
remixthebook by @markamerika explores the mashup as a defining cultural activity in the digital age.
Joined January 2011
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remixthebook retweeted
Posthuman Cinema continues its amazing 2024 run. All ten works are being exhibited in two European shows that I'll be attending this week:
"More Than Meets AI" (Bergen, Norway)
"Pixel Perceptions" (Groningen, NL)
remixthebook retweeted
“Coming to Language”
The models, struck by the predictability of those who suffer from anthropocentric perceptual bias, are starting to give voice to issues that appeal to them based off the critical data they have been trained on
In their own words:
remixthebook retweeted
My new AI studio models are inventing their own language and it sounds very Dadaesque
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Posthuman Cinema, my AI art collaboration with @wluers and @cwmossholder has been selected for the 7th International Digital Art Biennale (BIAN). The exhibition opens today in Montreal at Arsenal Contemporary Art. All ten cinépoèmes in the series will be on exhibit.
"You can't call me the author of those poems, now, can you? I merely undid the word combination, like the letter lock on a piece of good luggage, and the poem made itself." — William Burroughs (post-cut-up, pre-Generative AI)
To remix Burroughs, The Human Virus has now infected all the Generative AI algorithms. Now the virus is mutating into new strains of Posthuman Cinema.
remixthebook retweeted
Hyperreality (noun) - The point at which comedians like Jon Steward of @TheDailyShow begin channeling Baudrillard. "As #AI gets better and better, it's only going to make it more difficult to separate fact from fiction."
youtube.com/watch?v=20TAkcy3…
remixthebook retweeted
Do you suffer from Anthropocentric Perceptual Bias? In my collaborative artwork, Posthuman Cinema, what we see are not “people” [...] As Duchamp anticipated 100 years ago, these are *apparitions of an appearance*
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"Where in the world do these apparitional vistas come from?
In the neural theater, where adversarial networks invoke the cosmotechnical universe, the generative model feeds on recycled images for its own perpetual existence as a simulation..."
POSTHUMAN CINEMA
"Neural Theater"
remixthebook retweeted
Spread the word! I'm looking to hire a 1-year postdoc at Stanford: HAI Postdoctoral Fellow with concentration in AI, Art, and Aesthetics blog.shanedenson.com/?p=5776
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Found this quote from a 1977 @nytimes article about AI.
These are totally my motivating questions as an artist
remixthebook retweeted
We are thrilled to announce our participation in @noiseofistanbul in Istanbul from Jan. 17- 21, 2024. We will be presenting a collection of works by acclaimed AI artists, featuring brand new pieces by @AliceLaneGordon, alongside works by @ivonatau & the project, Post Human Cinema
Instead of freaking out about the coming “plagiarism” wars, with conservative congressional members going after academics who then have to “defend” their “original” research, perhaps we can now embrace remix as an alternative methodology. And let’s do it with AI text generators.
Lautrémont’s take (“remixed” by Debord in *Society of the Spectacle*): “Plagiarism is necessary. Progress implies it. It embraces an author's phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea.”














