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wrote about my favorite album of the year by a band that continues to surprise me. bangers on bangers of every shape and size. a brutally fun 31-minute masterpiece that shoehorns meathead hardcore, art/noise guitar textures, seattle-via-nola grunge, and even houston rap
From nu-metal to Madchester and beyond, the Austin metal trio Portrayal of Guilt's ambitious fourth album brings all their disparate influences under one roof
pitchfork.com/reviews/albums…
had a dream that smashing pumpkins brought out opener nirosta steel to sing “mayonaise” with them. it was very clear he didn’t know the lyrics or tempo and it was the worst thing i’ve ever heard in my life
going 1-13 from the field was also a sly reference to the age range targeted by the subjects of to catch a predator
i feel insane watching sga hit the most preposterous shots with zero trace of foul baiting. if he becomes an ethical hooper this will be the most bizarro nba season of my life
reviewed one of my all-time favorite bands this week; reviewing another next week
Deafheaven's surprise new EP blatantly evokes a period in the mid-’90s when, across Europe, guys in corpse paint started playing around with Korg workstations
pitchfork.com/reviews/albums…
Patrick Lyons retweeted
here is the cover of deafheaven’s new ep overlaid with the opening sentence of my review
expressive but also ornate but also unpretentious writing. excellent stuff
Replying to @walden_green_
wild how “nutshell” (a non-single) has become alice in chains’ most popular song on streaming services purely off the strength of the worlds most forlorn “dudes rock” memes
best part about seeing digger is now being able to go back thru @jaeporeon’s tweets and digesting her takes
Patrick Lyons retweeted
good stuff from @bromf3
Klein channels Disney soundtrack tropes into claustrophobic strings and drones, while a handful of vocal tracks hint darkly at real-world family drama
pitchfork.com/reviews/albums…
























