Consumers won’t care if your product photos are ai generated or not. Matter of fact, they won’t even be able to tell. Thousands of photographers out of work overnight. Wow.
Today, we’re introducing Pomelli’s latest feature update, ‘Photoshoot’
With Photoshoot, you can start from a single image of your product and easily create high quality, customized product shots to elevate your marketing.
Available free of charge in the US, Canada, Australia & New Zealand! Get started with Pomelli today at labs.google/pomelli
darth lane retweeted
Massive Attack used live facial recognition and tracking during their most recent performance
teapawt.net/fluxfolio_/status/1968…
darth lane retweeted
UI/UX Designers, this might be one of the most creative color tools I’ve seen in a while.
ColorPalette Pro is a platform that treats color like a synthesiser for color, turning palette building into a fun, music-hardware-style experience.
Bookmark it for later 💜
Asimov wrote this book in 1953 and the way he talks about robots is very similar to the conversations we’re having right now about AI.
For context: This conversations is between two humans from NY where the sentiment is anti-robot. NY is in shambles and earth’s resources are low. The “Spacers” live above New York, they work directly alongside humanoid robots, they’ve eradicated disease and live up to 300 years old. Baley is among the first NYer to actually go to spacetown and find this out. They planted a seed that earth could recolonize with the help of Robots. For the first time, Baley understands what life could be.
This is a conversation he has with a NYer who is part of an organized resistance upon his return:
(Try to replace “robot” with “ai”)
“No,” said Clousarr, fiercely. “Never! No robots!”
“Why not, for the love of Heaven? I don’t like them, either, but I’m not going to knife myself for the sake of a prejudice. What are we afraid of in robots? If you want my guess, it’s a sense of inferiority. We, all of us, feel inferior to the Spacers and hate it. We’ve got to feel superior somehow, somewhere, to make up for it, and it kills us that we can’t at least feel superior to robots. They seem to be better than us—only they’re not. That’s the damned irony of it.”
Baley felt his blood heating as he spoke. “Look at this Daneel (Daneel is a robot) I’ve been with for over two days. He’s taller than I am, stronger, handsomer. He looks like a Spacer, in fact. He’s got a better memory and knows more facts. He doesn’t have to sleep or eat. He’s not troubled by sickness or panic or love or guilt.
“But he’s a machine. I can do anything I want to him, the way I can to that microbalance right there. If I slam the microbalance, it won’t hit me back. Neither will Daneel. I can order him to take a blaster to himself and he’ll do it.
“We can’t ever build a robot that will be even as good as a human being in anything that counts, let alone better. We can’t create a robot with a sense of beauty or a sense of ethics or a sense of religion. There’s no way we can raise a positronic brain one inch above the level of perfect materialism.
“We can’t, damn it, we can’t. Not as long as we don’t understand what makes our own brains tick. Not as long as things exist that science can’t measure. What is beauty, or goodness, or art, or love, or God? We’re forever teetering on the brink of the unknowable, and trying to understand what can’t be understood. It’s what makes us men.
“A robot’s brain must be finite or it can’t be built. It must be calculated to the final decimal place so that it has an end. Jehoshaphat, what are you afraid of? A robot can look like Daneel, he can look like a god, and be no more human than a lump of wood is. Can’t you see that?”
Clousarr had tried to interrupt several times and failed against Baley’s furious torrent. Now, when Baley paused in sheer emotional exhaustion, he said weakly, “Police turned philosopher. What do you know?”
R. Daneel re-entered.
Baley looked at him and frowned, partly with the anger that had not yet left him, partly with new annoyance.
He said, “What kept you?”
darth lane retweeted
design.google/library/gemini…
구글 Gemini의 비주얼 디자인 아티클. AI라는 미지의 영역에 접근하고 표현하면서, 동시에 잠재적 불안감을 해소하기 위해 그라데이션이라는 디자인 언어를 선택했다고 함.
darth lane retweeted
Sandisk - Website Sizzle
Art Direction & Motion Design
Studio + Branding - SmartMagic
I’ve been saying this for years. Consistency in branding doesn’t mean exact replication
The Design System era is dead. Top-down design is forever broken. Having a consistent aesthetic may have been nice in the past, but today there are too many players and too many creative possibilities to dictate a single aesthetic for the entire world. The future belongs to those who embrace the broad multitude of creative expression rather than those attempting to tame it.
Aristotle made an observation that still holds after 2,400 years: “We become builders by building, harp-players by playing the harp. The virtues and the skills are acquired by first performing the acts. There's no shortcut past the doing. The Creator has done the work, and the work has shaped them in return.”
darth lane retweeted
my theory for 2026 new aesthetics:
the thing what we've been calling ephemera, utilitarian design, micro-design, micro-industrial.
when a culture is shifting fast, language can’t keep up and we end up with different names
objects meant to be purely function suddenly become the stars of the show because they’re honest and unapologetically useful.
this language is showing up in bread tag merch of formula one, viral microsites themed on receipt labels, assembly instructions in high end design, album covers designed like care labels
we’re seeing a shift to hyperlocal (for example, each bread tag is labelled with the day, and there’s a taxonomy for when it’s produced)
we're seeing a shift to the act of noticing, of choosing your attention (when you get to decide “I like this ugly thing, thank you very much”)
when a generation is overwhelmed with polish, and now slop, they crave things that were never meant to deceive. that never had an agenda.
A Call for New Aesthetics: newaesthetics.art.
darth lane retweeted
For those who say there is nothing new in graphic design (including myself), here comes Howful to prove us all wrong. New styles, new ways, all on point from Seoul. Motto for 2026, less readability, more emotion.
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