All our dreams can come true, if we have the courage to pursue them. Film Editor
Bologna - Italy
Joined July 2011
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“X is a toxic media platform.
The Guardian is no longer posting on X given the often disturbing content promoted or found on the platform, including far-right conspiracy theories and racism”
mirella carrozzieri 🎗 retweeted
Why the Guardian is no longer posting on X theguardian.com/media/2024/n…
Music Video Space by Mathias Bonde Korsgaard #videoessay
vimeo.com/917140929
FREE Storyboarding Course! Learn the foundations of storyboarding to boost your stories, pitches, & illustrations. Storyboard artist Sergio Paez guides you through unique storytelling lessons. Available FREE for a limited time. storyboardart.org/intro-to-s…
mirella carrozzieri 🎗 retweeted
Looking for some tips and advice on editing? Here’s London-based Irish Film and TV Editor @nigeljaybee with his #topeditingtips 🧵
mirella carrozzieri 🎗 retweeted
Happy #PublicDomainDay! See our highlights for this year's new public domain entrants, including Fritz Lang's *Metropolis*, Virginia Woolf’s *To the Lighthouse*, and the works of M. C. Escher and Edward S. Curtis — publicdomainreview.org/blog/…
mirella carrozzieri 🎗 retweeted
Martin Scorsese’s tribute to Paul Schrader about what an inspiration he is to young first time filmmakers,for how adaptable to industry and persistent he is in his personal expression despite all the hardship under all kinds of budget,so tender it moved Schrader almost to tears❤️
Thanks! I’m looking forward to reading it!
Finally, I can share my PhD thesis – all about the potential of using headset AR for interactive documentary storytelling 🕶️ Documentary studies, gender studies and immersive media studies brought together through practice-based research:
uwe-repository.worktribe.com…
mirella carrozzieri 🎗 retweeted
All articles published in our Spring 2022_#Rumors issue are now also available as PDF via Media/rep ✨
ow.ly/6IHa50K1lxb
So interesting 🙏
If you couldn't attend the Keynotes, Institutional Presentations or the Summit on New Media Art Archiving, we have good news...
You can now watch all the contents on @HacTeBCN's Youtube Channel!🤩
🔗bit.ly/3A7Q0gk
🙏With the support of @IRLlull
Raramente si accendono i fari su chi lavora chiuso in uno studio ad intimo contatto con le immagini ed i suoni. ancor più raro se si tratta di donne montatrici. /
Film editors are seldom seen with their lights on. This is even more true for female editors. emiliodoc.it/2022/07/06/mont…
Interessante e strano
Se cercate un giornale, un periodico di qualunque genere pubblicato tra i secc. XVII-XX probabilmente qui c'è ⬇️
lostoricodelladomenica.com/s…
(altrimenti cercate tra i molti articoli sul blog 🙂)
@BersaniLeda @GioB1974 @MariuzzoAndrea @marans77 @simonett_a @levissullam @phdmatteo
mirella carrozzieri 🎗 retweeted
Il mio unico commento sul processo Heard/Depp è che è iniziato l’11 aprile ed è finito l’1 giugno. Dello stesso anno.
What a masterpiece! 👏
Video essay “Filling (Feeling) the Archival Void: the case of Helena Cortesina's Flor de España” created for the 2022 @SCMStudies conference panel "Digital Digging: Videographic Approaches to Archival Footage" by Barbara Zecchi/ @gynocine vimeo.com/695227405
mirella carrozzieri 🎗 retweeted
EXCITING OPPORTUNITY!!
Apply to "The Videography Mentorship Program," part of the “Videography: Art and Academia. Epistemological, Political and Pedagogical Potentials of Audiovisual Practices” symposium in Hannover, Germany. Travel costs covered. June 30 deadline.
More 👇👇
Another point of view: VR counterculture from Molleindustria my last site discovery bit.ly/3x7tsea
Precious! Thx a lot!
Ecstatic Static > Resources > Library. As part of our shared resources we created an evergrowing library of PDFs from out of print film books, either scanned from our own collection or sourced online, free to anyone access ecstaticstatic.com
