OperaSceneUK (@scene_opera) profile picture

Opera from around the UK

Joined July 2021
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CRITIQUE, festival. WORMSLEY, Garsington Opera, le 10 juillet 2026. BARRY : The Importance of Being Earnest. J. France, H. Waddington, S. Boylan @scene_opera classiquenews.com/critique-f… via @ClassiqueNews
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CRITIQUE, festival. BLANDFORD FORUM, Dorset Opera Festival (Coade Theatre), le 21 juillet 2026. DONIZETTI : L’Elisir d’amore. H. Hong, J. Broadhurst, J. Eyers, A. Smith… Andy Morton / Frank Zielhorst @operascene classiquenews.com/critique-f… via @ClassiqueNews
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CRITIQUE, festival. BLANDFORD FORUM, Dorset Opera Festival (Coade Theatre), le 21 juillet 2026. DONIZETTI : L’Elisir d’amore. H. Hong, J. Broadhurst, J. Eyers, A. Smith… Andy Morton / Frank Zielhorst @scene_opera classiquenews.com/critique-f… via @ClassiqueNews
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CRITIQUE, festival. HORSLEY, Grange Park Opera, le 10 juillet 2026. WAGNER : Das Rheingold. J. Rutherford, R. Nicholls, D. Stout, M. Rose… Charlie Edwards / Harry Sever classiquenews.com/critique-f… via @ClassiqueNews
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CRITIQUE, festival. HORSLEY, Grange Park Opera, le 10 juillet 2026. WAGNER : Das Rheingold. J. Rutherford, R. Nicholls, D. Stout, M. Rose… Charlie Edwards / Harry Sever @grangeparkopera classiquenews.com/critique-f… via @ClassiqueNews
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Laugh out loud social comedy at Chapter with Everyman Theatre: God of Carnage. Must now watch CARNAGE, the film with Jodie Foster and Kate Winslet to see if it is half as good. This Everyman show is 90 mins of great entertainment. Grab a ticket. @everymancdf
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*** There’s always a danger, when adapting something as taut and psychologically airless as The Spy Who Came in from the Cold @theCentre asiw.co.uk/reviews/the-spy-w… via @ArtsSceneWales
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Critique, opéra. CARDIFF, Welsh National Opera, le 16 avril 2026. WAGNER : Der Fliegende Holländer. Simon Bailey, Rachel Nicholls, James Cresswell… Tomas Hanus / Jack Furness classiquenews.com/critique-o… via @ClassiqueNews
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Can't help wondering whether spending money on rebranding, posters and fancy videos when there isn't enough money to tour sends the right message for people to get behind @WelshNatOpera and oppose @Arts_Wales_ @ace_national cuts
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MWO gives opportunity to young singers. Fingers crossed forthcoming (WNO) season announcement restores ambition & substance to what was once one of Europe’s most admired companies. asiw.co.uk/reviews/dido-and-… @ace_national @Arts_Wales_ @rncmlive @RWCMD
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"fingers must remain crossed that the forthcoming season announcement restores some ambition and substance to what was once one of Europe’s most admired opera companies (WNO) " Fine young singers at MWO. asiw.co.uk/reviews/dido-and-… @WelshNatTheatre @Arts_Wales_ @RWCMD
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Is there a post-Covid future for opera in Wales? @Midwalesopera @WelshNatOpera @scene_opera @Arts_Wales_ #opera #wno #mwo @https://asiw.co.uk/reviews/dido-and-aenaes-mid-wales-opera via @ArtsSceneWales
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