On this day in 1742, Handel’s Messiah, performed by George Frideric, had its world premiere on Fishamble Street in Dublin, in a city clawing its way out of disaster. The venue was Neal’s Musick Hall, newly opened in October 1741, just as Ireland emerged from a devastating two-year famine. Between 13-20% of our island’s 2.4 million people had died, proportionally worse than the Great Famine a century later. Disease followed hunger. Dublin’s hospitals, Mercer’s on Stephen’s Street, and the Charitable Infirmary on Inns Quay were packed to bursting. In response, the Charitable Musical Society invited Handel, a German-born composer, down on his luck, to perform a benefit gig. He arrived in Dublin on the 17th of November 1741, and was instantly taken with the place. “The Politeness of this generous Nation cannot be unknown to you,” he wrote to his librettist Charles Jennens, who had assembled Messiah from scriptural passages. Rehearsals began in February 1742. Handel personally secured permission from Jonathan Swift, Dean of St Patrick’s Cathedral, to use its choir, alongside that of Christ Church. Uniting Anglican forces in a rare moment of cooperation. The hype was real. Ladies were asked not to wear hoop skirts; men to leave their swords at home, to squeeze in more people. Over 700 packed into the hall on the 13th of April. Faulkner’s Dublin Journal called it “the Finest Composition of Musik that ever was heard,” and later gushed, “Words are wanting to express the exquisite delight it afforded.” The concert raised £400, divided between Mercer’s, the Charitable Infirmary, and debt relief for prisoners. Handel himself took no fee. Messiah was born not in grandeur but in grit. In a hungry, hurting city, compassion, music, and scripture came together to raise both funds and spirits.