OperaSceneUK retweeted
A nursery tale with the master’s own music in its bones, Hansel and Gretel, Longborough Festival Opera @lfotweet operascene.co.uk/reviews/a-n…
OperaSceneUK retweeted
CRITIQUE, festival. WORMSLEY, Garsington Opera, le 10 juillet 2026. BARRY : The Importance of Being Earnest. J. France, H. Waddington, S. Boylan @scene_opera classiquenews.com/critique-f… via @ClassiqueNews
OperaSceneUK retweeted
There is a particular pleasure in watching Welsh singers in clever and enjoyable productions. asiw.co.uk/welsh-performer-r… via @ArtsSceneWales
OperaSceneUK retweeted
CRITIQUE, festival. BLANDFORD FORUM, Dorset Opera Festival (Coade Theatre), le 21 juillet 2026. DONIZETTI : L’Elisir d’amore. H. Hong, J. Broadhurst, J. Eyers, A. Smith… Andy Morton / Frank Zielhorst @operascene classiquenews.com/critique-f… via @ClassiqueNews
OperaSceneUK retweeted
Barry and Furness' Wilde is a country house opera romp and that’s the trouble, Garsington Opera @GarsingtonOpera operascene.co.uk/reviews/bar…
OperaSceneUK retweeted
CRITIQUE, festival. BLANDFORD FORUM, Dorset Opera Festival (Coade Theatre), le 21 juillet 2026. DONIZETTI : L’Elisir d’amore. H. Hong, J. Broadhurst, J. Eyers, A. Smith… Andy Morton / Frank Zielhorst @scene_opera classiquenews.com/critique-f… via @ClassiqueNews
OperaSceneUK retweeted
CRITIQUE, festival. HORSLEY, Grange Park Opera, le 10 juillet 2026. WAGNER : Das Rheingold. J. Rutherford, R. Nicholls, D. Stout, M. Rose… Charlie Edwards / Harry Sever classiquenews.com/critique-f… via @ClassiqueNews
OperaSceneUK retweeted
Sam Furness joins soprano Mari Wyn Williams for West Green House Opera’s Tosca.There is a particular kind of nerve required... asiw.co.uk/reviews/two-welsh… via @ArtsSceneWales
OperaSceneUK retweeted
CRITIQUE, festival. HORSLEY, Grange Park Opera, le 10 juillet 2026. WAGNER : Das Rheingold. J. Rutherford, R. Nicholls, D. Stout, M. Rose… Charlie Edwards / Harry Sever @grangeparkopera classiquenews.com/critique-f… via @ClassiqueNews
OperaSceneUK retweeted
Laugh out loud social comedy at Chapter with Everyman Theatre: God of Carnage. Must now watch CARNAGE, the film with Jodie Foster and Kate Winslet to see if it is half as good. This Everyman show is 90 mins of great entertainment. Grab a ticket. @everymancdf
OperaSceneUK retweeted
*** There’s always a danger, when adapting something as taut and psychologically airless as The Spy Who Came in from the Cold @theCentre asiw.co.uk/reviews/the-spy-w… via @ArtsSceneWales
OperaSceneUK retweeted
it is nice to see that particular kind of magic remains alive and well in this latest incarnation. @PriscillaTourUK @theCentre asiw.co.uk/reviews/priscilla… via @ArtsSceneWales
OperaSceneUK retweeted
Critique, opéra. CARDIFF, Welsh National Opera, le 16 avril 2026. WAGNER : Der Fliegende Holländer. Simon Bailey, Rachel Nicholls, James Cresswell… Tomas Hanus / Jack Furness classiquenews.com/critique-o… via @ClassiqueNews
OperaSceneUK retweeted
Can't help wondering whether spending money on rebranding, posters and fancy videos when there isn't enough money to tour sends the right message for people to get behind @WelshNatOpera and oppose @Arts_Wales_ @ace_national cuts
OperaSceneUK retweeted
*** Welsh National Opera’s latest staging of The Flying Dutchman continues a now-familiar operatic vogue: the displacement of the titular... asiw.co.uk/reviews/senta-tak… via @ArtsSceneWales
OperaSceneUK retweeted
*** The opera’s vast, mythic horizons are narrowed to the interior life of a damaged child, compelling in outline, perhaps, but ultimately constricting. #WNO @WelshNatOpera @theCentre asiw.co.uk/reviews/senta-tak… via @ArtsSceneWales
OperaSceneUK retweeted
Is this the beginning of the end for Welsh National Opera as a serious performing company? asiw.co.uk/news/hard-times-f… via @ArtsSceneWales
OperaSceneUK retweeted
MWO gives opportunity to young singers. Fingers crossed forthcoming (WNO) season announcement restores ambition & substance to what was once one of Europe’s most admired companies. asiw.co.uk/reviews/dido-and-… @ace_national @Arts_Wales_ @rncmlive @RWCMD
OperaSceneUK retweeted
"fingers must remain crossed that the forthcoming season announcement restores some ambition and substance to what was once one of Europe’s most admired opera companies (WNO) " Fine young singers at MWO. asiw.co.uk/reviews/dido-and-…
@WelshNatTheatre
@Arts_Wales_ @RWCMD
OperaSceneUK retweeted
Is there a post-Covid future for opera in Wales? @Midwalesopera @WelshNatOpera @scene_opera @Arts_Wales_ #opera #wno #mwo @https://asiw.co.uk/reviews/dido-and-aenaes-mid-wales-opera via @ArtsSceneWales

