NYT bestselling Graphic Novel Artist/Writer • Marvel + DC Cover Artist • BG designer for animated feature "Robot Dreams" • Mr. X Co-Creator • Paul Rivoche

Toronto, Canada
Joined October 2009
ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『アルプスの少女』のレイアウトです。
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宮崎駿監督が描いた『名探偵ホームズ』のイメージボードです。(名探偵ホームズ BD-BOX)
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ROCKETFICTION 🚀 retweeted
これはもう「絵がうまい」としかいいようがない。残酷なほどに「ただの才能」がここにあって、同じ状況を誰が描いてもこんな魅力的なレイアウトにならないだろう。急ごしらえのバリケードがあって、銃を持ってるハイハーバーの人々がいて、ラナがいる。背後に岩山が見える。そんだけ。多分絵描きなら誰でも「はいはい」と言って描ける。描けるが、決してこんな絵にはならないと確信を持って言える。彼の言う「つまんない空間」にしかならないだろう。逆に言えば宮崎駿はいかなるシーンでも「つまんなくない空間」として、しかも反射的に即座に描けたのだと思う。それは同じ平凡な被写体を前にしての、スマホを持った素人とプロのカメラマンの違いのようだ。
宮崎駿監督が描いた『未来少年コナン』のレイアウトです。
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'Speakeasy Corner.' (1928) Martin Lewis died in obscurity in 1962; he found some success in his early career, but was largely forgotten after the Great Depression leaving him to spend last three decades teaching etching including his famous pupil Edward Hopper.
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❝Critics used the word ‘illustrator’ as a denigrating label. I resented the implied barrier between illustrator and painter. Both should be measured by their competence—not by artificial compartments contrived by critics.❞ —N.C. Wyeth, born on this day, October 22, in 1882
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ROCKETFICTION 🚀 retweeted
近藤勝也さんが描いた、小説『海がきこえる』のイラストです。
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『未来少年コナン』の設定とレイアウトです。
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『赤毛のアン』のレイアウトです。
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Andrew Wyeth - "Wind From The Sea" (1947)
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『未来少年コナン』のイメージボードです。(未来少年コナン アニドウ FILM 1/24 別冊 ANIMA-LIFE BOOKS)
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『未来少年コナン』の設定です。フライングマシンの円がゆがんでいるのは本人が疲れているせいだという注釈があります。(未来少年コナン レイアウト集)
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『未来少年コナン』の設定です。(未来少年コナン レイアウト集)
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『赤毛のアン』のレイアウトです。
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ROCKETFICTION 🚀 retweeted
宮崎駿監督が描いた『未来少年コナン』のレイアウトです。(未来少年コナン レイアウト集)
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ANIMATION SKETCHERY: another design exploration made for a 3D show. It was during the early phase of developing a series and was fun "blue sky" concept work, throwing out as many ideas as possible. #conceptart #animation
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Keeping the timeline spirits high, one Art Deco masterpiece at a time
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#portfolioday 今日であってるのかな? 背景ばかり描いてる人です💦よろしくお願いします!
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GLAD SOMEONE SAID IT. All of nature is waiting out there to serve as raw inspiration, but too many times we get recycled copycat attempts at a 3D version of "Milt Kahl Face", watered down through many generations. Probably many of the younger artists have no idea where this came from, but poor Milt is probably rolling in his grave seeing how his work (and others from that earlier Disney school) have been turned into a stale formula.
I'm very amused that it took til Hexed, NOW in *2026*, for folks to realize and get sick of the generic and repetitive human designs, despite it's been happening for DECADES now. Guys look like this and girls look like this, and apparently there's no other way to design people.
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4 examples of brilliant Milt Kahl art. It looks like his signature way of treating noses (in particular, but more than this) has somehow, through the years, been turned into a repetitive formula—a narrow bridge expanding to a bulbous tip which then further swoops along to a contrasting & sharply-accented nostril. Of course, there are amazing exceptions, but I agree that this has now become a hallmark of lazy character design.
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