MakePlay.AI | Free AI Game Maker

MakePlayAI is now available on iOS and Android! Scan QR code to download. Create games. Play games. All on your phone. MAKE YOUR OWN GAME From your first idea to a playable game, just tell your AI Agent what you want to create. Direct your own RPGs, platformers, racing games, puzzles, simulations, and even 3D adventures. Design characters, build worlds, add voice lines, and fine-tune gameplay with simple prompts. PLAY WHAT OTHERS CREATE Explore thousands of games made by Directors around the world. Into horror, racing, dating sims, trivia, or multiplayer party games? There's always something new to discover. UPGRADE ON MOBILE Both the App Store and Google Play support in-app subscriptions, so you can upgrade your plan directly from your phone. Everything you can think of, be it game-making or game-playing, is all on MakePlay.

MakePlay empowers people to turn what they love into games—and share the experience with the people they love. When we noticed that Thomas Duder had added an accessibility mode to Killer Clicker, we reached out to learn more. His reason was personal: he wanted his wife, who has disabilities, to be able to enjoy the game he’d poured so much into. "I ultimately chose Makeplay because of its impressive UI, platform functionality, and active community. I chose to direct and design Killer Clicker for the same reason I do anything – because it is a part of my greater multimedia multiverse, and the ability to FINALLY create a game? Well!" A reader who became a writer, Thomas has now taken another step: from gamer to game creator. With MakePlay, he’s bringing the world of his Killer 13 stories into a playable experience—and fulfilling a promise he once made to his readers. Killer Clicker is available now. Give it a try: makeplay.ai/p/34j8pznbsa Thomas has also been sharing his development journey on Discord. Follow his creation log for updates, behind-the-scenes stories, and what’s coming next.

“From a little room, great big dreams. And a smile for every child.” Brian & Chirol Dog Studio: Bringing a World of Drawings to Life Director Brian Makihisa @B_and_Cofficial introduces his world through the voice of a vintage animation studio founder. His stories follow BRIAN & CHIROL DOG STUDIO, its mischievous characters, and a simple wish: to make people smile. Along the way, he gives #MakePlayAI a place in that world, too. It begins in Seattle In Brian’s story, a young boy in Seattle fills scraps of paper with dogs wearing hats, cats reading newspapers, and dancing animals. His mother, however tired from work, always stops to look—and laugh. After losing his parents, he holds on to the drawings that once made her smile. At fourteen, he joins the printing shop where his father worked. At sixteen, he leaves Seattle, drawing portraits and performing at circuses, fairs, and amusement parks. Some jokes fall flat. On the road, he wonders whether a larger nose or a hat flying off at just the right moment would work better. Every child’s laughter gives him a reason to try again. One rainy night, he finds a little white dog outside a circus tent, left behind because he cannot learn the expected tricks. Brian wraps him in his coat and takes him home. That dog is CHIROL. Later, CHIROL climbs into Brian’s hat, refuses to leave, and pokes out only the tip of his nose. The crowd roars with laughter. Brian realizes that his companion does not need extraordinary tricks. He is funny simply by being himself. A little room—and an unexpected star The studio’s fictional history moves to Los Angeles in 1920. Brian rents a tiny room and gathers a team with paper, ink, a camera, and big ambitions. But they still need a leading character. Then CHIROL comes charging across the room for supper. Annie, who keeps the studio’s finances and daily life in order, laughs that such an amusing creature might become famous. Their star has been at their feet all along. Brian gives the cartoon CHIROL expressive ears, a mischievous grin, and limbs that bend like rubber. His first adventure, The Mutt and the Mummy, turns the search for a buried bone into a chaotic journey to Egypt. At the screening, Brian waits nervously at the back of the theater. When the children begin laughing, he remembers his mother, his street-corner drawings, and why he started. How MakePlay enters the story Brian describes discovering MakePlay through a playful scene set in 1930. Resting after work, he hears an advertisement on the radio during a program called “YouTube.” The promise catches his attention: describe an idea and turn it into a game. He makes a telephone inquiry. The next morning, an enormous wooden crate arrives. Inside stands a machine covered in pipes, gauges, and levers. A cheerful AI girl appears on its screen, ready to help. The team hands her a drawing of KOEUB, their spirited, ponytailed character. Soon, KOEUB is running through a black-and-white corridor, fleeing a spreading tide of ink. Then the team discovers they can control her. Brian confuses left and right. His colleagues fight for a turn. Even Annie starts shouting “Jump!”—before insisting she is simply checking whether the equipment works. Through this imagined encounter, Brian captures the excitement of seeing a familiar character become someone you can play alongside. Making sure KOEUB stays KOEUB His account of the creative process is full of small, thoughtful decisions. A character model sheet guides KOEUB’s face, ponytail, clothing, proportions, and four-fingered hands. When a generated illustration adds a fifth finger, Brian asks for that detail to be corrected while keeping the expression and pose intact. But accuracy is only part of the work. Is KOEUB waving with real delight, or merely raising her arm? Does a gesture express her personality? For an animation based on two key drawings—KOEUB whistling, then beckoning with her thumb—he describes examining the movements and their timing. A pause before the whistle can build anticipation. A brisker beckoning gesture can reveal her impatience. AI contributes unexpected ideas, while he decides which ones belong to her. He applies the same care to scenery. A fountain square should share the original town’s linework, architectural shapes, and balance of black, white, and gray. The setting can grow while still feeling like the characters’ home. Throughout these stories, Brian’s purpose remains clear: he wants audiences to laugh when CHIROL causes trouble, cheer when KOEUB faces danger, and come to regard them as living friends. With MakePlay, he is exploring more ways for those friends to move, play, and share new adventures—carrying a little room’s worth of dreams into a larger world.

🎃ハッピーハロウィン！！！ makeplay.ai/p/m3hcspbz6k 今回は、お手軽にゲームが作れちゃうMakePlay.AIで、初めてのTFゲームを作ってみました！ 🐺人狼になってからが本編？！ １プレイ2,3分のカジュアル横スクロールアクションゲームです！ ところどころちょっと粗さが目立ちますが、是非プレイしてもらえると嬉しいっです！ ミニゲームに🍬ハロウィン要素も入れちゃいましたっ！