exhibition-maker | researcher | cultural producer Formerly: Curator, V&A East Currently: Exhibitions Manager, UCL Culture and independent curator

London
Joined January 2009
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And new book chapter! "How Do We Explain Inequality Within Artistic and Cultural Occupations? The Problem of Downward Social Mobility" from the dream team of @markrt @OrianBrook @SocSciMcAndrew and me link.springer.com/chapter/10…
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"enabling brilliant working-class kids to succeed in drama, dance or journalism – their raw talent so obvious, but for too many of whom geography is destiny, we will be a government that walks alongside them" theguardian.com/politics/art…
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“For too long, for too many people, the story we tell ourselves, about ourselves as a nation, has not reflected them, their communities or their lives,” Nandy told staff at the Department for Culture, Media and Sport (DCMS).
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This Wednesday, we're launching Pandemic Objects at the Architectural Association in London. A labour of love over the course of the pandemic, rendered into beautiful book form by the AA. I'm so pleased this book exists, so come and celebrate with us! aaschool.ac.uk/publicprogram…
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“To me, the adherence to this language reveals a fallacy in museums’ dedication to inclusivity.” 👊
I've been fixated on the Whitney Biennial press release lingo, which is so astonishingly vague that it reaches a level of artistry, not to mention parody. So I had to rant on @Filthy_Dreams: Why do curators still talk like this? Who is this FOR exactly? filthydreams.org/2024/01/27/…
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“But, for those who rely on the B.L.’s collections, and, more broadly, its distribution of free, digital information to the British educational system, the ramifications of the cyberattack have been dire.” Once again, where is the UK in-depth coverage? newyorker.com/news/letter-fr…
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Shame on @pamm for not allowing me to breastfeed in one of their galleries. I just needed to give a quick feed before seeing a specific exhibit. Got told I was making people uncomfortable. No other people were even in the gallery.
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“… it’s also about, obviously, the wealthy and how they portray themselves, and how we portray them, and how we imagine them. It’s not that the wealthy are underrepresented; they may be overrepresented, but on their terms.”
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Includes several multimillionaires under 35 and such hot tips as “Just do the work” and “Don’t be afraid to fail”🙃
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👏brilliant
This headline in last week's Sunday Times annoyed people. Read my new blog to see what happened next: municipaldreams.wordpress.co…
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Directed by @paulsng, @TishMurthafilm is a moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. Coming to UK cinemas soon! modernfilms.com/tish
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We could simply talk about poverty; conversely, we could cover the millions of social housing tenants doing OK and getting on with life. But somehow for the media it's always about 'notorious estates'. We need to do better than the negative stereotypes. theguardian.com/tv-and-radio…
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Samantha May retweeted
A recent study published in 2022 discovered that since the 1970s, the number of creative workers (musicians, actors, artists, etc.) from working-class backgrounds has significantly decreased to just 7.9%.  Interesting piece inspired by @Big_Joanie faroutmagazine.co.uk/the-mid…
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‘If it’s not a risk… it’s nothing’: Nobel laureate Annie Ernaux on her unapologetic career Interview by @aliceblackhurst 📸 @ed_alcock theguardian.com/books/2023/m…
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"Ordinary working people, considered superfluous or unwanted, are exiled to a grey zone where justice cannot enter and their less-than-worthy lives count for next to nothing". From @bungatuffie powerful exhibition essay for Steve McQueen's Grenfell film serpentinegalleries.org/what…
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