the guy (@needapar) header
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Husker fan, retail investor, AMC Theatres, GME, Insane, America

Joined October 2015
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the guy retweeted
#AMC #AMCNEVERLEAVING Lol, “smart money”🤪
BREAKING: Almost $1 TRILLION has been wipedout from US stock market at open as S&P 500 dumps 1.11%.
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Well done @cvpayne and Greg McCabe CEO @nbhydrocarbons ! I hope @potus watched and will sign the letter to SEC Chair @SECPaulSAtkins to deliver the share count! Good news is @BlueLedgerAI knows how many shares and where they are located. Checkmate! Justice for #MMTLP on the horizon!
Full Interview: Next Bridge CEO Greg McCabe on Making Money with Charles Payne FOX Business. Biden’s Regulators broke the Rules! The time has come for Answers, No More Stalling MMTLP/DJT Between 8000-10,000 Veterans Have Been Financially Impacted @SECPaulSAtkins @POTUS
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the guy retweeted
Tonight's Featured Photo: The Bob Kerrey Missouri River Pedestrian Bridge by @bradwphoto
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Thank you @CEOAdam for speaking out about AMC's commitment to the Kips Bay community. This theater is a beloved institution, and I know we can find a path forward to keep it in the neighborhood. It's time for @nyulangone to come to the table.
(One of Two) An Open Letter to the Kips Bay Community About the Future of AMC Kips Bay 15 in New York City “AMC Does Not Want to Go. We Want to Stay.” ——-/////——-/////——-   To the Kips Bay Community,   Since news first broke that our popular AMC Kips Bay 15-screen movie theatre located at 570 Second Avenue in Manhattan will soon be forced against our will to close its doors, I’ve been struck by the extraordinary support that this AMC theatre has received from within the local surrounding community.        So many moviegoers and neighbors, and importantly so many of your elected officials, have rallied around our theatre. (Given the central role that movie theatres play in the lives of so many New Yorkers, perhaps it is much better and more accurate to say that so many of you have rallied around YOUR theatre.)  On behalf of everyone at AMC, thank you. Your support means a great deal to us, and especially to our theatre team members at AMC Kips Bay 15 who work tirelessly day-in and day-out to put smiles on your faces.   In thinking about this theatre, which has been a cultural icon and entertainment lifeline to so many nearby residents for decades and decades since its opening on May 14 1999, I want to make one thing absolutely clear:   AMC Theatres does not want to go. Not one little bit. AMC Theatres wants to stay in Kips Bay.   Operating under long term leases, there was a time that the monies headed each month to the theatre’s landlord had risen to become so high that the theatre’s long-term viability was uncertain. But, we were fortunate to have been successful in addressing those concerns in recent years. Today this theatre (one which has been in continuous operation for more than twenty five years) has a bright future — if we would be allowed to keep it. Indeed, every day, thousands of guests watch a movie at AMC Kips Bay 15. It has become so popular of late that on several days this past summer, AMC Kips Bay 15 was repeatedly among the ten most attended movie theatres across the entire United States, out of the more than 500 theatres operated by AMC nationally. In that light, this is a theatre that should not be even close to a permanent shutting off of its lights. Of course, AMC wants this AMC movie theatre to stay in place. And remembering how much and how often Americans love watching movies in theatres, a tradition in Manhattan that dates back more than a full century, we have heard from so many of you that you too want us to stay open for your benefit. Apparently, NYU Langone Health does not share that view, not ours or not yours.  Unfortunately, the decision to retain or end AMC’s tenure in Kips Bay is not ours to make. The nearby NYU Langone Health facility wants to expand, seems to be in the process of buying the building in which your (our) theatre now operates, and it wants us gone. In anticipation of such a transfer to NYU Langone, the current building’s owner has terminated our lease. We have engaged with NYU Langone, suggesting any number of alternatives — including that it enlarge the current low-rise building to satisfy its desires for a growth of its medical facility but also leaving a theatre in place for you. Or alternatively, we offered that our theatre could get smaller, so that at the very least we could leave something remaining in place to continue to serve you. Sadly, any and all variations that we have proposed have fallen on closed minds.  We call on NYU Langone Health to open their minds, to think creatively, and come up with a solution that will give the Kips Bay community BOTH of the two things that is wanted most of all: expanded facilities offering the world class medical care that is the hallmark of NYU Langone Health AND a fully functional AMC Theatre on Second Avenue.
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Mel Blanc talks with Letterman. He did 400 different Voices. Great interview.
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YOU CAN SEE EVERYTHING (2026), Nathan Fielder and Lance Oppenheim’s documentary about Elizabeth Holmes, opens with $15M domestically from just 855 theaters. The nearly 3-hour film more than doubled expectations, with over 2,000 sold-out screenings.
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The “Firewall” is real yet we don’t care. No one cares. Go see Digger
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the guy retweeted
Very classy move from James Cameron here, I love this tradition
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Me tonight texting everyone in my contacts about @diggerthemovie
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I will never trust a fucking word that comes out of the mouth of @ElizabethHolmes - and “Billy”, if you can read this, the exact same applies to you. You Can See Everything (🌟🌟🌟🌟🌟) is a piece of Cinema that will last forever. Stunning. Shocking. Jaw-dropping. All I kept telling myself after the film was “I didn’t know you could do that…I didn’t know a documentary could do this.” Nath Fielder is a genius & a visionary. See this film immediately.
Nathan Fielder is a genius. There’s no other way to put it. In what I believe to be the apex of Fielder’s career, You Can See Everything (🌟🌟🌟🌟🌟) is a masterpiece. Unquestionably deserving of The Five Star Treatment. But perhaps the single biggest compliment I can pay Fielder & this movie is that Fielder’s work goes beyond genre-defining: it’s genre-expanding. In other words, Fielder just changed my expectations of what it means to make a documentary. I don’t believe we’ve ever gotten a documentary like this before. As I sit here and write this review in disbelief, I question if we ever will again. The way co-directors Fielder and Lance Oppenheim create a journey that shoves you in the faces of two stone-cold sociopaths is a magic trick. This is a film that’s 3 hours long but somehow too short. I could’ve watched another 3 hours if you let me. Whatever Fielder is serving, I’m ordering.  
The crux of the story here is straightforward yet mind-boggling; in 2023, before she was set to begin an 11 year long prison sentence, notorious Theranos founder and fraudster Elizabeth Holmes and her partner Billy Evans have invited Nathan Fielder to live with them and document her final days of freedom, encroaching on a family’s final moments together.  What follows is a documentary that blurs the line between truth and fiction with such force that it disappears all together. Every genuine moment might be a performance. Every conversation may have an ulterior motive. Every awkward silence could be strategic. And when the subject of Fielder’s documentary is no longer accessible to him, he continues his exploration and hunt for truth in the unique way that only Fielder knows how.  
There is simply so much to unpack with this movie, because the conceit driving it all is an inherent oxymoron. How do you create a documentary, a piece of film designed to be transparent and truth-bearing, about people who are famous for being frauds? Who successfully lied and conned people who sit at the highest levels of government and industry? Can one document deception without participation? A documentary is inherently performative; everyone involved has a motive. That is dialed up to an 11 here, as Holmes and Evans are the quintessential final bosses of deceit and discomfort. You never know where you stand with either one. They are a two person cult. The second you start feeling bad for one, you wonder if you’re falling into their trap. No moral evaluation can be relied upon, because the audience’s perspective shifts constantly throughout the entire film.  
Nathan Fielder was built in a lab for this movement. He is the perfect person for the job. He built a decades-long career in sitting back, allowing people to stew in their discomfort, and seeing what comes next. And to be totally honest, I think Holmes underestimated his intelligence. When a conversation reaches an awkward pause where a normal person would step in to fill the silence, Fielder lets it lie to see who chooses to fill it and with what. But here he may have met his match, in a couple that relies on prolonged eye contact, the guise of full access, and weaponized helplessness. One of the documentary’s great feats (of which there are many) is making us wonder if Fielder has gotten pulled too deep into their orbit. Fielder’s own biases may make him susceptible to the very manipulation he’s trying to expose. A great final moment between Fielder and his rehearsal scene partner brilliantly mimics and reverses the roles of his final conversation with Holmes before jail. Has the deceived become the deceiver….
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So let me get this straight Netflix is investing in theaters Paramount sky dance is investing in theaters And AMC sits at the top of the chain and quite literally dictates the Movie Theater Industry And they expect to us believe we should be fighting for $3….. $AMC
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MY MAN!!! WAY TO GO NEIL!!!🪏 #AMCNEVERLEAVING 🍿🍿🍿
"Digger is the best film I have ever seen" - Neil Young
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Wow they’re pulling Digger from theaters this week so it can’t continue gaining momentum and social discussion? Just checked locally for Thursday and nothing available. What happened to longer theatrical windows? What a crock of sh1t! This film deserves more!
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So I’m going to see it again tomorrow
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Gonna get used to this @AMCTheatres
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Christopher Nolan’s #TheOdyssey is returning to #IMAX. Experience it in @IMAX October 9. Get tickets now!
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the guy retweeted
Digger Stills Photographer Antonio Olmos shares his experience working on the film: 2024 and 2025 will always be for me the time I spent with the amazing @tomcruise on the last Mission Impossible film and @diggerthemovie . If you haven't seen Digger yet you really should. It is an amazing film by Alejandro Gonzales Iñárritu. Watching Cruise work for those two years I am still in awe of what a hard working artist he is. It was a real joy to watch him inhabit the character of Digger Rockwell, the rapacious oilman who does great harm to the planet. Even though I watched the whole movie being made, it blew my mind when I saw it in the theatre. It was a real honour to work with Cruise and Iñárritu. As the Unit Stills Photographer it was also amazing to watch one of the great cinematographers at work, Emmanuel "Chivo" Lubezki. @chivexp The visual beauty he created alone is worth the price of the ticket. instagram.com/p/DeMvYRxDERS/…
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What a movie!!
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It’s mine!
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