Philip Tinari (@philiptinari) header
Philip Tinari (@philiptinari) profile picture

Director, @UCCA798

Beijing
Joined January 2009
Philip Tinari retweeted
It's Warhol's world and we're just living in it 👊 Discover the man and the myth with @ShahidhaBari, @PhilipTinari, @TheWarholMuseum and @intelligence2. bit.ly/3kZvmrb #SothebysTalks
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Enjoyed the chance to speak about the late Hung Liu on the occasion of her exhibition @smithsoniannpg, with thanks to @DorothyMossd and @kate_c_lemay Portraits of Promised Lands: In Conversation with Ying-chen Peng and Philip Tinari youtu.be/9cgm0F5YypQ
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Friend of the pod.
This week on the Art Angle podcast: China’s most adventurous museum director on global art’s post-COVID future. bit.ly/2WQYeWx
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Somewhat niche content: a thirty-minute curator’s walkthrough (in Mandarin) of the exhibition we just opened (remotely) at UCCA Dune, a ten-artist meditation on rest and resistance. youtu.be/szDZN6GcMHM
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Wrote this small piece about UCCA and the lessons of lockdown. theartnewspaper.com/comment/…
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Enjoyed the chance to talk a bit with @TheArtNewspaper about what we’ve been up to lately.
New pod out now! How will museums survive into a post-pandemic world? We speak to @tate Modern director Frances Morris, @metmuseum CEO Dan Weiss, and @UCCA798 CEO @philiptinari. Produced in association with @ChristiesInc ow.ly/CZVG50z4gP1
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On the heels of last night’s gala, some big ⁦@UCCA798⁩ news theartnewspaper.com/news/ucc…
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Hello London!
#WeRecommend @FriezeArtFair #BBC Debate – Museums in the XXI Century @RIBA 3 international museum directors #LaurencedesCars @MuseeOrsay #KennieTing @acm_sg & @philiptinari @UCCA798 discuss how to lead cultural institutions in the new millennium. Free 👉 eventbrite.com/e/frieze-bbc-…
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Some thoughts on the closure of @PaceBeijing as announced in @artnews. I covered the opening in August 2008 for @Artforum. Period piece alert: artforum.com/diary/philip-ti…
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(Actually it was the overwhelming success of Pace Beijing's (ticketed) summer 2017 @teamLab_net show that argued to many of us that whole new audiences were about to appear.)
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So I'm sad to see Pace's venture here come to an end, but caution against seeing a business decision by a single gallery as proof that, in Glimcher's words, "culture has to be sacrificed by these administrations who don’t understand its value or its role in society."
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