The Rose retweeted
Simple: because each fantasy race in Zelda was designed with their environment in mind, which is exactly how real world speciation occurs naturally over time.
The Gorons of Death Mountain eat rocks. This is essentially an infinite resource, and they’re comfortable sleeping in caves, meaning they have no reason to work and toil. Thus, they are lazy as shit, allowing them to be goofy comedic relief who eventually face a serious threat - one that Darunia rises to fight for the first time since his ancestors conquered the mountain.
The Zora of the rivers are carnivores who hunt fish. This lets them dominate the fresh-water bodies of Hyrule, but unlike the Gorons, they need to work to eat, so they’re all lean warriors. Thus, the Kingdom of Hyrule has allied with them rather than ruling then directly, giving them a free spirit compared to the other races (Ruto very much personifies of these traits).
The Kokiri of the Lost Woods are perpetual children, physically and mentally. They are taken care of by a guardian deity, all their needs met by a father figure, who protects them inside a magical forest. They are therefore incapable of protecting themselves once the Great Deku Tree dies, leaving them cowering in their rooms until Link, an adult, comes to save them.
The Gerudo live in a bone-dry, resource scarce desert. Their biology also dictates that they are incapable of producing children without finding men from other races. Both of these facts force them to go out into the rest of Hyrule and steal, be it food, horses, or boyfriends.
All of these races have a distinct relationship with their environments. Their biology has been naturally selected over time to adapt to those environments. This leaves them feeling rich and fleshed out. If you want to craft interesting fantasy races, then you have to look at the factors which lead to speciation in the real world - people will resonate with it because they observe it every day.
The Rose retweeted
ᴛɪᴍᴇ ᴛᴏ ᴄʟᴏᴄᴋ ᴏᴜᴛ. 🕓
Youmacon was nice. But a big up was finally cosplaying Nanami (aka Husbando)! 🥰
Wig is from a Matilda in Ash Blonde from @ardawigs
#youmacon #nanamikento #jujutsukaisen #jjkcosplay #animecosplay #cosplay #GenderSwap
The Rose retweeted
Mai by the glorious @ickpot
The Rose retweeted
Shot by Vick's lens! 📸
#Cyberpunk2077 #VirtualPhotography #VGPUnite #NightCity #Cyberpunk #PortraitPhotography
The Rose retweeted
I know Henry Cavill is out there laughing and I just want you to know, I’m with you king
The Rose retweeted
We must return to the pure magic, heart, and timeless wonder of what Superman truly represents. To do the character justice on the big screen going forward, filmmakers must honor his core spirit of steadfast optimism, profound empathy, and radiant light rather than chasing cynical trends. When we finally return to that essential innocence and genuine heroism, every new cinematic chapter will soar as it is meant to. Until that day arrives, perhaps it is best to let the legend rest rather than force something that misses the mark entirely.
—Jim Bowers
The Rose retweeted
Opinión: por primera vez en la historia de DC, Gunn tuvo la oportunidad de tener total y completa autonomía para hacer lo que le viniese en gana, sin tener que rendirle cuentas a nadie…
… y la despilfarró en una horda de personajes secundarios y terciarios por los que el público general no dio un carajo. Fuera de Superman y Luthor, vimos desfilar Frankensteins, Weasels, Vigilantes, Judomasters, Peacemakers, Flaggs, Mr Terrifics, Hawkgirls y Jimmy Olsens. Y cuando se decidieron a utilizar un peso pesado como Hal Jordan, le dieron una serie de Green Lantern sólo en nombre… y lo mataron
Ese es el legado de Gunn
The Rose retweeted
A veces, las princesas no tienen corona, sino la sonrisa mas hermosa del mundo.
#TheLegendOfZelda #Zelda #Malon #TheLegendOfZeldaOcarinaOfTime
The Rose retweeted
“#SeductiveSunday? I literally dance for you people on a daily basis with half my chest out. What more do you
want from me?”
Art Credit Below!
The Rose retweeted
Godzilla Minus Zero is subtitled, rated R and about to open number one in America.
Subtitles were never the problem.





































