Myron AI artist (@seirdotmk) header
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Creating AI entertainment magic for companies globally 🌍 | Speaker • Consultant • Visionary | Ready to collaborate? DM me ✨

Global
Joined April 2013
Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)Photo by Myron AI artist (@seirdotmk)
How does @Hailuo_AI's #MiniMaxH3 handle letters? Actually it's quite good! Tried a short video brief, to generate the word Amazon, and... check out the results for your self! It was able to pull it off because it has Native Multimodal Understanding & Generation!
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Smaller Than a Mothball: Escaping an Attic Boxslide in One Shot
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Myron AI artist retweeted
They won’t be coming for our guns. They’re coming for our RAM.
BREAKING: OpenAI CEO Sam Altman says having RAM in personal computers is an inefficient use of the world’s limited DRAM supply, arguing it would be better allocated to data centers, per Tom’s Hardware
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Overprint Sonata Translucent shapes stack like screen-printed passes, each layer mixing with the last into hues no single ink could hold. The grain and spatter keep every edge handcrafted, transferring that warmth and crafted optimism straight to the product. #risograph #silkscreen #editorialillustration #productdesign #midjourney
🖨️ LAYERED INK SUN: Color is math when the inks overlap | Midjourney Prompt 🖨️ [SUBJECT] manifested through chromatic overlap arithmetic, where flat translucent shapes stack and multiply into new hues where they layer, printed with risograph grain and stippled spatter softening every cut-paper edge against a clean white ground. Employ [COLOR1] in [the element it colours] and [COLOR2] in [the element it colours] to [the effect]. Shot on Phase One medium format digital with an 80mm lens, slight overhead angle, soft even light from a large diffusion panel so no shadow competes with the print-like flatness, fine art editorial illustration genre, midcentury collage silhouettes, grainy silkscreen texture, luminous color mixing, high resolution, crisp geometry, gallery finish.
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🖨️ LAYERED INK SUN: Color is math when the inks overlap | Midjourney Prompt 🖨️ [SUBJECT] manifested through chromatic overlap arithmetic, where flat translucent shapes stack and multiply into new hues where they layer, printed with risograph grain and stippled spatter softening every cut-paper edge against a clean white ground. Employ [COLOR1] in [the element it colours] and [COLOR2] in [the element it colours] to [the effect]. Shot on Phase One medium format digital with an 80mm lens, slight overhead angle, soft even light from a large diffusion panel so no shadow competes with the print-like flatness, fine art editorial illustration genre, midcentury collage silhouettes, grainy silkscreen texture, luminous color mixing, high resolution, crisp geometry, gallery finish.
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Myron AI artist retweeted
digital collage by photographer and artist Alex Hyner, which combines multiple individual photos of the sky framed by electrical towers and power lines into a stained-glass style aesthetic.
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Myron AI artist retweeted
This is stupid, but... most clients pay $1,000s for branding and... don't know what to do with it next Full tutorial - below Skill: github.com/amirmushichge/bra… Presentation tool: amirmushich.com/lab/leaf/ Bookmark for later, use forever
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Still Life, Dropped Frames Datamosh smears tear a razor-sharp macro plane into dropped-frame ribbons, graded in teal and ember like intercepted footage. The corruption makes every product read as evidence worth intercepting. SIGNAL SPLIT #datamosh #splittone #productdesign #advertising #midjourney
📼 SIGNAL SPLIT: Products are most alive at the moment the signal dies | Midjourney Prompt 📼 [SUBJECT] manifested through signal decomposition, where the frame is caught at the instant its own transmission fails: the macro plane holds surgically crisp glass highlights and amber refraction while everything behind dissolves into creamy bokeh, torn apart by horizontal datamosh smearing and chromatic fringing as if the video signal dropped frames mid-shot, the whole still graded as a dystopian techno-thriller with desaturated shadows crushed toward slate blue. Employ [COLOR1] in [the element it colours] and [COLOR2] in [the element it colours] to [the effect]. Low raking practical light grazes a matte tabletop and pools warm reflection in the dust; a flat tape swatch bearing blunt stenciled monospace type anchors the foreground edge. Phase One medium format digital, 120mm macro with focus stacking on the subject plane, dystopian product photography, fine digital grain, slight halation, compressed scanline artifacts, hyper-detailed render.
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To go where no man has gone before... Thank you for your service Captain Picard... An even better human being, Sir Patrick Stewart...
> be Patrick Stewart > grow up in a house with no bathroom or hot water > discover acting and feel safe on stage > lose your hair by 19 > think your romantic life is over > become a Shakespearean actor > spend years performing with the Royal Shakespeare Company > get offered the role of Captain Picard at 47 > be told by Ian McKellen not to take it > take it anyway > play Picard for more than 35 years > become Professor X along the way > reunite with McKellen as Magneto > get knighted by Queen Elizabeth II > speak publicly about the violence you witnessed as a child > help women and children facing domestic abuse > die at 86 > leave behind characters that millions grew up with I grew up seeing him on screen. I think part of me expected him to always be there. Rest in peace, Patrick...
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📼 SIGNAL SPLIT: Products are most alive at the moment the signal dies | Midjourney Prompt 📼 [SUBJECT] manifested through signal decomposition, where the frame is caught at the instant its own transmission fails: the macro plane holds surgically crisp glass highlights and amber refraction while everything behind dissolves into creamy bokeh, torn apart by horizontal datamosh smearing and chromatic fringing as if the video signal dropped frames mid-shot, the whole still graded as a dystopian techno-thriller with desaturated shadows crushed toward slate blue. Employ [COLOR1] in [the element it colours] and [COLOR2] in [the element it colours] to [the effect]. Low raking practical light grazes a matte tabletop and pools warm reflection in the dust; a flat tape swatch bearing blunt stenciled monospace type anchors the foreground edge. Phase One medium format digital, 120mm macro with focus stacking on the subject plane, dystopian product photography, fine digital grain, slight halation, compressed scanline artifacts, hyper-detailed render.
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Editing an 8K photo with AI used to mean shrinking it first. Downscale it, edit it, live with the lost detail. Or crop the area, edit the crop, stitch it back, then fight the seam and the color shift. @ideogram_ai Precise Edit upgrade skips both. How it works: → You draw a window around what you want changed (up to 2K) → It edits inside that window at the original pixels → It stitches the window back into the full image Everything outside the window stays untouched, at the original resolution. Ideogram says there's no seam and no color mismatch. It works on images of 8K, 16K, or larger. In their demo, a fireplace is edited inside a 9,984 × 6,656 photo. The examples they show are the small revisions clients actually ask for: • Real estate: white door → sage green • Interiors: brass pendants → matte black • Ecommerce: sneaker heel panel → burnt orange suede • Fashion: camel overcoat → forest green • Aerial panoramas work too None of it is flashy. It's useful. If you shoot high-res for clients, what's the first edit you'd throw at this? Pendant shades from brass to matte black:
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Solid Objects, Mid Evaporation Each product is strobed at the exact frame its surface turns to pigment, so the plume stays as sharp as the shell it left behind. Stillness starts reading as speed, and speed reads as engineering. PHASE SHEAR #highspeedflash #pigmentcloud #productdesign #advertisingphotography #midjourney
💠 PHASE SHEAR: Products hit harder when half of them is already dust | Midjourney Prompt 💠 [SUBJECT] manifested through sublimation shear, the instant a solid surface stops being solid and converts into airborne pigment, where the object's leading half stays razor sharp while its trailing half breaks into pointillist particulate, billowing chalky plumes and countable specks frozen by a high speed strobe against a seamless black cyclorama, every warm tone drained out, a faint wet floor reflection grounding the base. Employ [COLOR1] in the pigment cloud and the shearing particulate trail and [COLOR2] in the object's intact surface, specular edges and rim light to hold the product graphic and legible while the dust reads as pure velocity. Phase One XF IQ4 150MP, 120mm macro, focus stacked, 1/8000 flash duration, hard directional strobe from camera left with a cool rim on the far edge so highlights snap white and shadows fall to near void, contemporary advertising sportswear idiom, glossy and graphic, clean slightly compressed lens character, low wide hero composition, sharp dust grain, high detail, commercial finish.
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If you run an ecommerce or real-estate image pipeline, this one ships with an API. @ideogram_ai Precise Edit: you send a window of up to 2K inside a huge image (8K, 16K+), it edits only that area, and returns the full image at its original resolution. Recolor a product panel, swap a fixture, change a garment color, without the rest of the image going through a model. API docs below: developer.ideogram.ai/api-re…
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The hard part of AI image editing was never the edit. It was resolution. Most workflows made you downscale large images or stitch edited crops back in, and pay for it in detail, seams, or color shifts. Ideogram's Precise Edit goes after that directly: a window of up to 2K edited at original pixels inside images of 8K, 16K, or larger. The rest of the image stays as it was. Less exciting than "generate anything." More useful for paid work.
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Myron AI artist retweeted
10 years ago, I left my job To work for global music stars, brands and agencies. To become popular with my music (never did, still 😒). To make something with my life to serve this world better. So much want to say. And here’s a bit:
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Myron AI artist retweeted
Cinematic desert action sequence in golden hour light, beautiful Arab woman with long dark hair in traditional keffiyeh scarf and modern desert attire driving a classic red muscle car, intense high-speed chase with motorcycle rider in thobe and ghutra, monster truck appears, low angle flyover shot, she smiles confidently and accelerates, sharp faces in fast motion, multiple shots with hard cuts, realistic audio of engines and wind, 4K @ideogram_ai 🎬
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💠 PHASE SHEAR: Products hit harder when half of them is already dust | Midjourney Prompt 💠 [SUBJECT] manifested through sublimation shear, the instant a solid surface stops being solid and converts into airborne pigment, where the object's leading half stays razor sharp while its trailing half breaks into pointillist particulate, billowing chalky plumes and countable specks frozen by a high speed strobe against a seamless black cyclorama, every warm tone drained out, a faint wet floor reflection grounding the base. Employ [COLOR1] in the pigment cloud and the shearing particulate trail and [COLOR2] in the object's intact surface, specular edges and rim light to hold the product graphic and legible while the dust reads as pure velocity. Phase One XF IQ4 150MP, 120mm macro, focus stacked, 1/8000 flash duration, hard directional strobe from camera left with a cool rim on the far edge so highlights snap white and shadows fall to near void, contemporary advertising sportswear idiom, glossy and graphic, clean slightly compressed lens character, low wide hero composition, sharp dust grain, high detail, commercial finish.
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The Transparent Burden This aesthetic uses micro-textural overlays and refractive plastic surfaces to highlight the tension between mass and liquidity, transferring a sense of impossible cleanliness to the product. BIOPLASTIC CUBE #hyperrealcgi #productphotography #productstyling #visualmerchandising #midjourney
Material designers spend years making plastics that feel organic. Midjourney skips the years and the physics. 💧 Bioplastic Cube. Prompt below: [SUBJECT] manifested through cellular fractal geometry, where [the concept], built entirely from frosted satin plastic and glassy liquid, is suspended under a broad soft box raking from upper right, blown to a pale mint haze at the corner, wrapping surfaces with long specular slides and tiny pinpoint highlights in every bubble. Employ [COLOR1] in the smooth plastic contours and [COLOR2] in the liquid viscosity to achieve a hyperrealistic edible finish. Shot on Phase One with 14mm macro lens, shallow depth of field, studio strobes, fine art product, meticulous macro rendering, creamy falloff, hyper-detailed textures.
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Myron AI artist retweeted
I challenged myself to make a movie with only one AI model. Images, video, voices, sound, everything. Workflows free for you to download!
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Material designers spend years making plastics that feel organic. Midjourney skips the years and the physics. 💧 Bioplastic Cube. Prompt below: [SUBJECT] manifested through cellular fractal geometry, where [the concept], built entirely from frosted satin plastic and glassy liquid, is suspended under a broad soft box raking from upper right, blown to a pale mint haze at the corner, wrapping surfaces with long specular slides and tiny pinpoint highlights in every bubble. Employ [COLOR1] in the smooth plastic contours and [COLOR2] in the liquid viscosity to achieve a hyperrealistic edible finish. Shot on Phase One with 14mm macro lens, shallow depth of field, studio strobes, fine art product, meticulous macro rendering, creamy falloff, hyper-detailed textures.
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Myron AI artist retweeted
Trump says they will officially ban the term AI/artificial intelligence.
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