industry with a double bill of Joel McCrea westerns on 16mm
Narrow Margin Issue 4 launch at Light Industry on October 13th at 7 pm — “FOUR FACES WEST” and “RAMROD” on 16mm
lightindustry.org/narrow-wes…


































