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I made a commissions info post! If you have some spare cash this holiday season and want to give someone (or yourself) the gift of handmade art, consider me maybe💕 tumblr.com/ozonecologne/7031…
maddie 🇵🇸✊ retweeted
If I could give some unsolicited advice to ao3 fic writers it would be to: 1. Have a nice day and 2. Keep doing what you love
maddie 🇵🇸✊ retweeted
this message was meant to find you today. this is a direct sign from the universe. if you’re reading this, the higher powers want you to update your fic.
“go to hell” is basic. “i hope your one of your favorite recent romance novels gets adapted into a movie starring jared padaleki” is smart. it’s possible. it’s terrifying. it happened to me
maddie 🇵🇸✊ retweeted
"October 7th was a justified reaction to decades of genocide," "The civilian deaths on October 7th are nonetheless tragic," and "Israel has done far worse things than October 7th, both before and after it" are all three compatible positions to hold
maddie 🇵🇸✊ retweeted
(me during the busiest time of my life when i do not have an ounce of free time) I want to write fanfiction again
maddie 🇵🇸✊ retweeted
“I don’t do politics.” Everything is political babygirl. It’s not cute to be dumb.
maddie 🇵🇸✊ retweeted
When I am chopped it is a form of resistance against societal expectations for women and I am very brave
I wrote something about the new Tom Cruise film #Digger since I can't stop thinking about it. Read "Digger Hates Hopecore" on my Tumblr (I refuse to make a substack). NOT SPOILER FREE!!!! tumblr.com/ozonecologne/8295…
this was the best scene in the whole thing. i have never wanted to physically be on a set as badly as i wanted to be here. i bet that room was electric
🔎 | A impressionante cena do monólogo de Tom Cruise no filme 'Digger' foi filmada em uma única tomada contínua, exigindo que o ator memorizasse e entregasse entre 10 e 12 páginas de diálogo sem qualquer corte.
A sequência foi descrita por Cruise como uma verdadeira "dança" coreografada, onde a atuação precisava se sincronizar perfeitamente com os movimentos de câmera de Iñárritu para equilibrar o tom de sátira, humor e drama do personagem Digger Rockwell.
Para capturar essa atmosfera única, a equipe de produção utilizou o formato clássico VistaVision com uma câmera restaurada da década de 1950, combinada com lentes da marca Leica que foram desenvolvidas sob medida e exclusivamente para o filme.




















