Create a 15-second live-action absurdist film, edited as SEVEN DISTINCT SHOTS. Instantaneous hard cuts at 1, 3, 6, 8, 10 and 12 seconds. Cut on movement and impact, changing camera height and shot size. Every shot has one primary camera movement. The apartment building sprints through Prague while one resident calmly continues her morning. REFERENCE ROLES: Image 1 owns the exact mint apartment building, orange balconies, satellite dish, giant human legs, white running shoes and autumn neighbourhood. Preserve the architecture actually visible in this image. Image 2 owns the elderly woman's face, blue dressing gown, balcony rail, red geraniums, watering can and teacup. References define appearance only; choose a new camera setup for each listed shot and animate a complete running gait. Fictional scene and original characters. Low autumn sun from the left, tactile worn concrete, realistic shadows, natural skin and cloth, muted colours. The building stays rigid above its legs; each foot alternates through push-off, airborne phase and landing. Its satellite dish and balconies remain attached in fixed positions. Maintain left-to-right travel in exterior running shots. SHOT 1 [00:00-00:01]: Ground-level close-up, locked camera: one enormous white trainer lands beside loose autumn leaves, blasting them upward. End state: shoe planted, leaves airborne. HARD CUT. SHOT 2 [00:01-00:03]: Handheld medium close-up of a small adult jogger: he turns his eyes upward as a huge moving shadow crosses his face. End state: his gaze points above frame. HARD CUT. SHOT 3 [00:03-00:06]: Elevated wide lateral tracking shot reveals the entire apartment building sprinting along the boulevard on two giant legs. One clear heavy stride, small ordinary trees and jogger establish scale. End state: building completes the stride and keeps travelling right. HARD CUT. SHOT 4 [00:06-00:08]: Medium balcony shot, camera moving beside the building at the same speed: the elderly woman calmly waters red geraniums. Water trails sideways in the airflow; her left hand grips the rail. End state: watering finishes, can lowered. HARD CUT ON A HEAVY FOOTFALL. SHOT 5 [00:08-00:10]: Low close-up tracking beside the legs: one trainer pushes off hard, sole flexing and leaves scattering. End state: both shoes rise clear of the street. HARD CUT ON THE JUMP. SHOT 6 [00:10-00:12]: Locked wide view beyond a street puddle: the building clears the puddle and lands past it. Its shadow crosses the water before the landing; a small wave rolls toward the lens. End state: building upright beyond the puddle, stride resuming. HARD CUT. SHOT 7 [00:12-00:15]: Close-up on the same balcony, camera travelling alongside: the woman sets down the can, lifts the porcelain teacup and takes one small, perfectly calm sip as the street passes far below. End state: she lowers the intact cup while the building keeps running. Keep the exact reference building, shoes and elderly woman consistent across the seven separate camera setups. Preserve real scale and the weight of each landing. Set surfaces are unprinted. [SOUND] Strictly only naturally occurring sound and foley, no music allowed. Heavy rhythmic footfalls cut sharply between angles, wind, rattling balcony rail, water pouring and one quiet porcelain clink. No speech. No subtitles.

Create a 15-second live-action absurdist comedy, edited as SEVEN DISTINCT SHOTS. Use instantaneous hard cuts at 1, 3, 5, 7, 10 and 12 seconds. Every cut changes camera position or shot size. Cut on physical actions, keeping screen direction. Each shot has its own camera setup and one primary camera movement. Fast setup, escalating action, clear final punchline. REFERENCE ROLES: Image 1 owns the worn cream vending machine, corridor, cloud appearance and lighting. Image 2 owns the adult man's face, grey suit, burgundy tie and white cup. Use both as appearance references only. Invent the listed camera setups rather than copying their framing or freezing their poses. These are original fictional characters. One man, one machine, one cup and the same small storm cloud throughout. Cool fluorescent office light and window daylight, tactile worn fabric, realistic wet surfaces, restrained colour and subtle handheld movement. The man treats the impossible event as routine. SHOT 1 [00:00-00:01]: Extreme close-up, locked camera: his index finger firmly presses one machine button. End state: button depressed, hand beginning to withdraw. HARD CUT. SHOT 2 [00:01-00:03]: Tight nozzle-level shot, short forward push: a fist-sized charcoal cloud squeezes out of the nozzle and hovers above the cup. End state: cloud entirely outside the nozzle, suspended above the rim. HARD CUT. SHOT 3 [00:03-00:05]: Cup-height macro, locked camera: the cloud rains dark espresso into the cup; one tiny violet lightning flash lights its interior. End state: cup half full, cloud still hovering. HARD CUT ON HIS HAND ENTERING. SHOT 4 [00:05-00:07]: Medium frontal shot, gentle handheld: he picks up the cup and turns toward the corridor exit, barely raising an eyebrow. End state: cup in his right hand, body facing the exit. HARD CUT. SHOT 5 [00:07-00:10]: Waist-height lateral tracking shot: he walks forward as the same cloud expands to umbrella size directly above his head and rains on his suit. Shoulders visibly darken with water; he keeps the cup level. End state: soaked worker reaches the doorway. HARD CUT ON HIS STEP. SHOT 6 [00:10-00:12]: Locked wide view from beside the machine: the worker exits with the rain following him. End state: empty corridor, machine foreground-right. HARD CUT WITH A METALLIC CLUNK. SHOT 7 [00:12-00:15]: Extreme close-up of the coin-return tray, camera locked: the machine ejects one marble-sized orange sun into the tray. Steady warm light spreads across the metal. Hold the final second. End state: tiny sun resting in the tray. Preserve the same man, cup, machine and corridor across the seven separate shots. The cloud travels continuously from nozzle to cup to above his head. Visible surfaces remain unprinted. [SOUND] Strictly only naturally occurring sound and foley, no music allowed. Button click, vending motor, disproportionately deep tiny thunder, espresso rain, wet footsteps and a final coin-return clunk. No dialogue. No subtitles.

3D manuál online: claude.ai/artifact/HgGB1GGvW… Kód a model na GitHubu: github.com/lukasersil/bmw-r1…

@Image 1-2: the gremlin, a tiny hand-drawn cartoon mechanic (design, colours, line only). @Image 3: the garage, the black 1930s motorcycle, the window light (not the framing). @Image 4: the rider's helmet, goggles, face scarf and clothes only. Handheld live-action on 35mm film (Kodak 500T grain, muted colours), old garage, cold morning, with one hand-drawn character. The gremlin stays flat 2D all video: thick black ink outline, flat colours, animated on twos. Never make him realistic. He is as tall as an oil can and casts soft real shadows. Everything else is photoreal. [0-2s] Wide from the doors: the rider walks in, pulling on a glove. [2-4s] Close: his boot stamps the kick-starter; the engine coughs smoke and dies. [4-6s] The gremlin, sitting on an oil can on the workbench, rolls his eyes and slaps his forehead. [6-8s] The rider kicks again, nothing; he turns his back to the bike to search the workbench. [8-10s] The gremlin hops down and drags a huge real wrench across the bench. [10-12s] He jumps onto the engine cylinder and taps the carburettor: hand-drawn burst, "BUM!". [12-14s] Close: he blows into the air intake; a hand-drawn puff of dust shoots out. [14-16s] The rider turns back and kicks; the engine starts with real exhaust smoke and the shudder flings the gremlin up with speed lines: "BRUM!". [16-18s] He lands on the fuel tank; the rider looks down and the gremlin freezes flat like a painting beside the white pinstripes. [18-21s] The rider shrugs and pulls down his goggles; the gremlin secretly pulls down his own tiny goggles. [21-24s] Outside on wet cobblestones: the motorcycle rides out past the camera; the gremlin on the tank waves and winks. On-screen text only "BUM!" and "BRUM!", in Czech. Sound: kick-starter clanks, engine cough then idle, cartoon boings, street ambience. No dialogue, no subtitles, no music. Same gremlin, motorcycle and rider in every shot; the rider's face stays covered.